Graphic Refuge: Visuality and Mobility in Refugee Comics
Graphic Refuge is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas.

Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs.

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Graphic Refuge: Visuality and Mobility in Refugee Comics
Graphic Refuge is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas.

Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs.

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Graphic Refuge: Visuality and Mobility in Refugee Comics

Graphic Refuge: Visuality and Mobility in Refugee Comics

Graphic Refuge: Visuality and Mobility in Refugee Comics

Graphic Refuge: Visuality and Mobility in Refugee Comics

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Overview

Graphic Refuge is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas.

Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs.


Product Details

ISBN-13: 9781771126915
Publisher: Wilfrid Laurier University Press
Publication date: 06/10/2025
Series: Crossing Lines , #2
Pages: 312
Product dimensions: 6.00(w) x 9.00(h) x 0.00(d)

About the Author

Dominic Davies (Author)
Dominic Davies is Senior Lecturer in English at City St George’s, University of London. He writes widely on infrastructure, empire, and migration in literature and culture. He is the author of Urban Comics (Routledge 2019) and The Broken Promise of Infrastructure (Lawrence Wishart 2023), and co-editor of Documenting Trauma in Comics (Palgrave 2020), among other books.

Candida Rifkind (Author)
Candida Rifkind is Professor of English at the University of Winnipeg, where she specializes in alternative comics and Canadian literature. In addition to numerous publications, she co-edited Documenting Trauma: Traumatic Pasts, Embodied Histories & Graphic Reportage in Comics (Palgrave 2020) and Canadian Graphic: Picturing Life Narratives (Wilfrid Laurier UP, 2016).

Table of Contents

List of Figures

Acknowledgements

Foreword (Vinh Nguyen)

Introduction (Davies and Rifkind)

PART ONE: THE SEA AND THE CAMP 

Chapter One: Clandestine Crossings: Refugee Comics at Sea (Davies)

Chapter Two: The Postdocumentary Turn: Refugee Camp Comics (Rifkind)

PART TWO: VISUAL TECHNOLOGIES

Chapter Three: Unknown Knowns: Refugee Comics and the War on Terror (Davies)

Chapter Four: Digital Humanitarianism: Interactive Refugee Comics(Rifkind)

PART THREE: RUINS AND REFUGE 

Chapter Five: Remote Sensing: Refugee Comics in Ruins (Davies) 

Chapter Six: Diasporic Displacements: Second-Generation Refugee Comics (Rifkind)

Epilogue: Refuge Comics (Davies and Rifkind)

Bibliography

Copyright Acknowledgements

Index

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