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Greek Reflections on the Nature of Music
In this book, Flora Levin explores how and why music was so important to the ancient Greeks. She examines the distinctions that they drew between the theory of music as an art ruled by number and the theory wherein number is held to be ruled by the art of music. These perspectives generated more expansive theories, particularly the idea that the cosmos is a mirror-image of music’s structural elements and, conversely, that music by virtue of its cosmic elements – time, motion, and the continuum – is itself a mirror-image of the cosmos. These opposing perspectives gave rise to two opposing schools of thought, the Pythagorean and the Aristoxenian. Levin argues that the clash between these two schools could never be reconciled because the inherent conflict arises from two different worlds of mathematics. Her book shows how the Greeks’ appreciation of the profundity of music’s interconnections with philosophy, mathematics, and logic led to groundbreaking intellectual achievements that no civilization has ever matched.
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Greek Reflections on the Nature of Music
In this book, Flora Levin explores how and why music was so important to the ancient Greeks. She examines the distinctions that they drew between the theory of music as an art ruled by number and the theory wherein number is held to be ruled by the art of music. These perspectives generated more expansive theories, particularly the idea that the cosmos is a mirror-image of music’s structural elements and, conversely, that music by virtue of its cosmic elements – time, motion, and the continuum – is itself a mirror-image of the cosmos. These opposing perspectives gave rise to two opposing schools of thought, the Pythagorean and the Aristoxenian. Levin argues that the clash between these two schools could never be reconciled because the inherent conflict arises from two different worlds of mathematics. Her book shows how the Greeks’ appreciation of the profundity of music’s interconnections with philosophy, mathematics, and logic led to groundbreaking intellectual achievements that no civilization has ever matched.
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Greek Reflections on the Nature of Music

Greek Reflections on the Nature of Music

by Flora R. Levin
Greek Reflections on the Nature of Music

Greek Reflections on the Nature of Music

by Flora R. Levin

Overview

In this book, Flora Levin explores how and why music was so important to the ancient Greeks. She examines the distinctions that they drew between the theory of music as an art ruled by number and the theory wherein number is held to be ruled by the art of music. These perspectives generated more expansive theories, particularly the idea that the cosmos is a mirror-image of music’s structural elements and, conversely, that music by virtue of its cosmic elements – time, motion, and the continuum – is itself a mirror-image of the cosmos. These opposing perspectives gave rise to two opposing schools of thought, the Pythagorean and the Aristoxenian. Levin argues that the clash between these two schools could never be reconciled because the inherent conflict arises from two different worlds of mathematics. Her book shows how the Greeks’ appreciation of the profundity of music’s interconnections with philosophy, mathematics, and logic led to groundbreaking intellectual achievements that no civilization has ever matched.

Product Details

ISBN-13: 9781107459878
Publisher: Cambridge University Press
Publication date: 11/06/2014
Edition description: Reprint
Pages: 366
Product dimensions: 6.06(w) x 9.06(h) x 0.87(d)

About the Author

Flora Levin is an independent scholar of the classical world. She is the author of two monographs on Nicomachus of Gerasa and has contributed to TAPA, Hermes and The New Grove Dictionary of Music.

Table of Contents

1. All deep things are song; 2. We are all Aristoxenians; 3. The discrete and the continuous; 4. Magnitudes and multitudes; 5. The topology of melody; 6. Aristoxenus of Tarentum and Ptolemaïs of Cyrene; 7. Aisthēsis and Logos: a single continent; 8. The infinite and the infinitesimal.
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