Greenhorn

Greenhorn

Hardcover

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Product Details

ISBN-13: 9781588382351
Publisher: NewSouth, Incorporated
Publication date: 03/01/2012
Pages: 48
Product dimensions: 5.30(w) x 7.10(h) x 0.40(d)
Age Range: 10 - 14 Years

About the Author

Anna Olswanger's Shlemiel Crooks (Junebug Books) is a Sydney Taylor Honor Book and PJ Library Book. In 2011 the Kaufman Center premiered a family musical based on Shlemiel Crooks at Merkin Hall in New York. Anna lives in the metro New York City area and is a literary agent with Liza Dawson Associates. Her website is www.olswanger.com.

Miriam Nerlove is a freelance artist and illustrator. A graduate of Oberlin College in Ohio, she received her master's degree in printmaking from Pratt Institute in Brooklyn, New York, and worked for a time in the photograph and slide library at the Metropolitan Museum of Art in New York City. She currently lives with her family just outside Chicago, where in addition to illustrating, she enjoys writing, music and painting, and working part-time at a library.

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Greenhorn 4.7 out of 5 based on 0 ratings. 3 reviews.
Rubygarnet on LibraryThing 5 months ago
A heartachy, beautiful tale of two young Jewish boys.
This_Kid_Reviews_Books More than 1 year ago
Aaron, a young Jewish boy living in 1946 Brooklyn, attends a yeshiva (boarding school for Jewish boys). When 20 boys who survived the holocaust and came from a concentration camp arrive at the yeshiva, they fit right in. All except one. Daniel barely talked, and he always kept a hold of a small tin box. Daniel goes through relentless teasing from the other boys (except Aaron, who is also teased because of his stutter, and became a friend of Daniel’s) because he would not say what it contained. When the boys get fed up, they manhandle the box away from Daniel. When the rebbe (teacher) walks in on this, he has Daniel open the box (after stopping the boys, of course). It contains a bar of soap. Not a big deal, right? Not quite. Apparently, the Nazis had experimented making soap in the concentration camps. Daniel has it to remember his deceased parents. This was a well-written nonfiction story about a holocaust concentration camp survivor and the friend he makes in Aaron. But, it is also about so much more. The story is for middle grade readers but it is only 48 pages (with illustrations). The writing was solid and the story was incredible but I would have liked the story to be expanded into a full novel – it was that good and it would be better for kids my age to have more details/backstory. The book is based on a true story. Aaron is a real person (with a different name of course) and I think that I would’ve liked to have met the young Rabbi Rafael Grossman (AKA Aaron). The color illustrations were a nice addition to the story and went well with it. The history taught in the book and the message – is very important. I’d just love to see this as a novel. The publisher has a parent and teacher guide to go along with the story. *NOTE* I got a free copy of this book in exchange for an honest review
charles-weinblatt More than 1 year ago
In 1946, a young orphan from Poland arrives at a New York yeshiva where he will study and live. Narrated by a stuttering boy named Aaron, this is the story of young Daniel, whose parents died in the Holocaust. Daniel is an extremely quiet boy who constantly clutches a tin box, the contents of which remain a noteworthy secret, and who becomes a topic of great interest to the yeshiva boys. Aaron, dubbed "Gravel Mouth" because he stutters, has a huge heart. Daniel knows nothing of America; yet he desperately needs a good friend. Aaron, the stutterer, has a heart of gold, but he is bullied by the other students. The connection is instantaneous. Daniel is handicapped because he speaks almost no English. Aaron speaks English, but his stuttering is a similar handicap. Together, they face an uncertain life and discrimination. Anna Olswanger (Shlemiel Crooks, 2005) has crafted a marvelous Holocaust book for youth. She carefully introduces the Shoah in a poignant and dramatic manner, without revealing the shocking violence and brutality inflicted by Nazis upon the innocent Jewish families of Europe. Instead, Greenhorn produces a sense of boyhood camaraderie within the encroaching shadow of the Holocaust. Instances of the terrifying violence and cruelty of the Holocaust are explored within the statements of Daniel's yeshiva companions. Here, Olswanger opens the door to a childlike exploration of the Holocaust between the child reader and a responsible adult. The mystery of the tin box in the unrelenting hands of Daniel drives this fascinating story ever-onward. The box is little more than a curiosity to the yeshiva boys. But to Daniel, it means everything. It is the only physical connection to his lost loved ones and a life increasingly distant. The contents of the tin box represent the unbound terror of Nazi genocide. This is humanity's darkest point in history. It is frightful beyond imagination. Yet, it equally serves as a powerful metaphor. While we can hold onto potent memories of lost love, we must bury the physical artifacts that prevent us from moving past the genocide and into a new life filled with wonder and potential. Familiarity between Aaron and Daniel evolves as Aaron's ubiquitous invitations to a close friendship gradually chip away the veneer of Daniel's frosty countenance. Everyone requires a special friend; someone that she or he can use as a sounding board for special memories and enticing new concepts, a person whose amity will never falter. Eventually, Daniel allows Aaron to view the astonishing contents of the box. As Daniel finds a true friend in Aaron, so does Aaron find his true voice in the unforeseen companionship. Eventually the other yeshiva boys join in and Daniel is accepted as part of the group. This is a book that families can share with children when it is time to introduce the concept of the Shoah. Although the tale exists in a yeshiva, replete with Jewish concepts and values, any family can comprehend losing loved ones as a child, as well as the powerful healing value of friendship. Ms. Olswanger is to be commended for careful attention to detail required by any historical work. The idiosyncrasies of colloquial American English of the period are reflected in the vernacular of the boy's verbal communication. The dialect of this communication is entirely appropriate, if not also creative. This book is enhanced even farther with the addition of many excellent illustrations, each one reflecting the environment, participants, the box, the boys' clothing and the emotional affect of the situation. Thankfully, few of us will ever be in a position of losing all of our loved ones to genocide. Hopefully, humanity will grow beyond the realm of mass murder based upon intolerance. Greenhorn proffers a child's perception of having his parents and family stripped away at a tender young age. Here we find a perfect launching point for a discussion of the Holocaust aimed at youthful learners. Alone in the world, poor Daniel clutches to the only artifacts of his parents in a tin box. Driven by abject fear and horrific personal loss, Daniel can only be saved by the tender mercy shown to him by a young yeshiva boy in New York. In this compelling symbiotic relationship, Aaron and Daniel heal each other. Reviewer Charles Weinblatt is the author of the novel, Jacob's Courage: A Holocaust Love Story (Mazo Publishers).