During the two-year interim separating
Harmony Corruption from
Napalm Death's previous album, the band totally revamped its lineup and its sound as well, moving toward the more expansive horizons of standard
death metal. This move inspired quite a bit of debate among fans.
Napalm Death had been -- and will always be -- the definitive
grindcore band, as exemplified by
Scum (1987) and
From Enslavement to Obliteration (1988), the two albums that practically alone defined an entire new style of extreme
metal. However, the
Napalm Death of those two albums is not the
Napalm Death of
Harmony Corruption, not in membership nor sound. The band's vocalist,
Lee Dorian, split (to join
Cathedral), as did guitarist
Bill Steer (
Carcass), leaving only the band's rhythm section: bassist
Shane Embury and drummer
Mick Harris.
Barney Greenway (formerly of
Benediction) takes over for
Dorian, while both
Jesse Pintado (
Terrorizer) and
Mitch Harris (
Righteous Pigs) take over for
Steer. The addition of
Pintado and
Harris particularly opened up a new realm of possibilities for
Napalm Death, and the band indeed stretches out musically. Whereas the sound of
Scum and
Enslavement had been characterized by one- or two-minute
grindcore blasts, the sound of
Harmony Corruption is more expansive. The songs range from two minutes to over five, and
Pintado and
Harris often interweave their guitar playing into a dense, dizzying wall of sound that never quite relents until the album reaches its final conclusion. The guitar playing is varied and intricate here; you can hear the distinction between
Pintado and
Harris as they bob and weave around one another. This is much different from
Steer's playing, which had been essentially a frenzied, distorted blur. Furthermore, the band performs full-fledged songs here, not start-stop eruptions of
noise. A song like
"Suffer the Children" would have been incredibly out of place on
Enslavement. In fact, most of the songs here would have been out of place there -- these are straightforward
death metal songs, not
grindcore blasts.
Scott Burns makes this all the more apparent with his crystal-clear production. The resounding question, though, is whether or not all this is good or bad.
Napalm Death play like a tight, muscular
death metal band on
Harmony Corruption (best highlighted by the aforementioned
"Suffer the Children"), which puts them within the norm for the first time and puts them much at odds with their former selves. Whether or not you favor a
death metal style to a
grindcore one is a question worth asking, but the underlying fact of the matter is that
Napalm Death are a new band here, one that plays powerful, albeit relatively straightforward,
death metal. But only for this album. Their next album,
Utopia Banished (1992), would spiral them off into a more
experimental hybrid of
grindcore and
death metal, which is where they'd remain for years afterward -- out there, somewhere in between. All considered,
Harmony Corruption is a bit of a novel album for the band, though one that's not especially remarkable in the big picture. ~ Jason Birchmeier