A special new edition in celebration of the 20th anniversary of the publication of Harry Potter and the Sorcerer's Stone, with a stunning new cover illustration by Caldecott Medalist Brian Selznick. Harry Potter and the Goblet of Fire is the pivotal fourth novel in the seven-part tale of Harry Potter's training as a wizard and his coming of age. Harry wants to get away from the pernicious Dursleys and go to the International Quidditch Cup with Hermione, Ron, and the Weasleys. He wants to dream about Cho Chang, his crush (and maybe do more than dream). He wants to find out about the mysterious event involving two other rival schools of magic, and a competition that hasn't happened for a hundred years. He wants to be a normal, fourteen-year-old wizard. Unfortunately for Harry Potter, he's not normal - even by wizarding standards. And in this case, different can be deadly. This gorgeous new edition in celebration of the 20th anniversary of the publication of Harry Potter and the Sorcerer's Stone features a newly designed cover illustrated by Caldecott Medalist Brian Selznick, as well as the beloved original interior decorations by Mary GrandPré.
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About the Author
In 2020, she returned to publishing for younger children with the fairy tale The Ickabog, which she initially published for free online for children in lockdown, later donating all her book royalties to help vulnerable groups affected by the Covid-19 pandemic.
J.K. Rowling has received many awards and honors for her writing, including for her detective series written under the name Robert Galbraith. She supports a wide number of humanitarian causes through her charitable trust Volant, and is the founder of the children’s care reform charity Lumos.
For as long as she can remember, J.K. Rowling wanted to be a writer, and is at her happiest in a room, making things up. She lives in Scotland with her family.Brian Selznick’s books have sold millions of copies, garnered countless awards worldwide, and been translated into more than 35 languages. He broke open the novel form with his innovative and genre-defying thematic trilogy, beginning with the Caldecott Medal-winning #1 New York Times bestseller The Invention of Hugo Cabret, adapted into Martin Scorsese's Oscar-winning movie Hugo. He followed that with the #1 New York Times bestseller, Wonderstruck, adapted into the eponymous movie by celebrated filmmaker Todd Haynes, with a screenplay by Selznick, and the New York Times bestseller, The Marvels. Selznick’s two most recent books for young people, Baby Monkey, Private Eye, co-written with his husband David Serlin, and Kaleidoscope, a New York Times Notable Children’s Book of 2021, were both New York Times bestsellers as well. He also illustrated the 20th anniversary edition covers of J.K. Rowling's Harry Potter series. Selznick and Serlin divide their time between Brooklyn, New York and La Jolla, California. Learn more at thebrianselznick.com and mediaroom.scholastic.com/brianselznick. Mary GrandPré has illustrated more than twenty beautiful books, including The Noisy Paint Box by Barb Rosenstock, which received a Caldecott Honor; Cleonardo, the Little Inventor, of which she is also the author; and the original American editions of all seven Harry Potter novels. Her work has also appeared in the New Yorker, the Atlantic Monthly, and the Wall Street Journal, and her paintings and pastels have been shown in galleries across the United States. Ms. GrandPré lives in Sarasota, Florida, with her family.
Date of Birth:July 31, 1965
Place of Birth:Chipping Sodbury near Bristol, England
Read an Excerpt
1. The Riddle HouseThe villagers of Little Hangleton still called it "the Riddle House," even though it had been many years since the Riddle family had lived there. It stood on a hill overlooking the village, some of its windows boarded, tiles missing from its roof, and ivy spreading unchecked over its face. Once a fine-looking manor, and easily the largest and grandest building for miles around, the Riddle House was now damp, derelict, and unoccupied.
The Little Hangletons all agreed that the old house was "creepy." Half a century ago, something strange and horrible had happened there, something that the older inhabitants of the village still liked to discuss when topics for gossip were scarce. The story had been picked over so many times, and had been embroidered in so many places, that nobody was quite sure what the truth was anymore. Every version of the tale, however, started in the same place: Fifty years before, at daybreak on a fine summer's morning, when theRiddle House had still been well kept and impressive, a maid had entered the drawing room to find all three Riddles dead.
The maid had run screaming down the hill into the village and roused as many people as she could.
"Lying there with their eyes wide open! Cold as ice! Still in their dinner things!"
The police were summoned, and the whole of Little Hangleton had seethed with shocked curiosity and ill-disguised excitement. Nobody wasted their breath pretending to feel very sad about the Riddles, for they had been most unpopular. Elderly Mr. and Mrs. Riddle had been rich, snobbish, and rude, and their grown-up son, Tom, had been, if anything, worse. All the villagers cared about was the identity oftheir murderer for plainly, three apparently healthy people did not all drop dead of natural causes on the same night.
The Hanged Man, the village pub, did a roaring trade that night; the whole village seemed to have turned out to discuss the murders. They were rewarded for leaving their firesides when the Riddles' cook arrived dramatically in their midst and announced to the suddenly silent pub that a man called Frank Bryce had just been arrested.
"Frank!" cried several people. "Never!"
Frank Bryce was the Riddles' gardener. He lived alone in a rundown cottage on the grounds of the Riddle House. Frank had come back from the war with a very stiff leg and a great dislike of crowds and loud noises, and had been working for the Riddles ever since.
There was a rush to buy the cook drinks and hear more details.
"Always thought he was odd," she told the eagerly listening villagers, after her fourth sherry. "Unfriendly, like. I'm sure if I've offered him a cuppa once, I've offered it a hundred times. Never wanted to mix, he didn't."
"Ah, now," said a woman at the bar, "he had a hard war, Frank. He likes the quiet life. That's no reason to -"
"Who else had a key to the back door, then?" barked the cook. "There's been a spare key hanging in the gardener's cottage far back as I can remember! Nobody forced the door last night! No broken windows! All Frank had to do was creep up to the big house while we was all sleeping . . . ."
The villagers exchanged dark looks.
"I always thought he had a nasty look about him, right enough," grunted a man at the bar.
"War turned him funny, if you ask me," said the landlord.
"Told you I wouldn't like to get on the wrong side of Frank, didn't I, Dot?" said an excited woman in the corner.
"Horrible temper," said Dot, nodding fervently. "I remember, when he was a kid. . ."
By the following morning, hardly anyone in Little Hangleton doubted that Frank Bryce had killed the Riddles.
But over in the neighboring town of Great Hangleton, in the dark and dingy police station, Frank was stubbornly repeating, again and again, that he was innocent, and that the only person he had seen near the house on the day of the Riddles' deaths had been a teenage boy, a stranger, dark-haired and pale. Nobody else in the village had seen any such boy, and the police were quite sure that Frank had invented him.
Then, just when things were looking very serious for Frank, the report on the Riddles' bodies came back and changed everything.
The police had never read an odder report. A team of doctors had examined the bodies and had concluded that none of the Riddles had been poisoned, stabbed, shot, strangled, suffocated, or (as far as they could tell) harmed at all. In fact (the report continued, in a tone of unmistakable bewilderment), the Riddles all appeared to be in perfect health - apart from the fact that they were all dead. The doctors did note (as though determined to find something wrong with the bodies) that each of the Riddles had a look of terror upon his or her face - but as the frustrated police said, whoever heard of three people being frightened to death?
As there was no proof that the Riddles had been murdered at all, the police were forced to let Frank go. The Riddles were buried in the Little Hangleton churchyard, and their graves remained objects of curiosity for a while. To everyone's surprise, and amid a cloud of suspicion, Frank Bryce returned to his cottage on the grounds of the Riddle House.
"'S far as I'm concerned, he killed them, and I don't care what the police say," said Dot in the Hanged Man. "And if he had any decency, he'd leave here, knowing as how we knows he did it."
But Frank did not leave. He stayed to tend the garden for the next family who lived in the Riddle House, and then the next for neither family stayed long. Perhaps it was partly because of Frank that the new owners said there was a nasty feeling about the place, which, in the absence of inhabitants, started to fall into disrepair...