Hero or Villain?: Essays on Dark Protagonists of Television

Hero or Villain?: Essays on Dark Protagonists of Television

Paperback

$39.95
View All Available Formats & Editions
Eligible for FREE SHIPPING
  • Want it by Friday, September 28?   Order by 12:00 PM Eastern and choose Expedited Shipping at checkout.
    Same Day shipping in Manhattan. 
    See Details

Overview

Hero or Villain?: Essays on Dark Protagonists of Television by Abigail G. Scheg

One dimensional television characters are a thing of the past—today's popular shows feature intricate storylines and well developed characters. From the brooding Damon Salvatore in The Vampire Diaries to the tough-minded Rick Grimes in The Walking Dead, protagonists are not categorically good, antagonists often have relatable good sides, and heroes may act as antiheroes from one episode to the next.
This collection of new essays examines the complex characters in Orange Is the New Black, Homeland, Key & Peele, Oz, Empire, Breaking Bad, House, and Buffy the Vampire Slayer.

Product Details

ISBN-13: 9781476667690
Publisher: McFarland & Company, Incorporated Publishers
Publication date: 12/13/2017
Pages: 220
Product dimensions: 5.90(w) x 8.70(h) x 0.70(d)

About the Author

Abigail G. Scheg is the Associate Dean of Faculty for the School of Business at Northcentral University. She researches, teaches, and publishes in the areas of composition, young adult literature, online pedagogy, and educational technology. She lives in Baden, Pennsylvania. Tamara Girardi is an assistant professor of English at Harrisburg Area Community College. She lives in Pittsburgh, Pennsylvania.

Table of Contents

Table of Contents


Introduction (Abigail G. Scheg and Tamara Girardi) 1

Bad Cops and Good Inmates: Shifting Power Structures in Prison Dramas Oz and Orange Is the New Black (Stephanie Lim) 7

Harrison Wells and the Making of Identities: The Scientist, the Father and the Family in the Cosmic Battle of Good and Evil in The Flash

(Hannah Swamidoss) 22

Bad Men: The Fan Culture and Postmasculinity of Breaking Bad (Jack Clarke) 33

Breaking It Down: Expressing Black Selfhood and Subverting

Binaries of Good and Bad in Key & Peele (Hilarie Ashton) 48

Talk Bluntly and Carry a Pointy Stick: Violence and Verbal Complexity in Buffy the Vampire Slayer (Tirza I. Leader and Darcy Mullen) 60

“I need an antiheroine”: Female Antiheroes in American Quality

Television (Sotiris Petridis) 74

A Dangerous Mind: An Examination of the Effectiveness

of Walter White as Educator (Richard L. Mehrenberg) 84

Building (an) Empire: Queer Sacrifices in Lee Daniels’ Empire (Robert LaRue) 96

Merlin: Magician, Man and Manipulator in Camelot (Caroline Womack) 109

“This isn’t a democracy anymore”: The Walking Dead’s Rick Grimes and the ­Post-Apocalyptic Good Cop/Bad Cop (Annette Schimmelpfennig) 123

“The girl needs a little monster in her man”: Heroes and Villains in the Works of Joss Whedon (Don Tresca) 136

The Detective, the Pastor and the Thief: Backstrom’s

Negotiations of Morality (Alissa Burger) 149

Building and Breaking an Antihero: The Rise of Sonny Corinthos

(Jacinta Yanders) 162

You Can’t Go Home Again: The Multiple Heroisms of Sergeant Nicholas Brody (Lloyd Isaac Vayo) 174

Good Bad Boys and the Women Who Love Them: Romantic Triangulation and the Ideal of Conformist Assimilation in The Vampire Diaries and True Blood (Ana G. Gal) 186

Deconstructing the Dichotomy That Is House, M.D.: A Carnivalesque Look at a Good Diagnostician/Bad Guy (Gillian Collie) 198

About the Contributors 211

Index 213

Customer Reviews

Most Helpful Customer Reviews

See All Customer Reviews