Despite their self-presentation as iconoclasts, the writers of the Beat Generation were deeply engaged with the classical tradition. Many of them were university-trained and highly conscious of their literary forebears, and they frequently incorporated their knowledge of Greco-Roman literature into their own subversive, experimental practice. Seeking to transcend the superficiality, commercialism, and precariousness of life in post-World War II America, the Beat writers found in their classical models both a venerable literary heritage and a discourse of sublimity through which to articulate their desire for purity. In this volume, a diverse group of contributors explore for the first time the fascinating tensions and paradoxes that arose from interactions between these avant-garde writers and a literary tradition often seen as conservative and culturally hegemonic. With essays that cover the canonical Beat authorssuch as Allen Ginsberg, Jack Kerouac, and William Burroughsalong with less well-known figuresincluding Kenneth Rexroth, Ed Sanders, and Diane di PrimaHip Sublime: Beat Writers and the Classical Tradition brings long overdue attention to the Beat movement’s formative appropriation of the Greek and Latin classics.
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Hip Sublime: Beat Writers and the Classical Tradition
Despite their self-presentation as iconoclasts, the writers of the Beat Generation were deeply engaged with the classical tradition. Many of them were university-trained and highly conscious of their literary forebears, and they frequently incorporated their knowledge of Greco-Roman literature into their own subversive, experimental practice. Seeking to transcend the superficiality, commercialism, and precariousness of life in post-World War II America, the Beat writers found in their classical models both a venerable literary heritage and a discourse of sublimity through which to articulate their desire for purity. In this volume, a diverse group of contributors explore for the first time the fascinating tensions and paradoxes that arose from interactions between these avant-garde writers and a literary tradition often seen as conservative and culturally hegemonic. With essays that cover the canonical Beat authorssuch as Allen Ginsberg, Jack Kerouac, and William Burroughsalong with less well-known figuresincluding Kenneth Rexroth, Ed Sanders, and Diane di PrimaHip Sublime: Beat Writers and the Classical Tradition brings long overdue attention to the Beat movement’s formative appropriation of the Greek and Latin classics.
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Product Details
ISBN-13: | 9780814254691 |
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Publisher: | Ohio State University Press |
Publication date: | 04/07/2018 |
Series: | Classical Memories/Modern Identitie |
Edition description: | 1 |
Pages: | 304 |
Product dimensions: | (w) x (h) x 0.90(d) |
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