Historical Representation
This book fully recognizes the aestheticism inherent in historical writing while acknowledging its claim to satisfy the demands of rational and scientific inquiry. Focusing on the notion of representation and on the necessity of distinguishing between representation and description, it argues that the traditional semantic apparatus of meaning, truth, and reference that we use for description must be redefined if we are to understand properly the nature of historical writing.

The author shows that historical representation is essentially aesthetic, though its adequacy can be discussed rationally. He defines the criteria for representational adequacy, and examines the relationship between these criteria and value judgments. He also investigates the historicist conception of historical writing and the notions of identity and narrativity. This investigation takes place against the backdrop of the ideas of four of the most influential contemporary historical theorists: Erich Auerbach, Arthur Danto, Hayden White, and Jörn Rüsen.

The book aims to identify and to explore for historical theory the juste milieu between the extravagances of the literary approach to historical writing and the narrow-mindedness of empiricists. The search for this juste milieu leads to a rationalist aesthetics of historical writing, a position that repeats both the aesthetic dimension of all historical writing and the criteria defining the rationality of the discipline of history.

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Historical Representation
This book fully recognizes the aestheticism inherent in historical writing while acknowledging its claim to satisfy the demands of rational and scientific inquiry. Focusing on the notion of representation and on the necessity of distinguishing between representation and description, it argues that the traditional semantic apparatus of meaning, truth, and reference that we use for description must be redefined if we are to understand properly the nature of historical writing.

The author shows that historical representation is essentially aesthetic, though its adequacy can be discussed rationally. He defines the criteria for representational adequacy, and examines the relationship between these criteria and value judgments. He also investigates the historicist conception of historical writing and the notions of identity and narrativity. This investigation takes place against the backdrop of the ideas of four of the most influential contemporary historical theorists: Erich Auerbach, Arthur Danto, Hayden White, and Jörn Rüsen.

The book aims to identify and to explore for historical theory the juste milieu between the extravagances of the literary approach to historical writing and the narrow-mindedness of empiricists. The search for this juste milieu leads to a rationalist aesthetics of historical writing, a position that repeats both the aesthetic dimension of all historical writing and the criteria defining the rationality of the discipline of history.

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Historical Representation

Historical Representation

by F. R. Ankersmit
Historical Representation

Historical Representation

by F. R. Ankersmit

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Overview

This book fully recognizes the aestheticism inherent in historical writing while acknowledging its claim to satisfy the demands of rational and scientific inquiry. Focusing on the notion of representation and on the necessity of distinguishing between representation and description, it argues that the traditional semantic apparatus of meaning, truth, and reference that we use for description must be redefined if we are to understand properly the nature of historical writing.

The author shows that historical representation is essentially aesthetic, though its adequacy can be discussed rationally. He defines the criteria for representational adequacy, and examines the relationship between these criteria and value judgments. He also investigates the historicist conception of historical writing and the notions of identity and narrativity. This investigation takes place against the backdrop of the ideas of four of the most influential contemporary historical theorists: Erich Auerbach, Arthur Danto, Hayden White, and Jörn Rüsen.

The book aims to identify and to explore for historical theory the juste milieu between the extravagances of the literary approach to historical writing and the narrow-mindedness of empiricists. The search for this juste milieu leads to a rationalist aesthetics of historical writing, a position that repeats both the aesthetic dimension of all historical writing and the criteria defining the rationality of the discipline of history.


Product Details

ISBN-13: 9780804739801
Publisher: Stanford University Press
Publication date: 01/02/2002
Series: Cultural Memory in the Present
Edition description: 1
Pages: 336
Product dimensions: 6.00(w) x 9.00(h) x 0.76(d)

About the Author

Frank Ankersmit is Professor of History at the University of Groningen, The Netherlands. Among his many books are Political Representation (Stanford, 2001) and Aesthetic Politics: Political Philosophy Beyond Fact and Value (Stanford, 1997)

Table of Contents

Acknowledgmentsix
Introduction1
Part IHistorical Theory
1The Linguistic Turn: Literary Theory and Historical Theory29
2In Praise of Subjectivity75
Part IIHistorical Consciousness
3Gibbon and Ovid: History as Metamorphosis107
4The Dialectics of Narrativist Historism123
5The Postmodernist "Privatization" of the Past149
6Remembering the Holocaust: Mourning and Melancholia176
Part IIITheorists
7Why Realism? Auerbach on the Representation of Reality197
8Danto on Representation, Identity, and Indiscernibles218
9Hayden White's Appeal to the Historians249
10Rusen on History and Politics262
Epilogue281
Notes289
Index317
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