History and Popular Memory: The Power of Story in Moments of Crisis
When people experience a traumatic event, such as war or the threat of annihilation, they often turn to history for stories that promise a positive outcome to their suffering. Durgaing World War II, the French took comfort in the story of Joan of Arc and her heroic efforts to rid France of foreign occupation. To bring the Joan narrative more into line with current circumstances, however, popular retellings modified the original story so that what people believed took place in the past was often quite different from what actually occurred.

Paul A. Cohen identifies this interplay between story and history as a worldwide phenomenon, found in countries of radically different cultural, religious, and social character. He focuses here on Serbia, Israel, China, France, the Soviet Union, and Great Britain, all of which experienced severe crises in the twentieth century and, in response, appropriated age-old historical narratives that resonated with what was happening in the present to serve a unifying, restorative purpose.

A central theme in the book is the distinction between popular memory and history. Although vitally important to historians, this distinction is routinely blurred in people's minds, and the historian's truth often cannot compete with the power of a compelling story from the past, even when it has been seriously distorted by myth or political manipulation. Cohen concludes by suggesting that the patterns of interaction he probes, given their near universality, may well be rooted in certain human propensities that transcend cultural difference.
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History and Popular Memory: The Power of Story in Moments of Crisis
When people experience a traumatic event, such as war or the threat of annihilation, they often turn to history for stories that promise a positive outcome to their suffering. Durgaing World War II, the French took comfort in the story of Joan of Arc and her heroic efforts to rid France of foreign occupation. To bring the Joan narrative more into line with current circumstances, however, popular retellings modified the original story so that what people believed took place in the past was often quite different from what actually occurred.

Paul A. Cohen identifies this interplay between story and history as a worldwide phenomenon, found in countries of radically different cultural, religious, and social character. He focuses here on Serbia, Israel, China, France, the Soviet Union, and Great Britain, all of which experienced severe crises in the twentieth century and, in response, appropriated age-old historical narratives that resonated with what was happening in the present to serve a unifying, restorative purpose.

A central theme in the book is the distinction between popular memory and history. Although vitally important to historians, this distinction is routinely blurred in people's minds, and the historian's truth often cannot compete with the power of a compelling story from the past, even when it has been seriously distorted by myth or political manipulation. Cohen concludes by suggesting that the patterns of interaction he probes, given their near universality, may well be rooted in certain human propensities that transcend cultural difference.
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History and Popular Memory: The Power of Story in Moments of Crisis

History and Popular Memory: The Power of Story in Moments of Crisis

by Paul Cohen
History and Popular Memory: The Power of Story in Moments of Crisis

History and Popular Memory: The Power of Story in Moments of Crisis

by Paul Cohen

Paperback(Reprint)

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Overview

When people experience a traumatic event, such as war or the threat of annihilation, they often turn to history for stories that promise a positive outcome to their suffering. Durgaing World War II, the French took comfort in the story of Joan of Arc and her heroic efforts to rid France of foreign occupation. To bring the Joan narrative more into line with current circumstances, however, popular retellings modified the original story so that what people believed took place in the past was often quite different from what actually occurred.

Paul A. Cohen identifies this interplay between story and history as a worldwide phenomenon, found in countries of radically different cultural, religious, and social character. He focuses here on Serbia, Israel, China, France, the Soviet Union, and Great Britain, all of which experienced severe crises in the twentieth century and, in response, appropriated age-old historical narratives that resonated with what was happening in the present to serve a unifying, restorative purpose.

A central theme in the book is the distinction between popular memory and history. Although vitally important to historians, this distinction is routinely blurred in people's minds, and the historian's truth often cannot compete with the power of a compelling story from the past, even when it has been seriously distorted by myth or political manipulation. Cohen concludes by suggesting that the patterns of interaction he probes, given their near universality, may well be rooted in certain human propensities that transcend cultural difference.

Product Details

ISBN-13: 9780231166379
Publisher: Columbia University Press
Publication date: 03/07/2017
Edition description: Reprint
Pages: 304
Product dimensions: 6.00(w) x 8.90(h) x 0.80(d)
Age Range: 18 Years

About the Author

Paul A. Cohen is Edith Stix Wasserman Professor of Asian Studies and History Emeritus at Wellesley College and a long-time associate of the Fairbank Center for Chinese Studies at Harvard University. His books include Discovering History in China: American Historical Writing on the Recent Chinese Past and the award-winning History in Three Keys: The Boxers as Event, Experience, and Myth.

Table of Contents

List of Illustrations
Preface
Acknowledgments
1. The Battle of Kosovo of 1389 and Serbian Nationalism
2. The Fall of Masada and Modern Jewish Memory
3. Chiang Kai-shek, Chinese Nationalist Policy, and the Story of King Goujian
4. The Enigma of the Appeal of Joan of Arc in Wartime France
5. Artful Propaganda in World War II: Eisenstein's Alexander Nevsky and Olivier's Henry V
Conclusion
Notes
Index

What People are Saying About This

Ian Johnson

Paul A. Cohen cements his place as one of the most original contemporary historians, this time by going beyond his area of expertise, China, to draw parallels with other countries on the uses of history. Written in his usual vigorous, accessible style, Cohen meditates on the intersection of myth and history, showing the universality of storytelling in the human experience.

David B. Pillemer

Cohen uses dramatic and colorful historical episodes to illustrate the guiding power of culturally shared stories. A landmark intellectual achievement.

Omer Bartov

A remarkable and fascinating foray by a distinguished Chinese historian into the realms of history, memory, and 'history stories,' those tales we tell about past events that help us understand and instill meaning into the present, even at the cost of distorting the past. Analyzing several celebrated cases of refashioned distant historical moments, ranging from Masada and King Goujian to the Battle of Kosovo and Joan of Arc, Cohen lucidly demonstrates how at times of crisis modern societies reach back for succor and inspirationto the stories and myths of their greatest triumphs and defeats.

Jeffrey Wasserstrom

A superb book. The writing is fluid, the material fascinating, the interpretive points made gracefully and effectively.

Nina Tumarkin

Bold, complex, yet wholly accessible and in places profoundly moving, this exquisite work seamlessly weaves together story, poetry, history, public memory, and savvy political analysis, threaded through with keen observations about the human experience. Paul Cohen has moved the historian's craft almost to the level of art.

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