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History of Suicide: Voluntary Death in Western Culture
Selected by Choice Magazine as an Outstanding Academic Title
In this compact and illuminating history, Georges Minois examines how a culture's attitudes about suicide reflect its larger beliefs and values—attitudes toward life and death, duty and honor, pain and pleasure. Minois begins his survey with classical Greece and Rome, where suicide was acceptable—even heroic—under some circumstances. With the rise of Christianity, however, suicide was unequivocally condemned as self-murder and an insult to God. With the Renaissance and its renewed interest in classical culture, suicide reemerged as a philosophical issue. Minois finds examples of changing attitudes in key Renaissance texts by Bacon, Montaigne, Sidney, Donne, and Shakespeare.
By 1700, the term suicide had replaced self-murder and the subject began to interest the emerging scientific disciplines. Minois follows the ongoing evaluation of suicide through the Enlightenment and the Romantic periods, and he examines attitudes that emerge in nineteenth- and twentieth-century science, law, philosophy, and literature. Minois concludes with comments on the most recent turn in this long and complex history—the emotional debate over euthanasia, assisted suicide, and the right to die.
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History of Suicide: Voluntary Death in Western Culture
Selected by Choice Magazine as an Outstanding Academic Title
In this compact and illuminating history, Georges Minois examines how a culture's attitudes about suicide reflect its larger beliefs and values—attitudes toward life and death, duty and honor, pain and pleasure. Minois begins his survey with classical Greece and Rome, where suicide was acceptable—even heroic—under some circumstances. With the rise of Christianity, however, suicide was unequivocally condemned as self-murder and an insult to God. With the Renaissance and its renewed interest in classical culture, suicide reemerged as a philosophical issue. Minois finds examples of changing attitudes in key Renaissance texts by Bacon, Montaigne, Sidney, Donne, and Shakespeare.
By 1700, the term suicide had replaced self-murder and the subject began to interest the emerging scientific disciplines. Minois follows the ongoing evaluation of suicide through the Enlightenment and the Romantic periods, and he examines attitudes that emerge in nineteenth- and twentieth-century science, law, philosophy, and literature. Minois concludes with comments on the most recent turn in this long and complex history—the emotional debate over euthanasia, assisted suicide, and the right to die.
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History of Suicide: Voluntary Death in Western Culture
Selected by Choice Magazine as an Outstanding Academic Title
In this compact and illuminating history, Georges Minois examines how a culture's attitudes about suicide reflect its larger beliefs and values—attitudes toward life and death, duty and honor, pain and pleasure. Minois begins his survey with classical Greece and Rome, where suicide was acceptable—even heroic—under some circumstances. With the rise of Christianity, however, suicide was unequivocally condemned as self-murder and an insult to God. With the Renaissance and its renewed interest in classical culture, suicide reemerged as a philosophical issue. Minois finds examples of changing attitudes in key Renaissance texts by Bacon, Montaigne, Sidney, Donne, and Shakespeare.
By 1700, the term suicide had replaced self-murder and the subject began to interest the emerging scientific disciplines. Minois follows the ongoing evaluation of suicide through the Enlightenment and the Romantic periods, and he examines attitudes that emerge in nineteenth- and twentieth-century science, law, philosophy, and literature. Minois concludes with comments on the most recent turn in this long and complex history—the emotional debate over euthanasia, assisted suicide, and the right to die.
Lydia G. Cochrane has translated three previous books for Johns Hopkins: On the Edge of the Cliff by Roger Chartier (1996), The Color of Melancholy by Jacqueline Cerquiglini-Toulet (1997), and History of Suicide by Georges Minois (1999). Her other translations include Alain Boureau's The Lord's First Night (1998) and The Myth of Pope Joan (2001), and Renzo Dubbini's Geography of the Gaze (2002).
Table of Contents
IntroductionPart I. Tradition: A Repressed QuestionChapter 1. Suicide in the Middle Ages: NuancesChapter 2. The Legacy of the Middle Ages: Between Madness and DespairChapter 3. The Classical Heritage: Perfecting the Timely ExitPart II. The Renaissance: A Question Raised, Then StifledChapter 4. The Early Renaissance: Rediscovery of the Enigma of SuicideChapter 5. To Be or Not To Be: The First Crisis of Conscience in EuropeChapter 6. The Seventeenth Century: Reaction and RepressionChapter 7. Substitutes for Suicide in the Seventeenth CenturyPart III. The Enlightenment: Suicide Updated and Guilt-FreeChapter 8. The Birth of the English Malady, 1680-1720Chapter 9. The Debate on Suicide in the Enlightenment: From Morality to MedicineChapter 10. The Elite: From Philosophical Suicide to Romantic SuicideChapter 11. The Common People: The Persistence of Ordinary SuicideEpilogue. From the French Revolution to the Twentieth Century, or, From Free Debate to Silence
A comprehensive and intriguing study of the grim commingling of resolve and mystery that has characterized the act of and reaction to suicide since the Roman Empire gave way to the Middle Ages in Europe . . . Balanced, engaging and sufficiently detailed with dark truths to keep the extramural reader interested.
From the Publisher
A comprehensive and intriguing study of the grim commingling of resolve and mystery that has characterized the act of and reaction to suicide since the Roman Empire gave way to the Middle Ages in Europe . . . Balanced, engaging and sufficiently detailed with dark truths to keep the extramural reader interested.—Thomas Lynch, author of The Undertaking: Life Studies from the Dismal Trade, in The Washington Times