Houses of the Holy follows the same basic pattern as
Led Zeppelin IV, but the approach is looser and more relaxed.
Jimmy Page's riffs rely on ringing, folky hooks as much as they do on thundering
blues-rock, giving the album a lighter, more open atmosphere. While the pseudo-
reggae of
"D'Yer Mak'er" and the affectionate
James Brown send-up
"The Crunge" suggest that the band was searching for material, they actually contribute to the musical diversity of the album.
"The Rain Song" is one of
Zep's finest moments, featuring a soaring string arrangement and a gentle, aching melody.
"The Ocean" is just as good, starting with a heavy, funky guitar groove before slamming into an
a cappella section and ending with a swinging,
doo wop-flavored rave-up. With the exception of the rampaging opening number,
"The Song Remains the Same," the rest of
Houses of the Holy is fairly straightforward, ranging from the foreboding
"No Quarter" and the strutting
hard rock of
"Dancing Days" to the epic
folk/
metal fusion
"Over the Hills and Far Away." Throughout the record, the band's playing is excellent, making the eclecticism of
Page and
Robert Plant's songwriting sound coherent and natural. [A 2014 Deluxe Edition added seven bonus tracks.] ~ Stephen Thomas Erlewine