“Spare and haunting tales that ask ordinary questions about that extraordinary emotion: love.”—Chicago Tribune The novella and five stories that make up this collection reveal the lives of immigrant families haunted by lost loves: a ghost seduces a young girl into a flooded river; a mother commands a daughter to avenge her father’s death; and in the title novella, a woman speaks from beyond the grave about her tragic marriage to an exiled musician whose own disappointments nearly destroyed their two daughters.
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Hunger: A Novella and Stories
“Spare and haunting tales that ask ordinary questions about that extraordinary emotion: love.”—Chicago Tribune The novella and five stories that make up this collection reveal the lives of immigrant families haunted by lost loves: a ghost seduces a young girl into a flooded river; a mother commands a daughter to avenge her father’s death; and in the title novella, a woman speaks from beyond the grave about her tragic marriage to an exiled musician whose own disappointments nearly destroyed their two daughters.
“Spare and haunting tales that ask ordinary questions about that extraordinary emotion: love.”—Chicago Tribune The novella and five stories that make up this collection reveal the lives of immigrant families haunted by lost loves: a ghost seduces a young girl into a flooded river; a mother commands a daughter to avenge her father’s death; and in the title novella, a woman speaks from beyond the grave about her tragic marriage to an exiled musician whose own disappointments nearly destroyed their two daughters.
Lan Samantha Chang is the award-winning author of the collection Hunger and the novels The Family Chao, Inheritance and All Is Forgotten, Nothing Is Lost. A recent Berlin Prize Fellow, she also has received grants from the National Endowment for the Arts and the John Simon Guggenheim Foundation. Chang is the first Asian American and the first female director of the Iowa Writers’ Workshop. She lives in Iowa City.
What People are Saying About This
Gish Jen
Hunger mesmerized me, not only with its dead-on portrayal of immigrant life, but with its devastating depiction of the world of music. Riveting.