I, Little Asylum
A lyrical account of a childhood spent in a castle disguised as a psychiatric clinic, written by the daughter of Félix Guattari.

A moment later, Lacan is chattering with me, and giving me some crayons to draw with.
—from I, Little Asylum

Founded in 1951 and renowned in the world of psychiatry, the experimental psychiatric clinic of La Borde sought to break with the traditional internment of the mentally ill and to have them participate in the material organization of collective life. The clinic owed much of its approach to psychoanalyst and philosopher Félix Guattari, who was its codirector with Jean Oury until 1992. In this lyrical chronicle of a childhood at La Borde, Félix Guattari's daughter Emanuelle Guattari offers a series of impressionistic vignettes drawn from her own experiences.

As a child whose parents worked in the clinic, Emanuelle Guattari (“Manou”) experienced La Borde—which is housed in a castle in the middle of a spacious park—as a place not of confinement but of imagination and play. She evokes a landscape that is surreal but also mundane, describing the fat monkey named Boubou her father kept at the clinic, interactions between the “La Borde kids” and the “Residents” (aka, the “Insane,” feared by the locals), the ever fascinating rainbow-hued “shit pit” on the grounds, and prank-calls to the clinic switchboard. And, of course, there is Félix Guattari himself, at the dinner table, battling a rat, and in his daughter's dreams. Emmanuelle Guattari's tale of childlike wonder offers a poetic counterpoint to the writings of her father and his intellectual circle.

1119449058
I, Little Asylum
A lyrical account of a childhood spent in a castle disguised as a psychiatric clinic, written by the daughter of Félix Guattari.

A moment later, Lacan is chattering with me, and giving me some crayons to draw with.
—from I, Little Asylum

Founded in 1951 and renowned in the world of psychiatry, the experimental psychiatric clinic of La Borde sought to break with the traditional internment of the mentally ill and to have them participate in the material organization of collective life. The clinic owed much of its approach to psychoanalyst and philosopher Félix Guattari, who was its codirector with Jean Oury until 1992. In this lyrical chronicle of a childhood at La Borde, Félix Guattari's daughter Emanuelle Guattari offers a series of impressionistic vignettes drawn from her own experiences.

As a child whose parents worked in the clinic, Emanuelle Guattari (“Manou”) experienced La Borde—which is housed in a castle in the middle of a spacious park—as a place not of confinement but of imagination and play. She evokes a landscape that is surreal but also mundane, describing the fat monkey named Boubou her father kept at the clinic, interactions between the “La Borde kids” and the “Residents” (aka, the “Insane,” feared by the locals), the ever fascinating rainbow-hued “shit pit” on the grounds, and prank-calls to the clinic switchboard. And, of course, there is Félix Guattari himself, at the dinner table, battling a rat, and in his daughter's dreams. Emmanuelle Guattari's tale of childlike wonder offers a poetic counterpoint to the writings of her father and his intellectual circle.

13.95 In Stock
I, Little Asylum

I, Little Asylum

I, Little Asylum

I, Little Asylum

Paperback

$13.95 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

A lyrical account of a childhood spent in a castle disguised as a psychiatric clinic, written by the daughter of Félix Guattari.

A moment later, Lacan is chattering with me, and giving me some crayons to draw with.
—from I, Little Asylum

Founded in 1951 and renowned in the world of psychiatry, the experimental psychiatric clinic of La Borde sought to break with the traditional internment of the mentally ill and to have them participate in the material organization of collective life. The clinic owed much of its approach to psychoanalyst and philosopher Félix Guattari, who was its codirector with Jean Oury until 1992. In this lyrical chronicle of a childhood at La Borde, Félix Guattari's daughter Emanuelle Guattari offers a series of impressionistic vignettes drawn from her own experiences.

As a child whose parents worked in the clinic, Emanuelle Guattari (“Manou”) experienced La Borde—which is housed in a castle in the middle of a spacious park—as a place not of confinement but of imagination and play. She evokes a landscape that is surreal but also mundane, describing the fat monkey named Boubou her father kept at the clinic, interactions between the “La Borde kids” and the “Residents” (aka, the “Insane,” feared by the locals), the ever fascinating rainbow-hued “shit pit” on the grounds, and prank-calls to the clinic switchboard. And, of course, there is Félix Guattari himself, at the dinner table, battling a rat, and in his daughter's dreams. Emmanuelle Guattari's tale of childlike wonder offers a poetic counterpoint to the writings of her father and his intellectual circle.


Product Details

ISBN-13: 9781584351375
Publisher: MIT Press
Publication date: 10/10/2014
Series: Semiotext(e) / Native Agents
Pages: 88
Product dimensions: 5.30(w) x 7.80(h) x 0.20(d)
Age Range: 18 Years

About the Author

Emmanuelle Guattari, born in 1964, daughter of Félix Guattari, grew up at La Borde psychiatric clinic (Cour-Cheverny dans le Loir-et-Cher), where her parents worked their entire careers. I, Little Asylum is her first book, and one of two autobiographical accounts of her time spent at La Borde.

Table of Contents

I

My Brother 13

The Monkey 17

La Chaueee 19

The Kids From La Borde 25

The Tench 31

The Lemon Yogurts 37

The Switchboard 39

Régilait Milk 41

Paris-Vierzon 43

II

The Three Rollovers 49

The Algerian War 51

The Loir 53

The Rat 55

Monsieur Belin 57

The Frozen Tiles 59

The Meat 67

The Bell 69

The Appointment with Lacan 71

Outspan Oranges 77

The Nouvelles Galeries 83

The Enguerrand Brothers 85

The Young Stag 87

What People are Saying About This

Endorsement

I, Little Asylum has a lovely lightness to it. Memory comes as something both tactile and elusive, with edges of sharpness and pain, rendered in a prose style exquisite and delicate. It is as though the experience of being brought up in strange and interesting circumstance is studied and recollected as though it were in water, refracted, floating freely, infinitely mysterious.

Colm Tóibín

From the Publisher

I, Little Asylum has a lovely lightness to it. Memory comes as something both tactile and elusive, with edges of sharpness and pain, rendered in a prose style exquisite and delicate. It is as though the experience of being brought up in strange and interesting circumstance is studied and recollected as though it were in water, refracted, floating freely, infinitely mysterious.

Colm Tóibín

From the B&N Reads Blog

Customer Reviews