I Wish I Had a Red Dress

I Wish I Had a Red Dress

by Pearl Cleage
I Wish I Had a Red Dress

I Wish I Had a Red Dress

by Pearl Cleage

Paperback(Reprint)

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Overview

Bestselling author Pearl Cleage returns to the site of her Oprah pick novel, What Looks Like Crazy On an Ordinary Day, to affirm life's precious wonder once again.

Since Joyce Mitchell was widowed five years ago, she's kept herself mercifully busy by running The Sewing Circus, an all-female group she founded to provide badly needed services to single mothers and other young women at risk. But some nights, home alone, she knows something is missing. And if the state legislature cuts off funding, she'll soon not even have The Sewing Circus to fill up her life. Then one night, at dinner at the home of her best friend, Sister, Joyce finds a perfect meal and a perfect man: tall, dark Nate Anderson, whose unexpected presence touches a chord in Joyce's heart that she thought it had forgotten how to play.

Suddenly, Joyce feels ready to grab a sexy red dress and the life that goes with it...if she can somehow keep her girls safe from the dark forces aligning against them.


Product Details

ISBN-13: 9780061710346
Publisher: HarperCollins
Publication date: 01/27/2009
Series: Idlewild , #2
Edition description: Reprint
Pages: 336
Sales rank: 451,282
Product dimensions: 5.20(w) x 7.90(h) x 1.00(d)

About the Author

About The Author
Pearl Cleage is the author of Mad at Miles: A Black Woman's Guide to Truth and Deals with the Devil and Other Reasons to Riot. An accomplished Playwright, she teaches playwriting at Spelman College, is a cofounder of the literary magazine Catalyst and writes a column for the Atlanta Tribune. Ms. Cleage lives in Atlanta with her husband. What Looks Like Crazy on an Ordinary Day...is her first novel.

Read an Excerpt

Chapter One

Joyce

I wish I had a red dress. I've been wearing black for so long I feel like one of those ancient women in the foreign movies who are always sitting around, fingering their rosary beads and looking resigned while the hero rides to his death on behalf of the people, or for the sake of true love, which is really six of one, half dozen of the other, when you think about it.

I never cared much about clothes. My basic requirement is comfort, which automatically cuts out high-heeled shoes, pushup bras, panty hose and strapless evening gowns, but could theoretically still leave room for a range of colors, fabrics and even a stylish little something or other for special occasions.

The convenience of all black used to appeal to me. I loved the fact that I could reach into my closet and know everything I touched was going to match everything else I touched with absolutely no effort on my part, but it can be a little depressing sometimes. Even to me.

I didn't consciously start wearing black as a sign of mourning, even though at some subconscious level, I probably did. My husband, Mitch, died five years ago, which is when I really started noticing it, but he was just the last of a long line. My father passed when I was sixteen. My mother committed suicide on my wedding night a year later. My son got hit by a car walking home from school when he was six and my daughter didn't make it to her first birthday. I think she was the hardest one for me to deal with because I barely got to know her and she was gone.

It was just the opposite withMitch. We'd been together since I was fifteen and we were so close I made the mistake of thinking we were the same person until he fell through that hole in the ice and drowned and I didn't die, even though for a long time I wished I had.

My baby sister, Ava, says it's hard to keep your body looking good when you know nobody's going to see you naked. She could have added that when you know your primary audience when clothed is preschoolers, some distracted teenage mothers, a few retirees and a government bureaucrat or two, it's equally difficult to get up much enthusiasm for earrings that dangle and skirts that swirl like you're standing in a little breeze even when you're not.

I'm a social worker. I used to be a teacher. Then one day I looked around and realized that what I was teaching and the way I was teaching it were completely irrelevant to my students' real lives. They were just ordinary kids from around here; young and wild and full of the most complicated human emotions and not nearly enough facility in any language to articulate those feelings to each other or to anyone else. But one day I saw them, really saw them, and everything changed.

It was a public high school and my classes were coed, but it was the girls who kept drawing my attention. There they'd be, balancing their squalling babies on their hips in the grocery store, slapping their toddlers at the Blockbuster, rolling their eyes and tossing their extensions, considering exotic dancing as a career option, falling in love with the wrong guys, being abused, getting AIDS and steadily having kids the whole time, and they were so absolutely confined and confused by their tiny little fearbased dreams that I looked out at them one day while I was trying to teach a poem by e. e. cummings, and they broke my heart. I started crying and had to dismiss the class so I could get myself together.

That's when I knew there had to be a better way to communicate with these girls than the one I was using. I decided that finding that better way was going to be my life's work because I don't think a group of people can survive if the women don't even have enough sense to raise their children.

That's why clothes are usually the last thing on my mind. Black pants and a black turtleneck without applesauce showing anywhere are about the best I can hope for at the moment, but somehow I can't get that red dress out of my mind.

I Wish I Had a Red Dress. Copyright © by Pearl Cleage. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Reading Group Guide

Introduction

Returning to Idlewild, Michigan and some of the characters who captured readers' hearts in her bestseller, What Looks Like Crazy on an Ordinary Day, Pearl Cleage writes a beautifully realized work about modern times, second chances, and making a difference in other people's lives.

Joyce Mitchell, widowed too young, has a full life as a social worker, one filled with purpose and good friends. But she's begun thinking about putting aside the black clothes she's found so easy to wear for so long and getting a red dress. She is also realizing that she needs something more in her life. When her best friend, Sister, fixes her up with the tallest, sexiest man she's ever met, she sees all sorts of possibilities -- and too many reasons why it's the wrong time to fall in love.

And Joyce has to quickly figure out what to do with the Sewing Circus, the all-girl group she founded to provide day care services and counseling to local girls, many of whom are single mothers. For many of these young women, the Sewing Circus is a lifeline amid drug problems and abusive relationships. But the government has decided not to fund her program, and Joyce is desperately looking for alternatives...while one of the Sewing Circus members finds herself fighting for her life in this provocative and blazingly frank look at contemporary African American issues and universal matters of the heart.

Discussion Questions

  • One of the characters, Sister, makes up a list of questions for discussing movies at the Sewing Circus's film festival. She begins with: "Do I believe this character exists in the real world? Do I like her?" Apply this question to the novel'sprotagonist, Joyce.

  • What does Joyce's "red dress" symbolize?

  • Joyce feels that movies can provide life lessons for the girls in the Sewing Circus: "My hope is that if they can recognize preventable foolishness on the screen, the lessons they learn will carry over into their real lives." (p. 77). Do you agree with Joyce? What are other benefits, or dangers, of exposing young people to art, whether it's literature, painting, or the performing arts?

  • "That the problem with black women" says Bill. He adds, "The essence of true love is surrender. All the great poets agree on that. And if there is one thing a black woman will not do, it's surrender! No wonder nobody can stay together for longer than twenty minutes at a time." (p. 239). Do you agree this is the problem with black women in relationships?

  • Love relationships are a major theme in this novel. Can you identify three "prototypes" or different kinds of heterosexual intimate relationships depicted through the book? Are any exclusive to the African-American community?

  • Black men are working to "get their act together" in this book. Bill's workshop comes up with a list of "For Men Only" goals. If you could add your "two cents," what list would you create for them? About the Author: "The purpose of my writing, often, is to express the point where racism and sexism meet." An accomplished playwright, journalist, poet, and novelist, Pearl Cleage probes issues of race, sex, and love in a growing body of literary work while she reveals poignant truths about brave black women.

    Born on December 7, 1948 in Springfield, Massachusetts, Pearl Michelle Cleage grew up in Detroit, Michigan. Her father was a prominent minister who ran for governor of Michigan in 1962 on the Freedom Ticket; her mother was an elementary school teacher.

    Since the early 1980s, Cleage has drawn national attention with her dramatic works, which include Flyin' West, an extraordinary play about pioneer black women at the turn of the century, and Blues for an Alabama Sky. Her first novel What Looks Like Crazy on an Ordinary Day, was an Oprah's Book Club selection, a New York Times bestseller, and a BCALA Literary Award winner. She is also the author of I Wish I Had a Red Dress, Mad at Miles, and Deals with the Devil. A contributing editor to Essence magazine, Pearl Cleage frequently performs her work on college campuses. She lives in Atlanta with her husband, Zaron W. Burnett, Jr.

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