Publishers Weekly - Publisher's Weekly
Fog and ice and torrential rain dominate this surrealistic novel, blanketing an icicle-like woman from the man who cannot clear his eyes of her image. Occasionally he glimpses her skeleton, fossilized in snow. Twice he stumbles up a mountain to a house where she is guarded by the dictator at whose side she rides in state, at whose headquarters she lives in a bare, padded room, waiting to be assaulted. The obsessed suitor pursues her over a rainswept ocean to a country menaced by nuclear war and an encroaching glacier. Later, he finds her on a beach whose dunes have become ice castles, where the waves are petrified stalagmites. They flee in a car that is now their world, deriving warmth and peace from each other. Only at the end does it become clear that both are aspects of the same self, and that the agony, the blinding light, the uphill climb, the burly guards and the frantic, headlong, aimless hunt are fragments of a drugged nightmare. This last of British writer Kavan's books to be published in her lifetime is lashed with urgency and pulsates with an atmosphere of dread. Foreign rights: Nat Sobel. October
Library Journal
Kavan's 1967 hallucinogenic end-of-the-world novel follows two men's search for a girl as waves of ice threaten to destroy the planet.
From the Publisher
"A writer of intense imagination. . . . Slippery, bizarre, and meticulously written. . . . A gripping and uniquely strange work of science fiction.” ---Kirkus Starred Review
From the Publisher - AUDIO COMMENTARY
"A writer of intense imagination. . . . Slippery, bizarre, and meticulously written. . . . A gripping and uniquely strange work of science fiction. —Kirkus Starred Review
MAY 2018 - AudioFile
Narrator Nigel Patterson faced a few challenges when taking on Anna Kavan’s novel. First, the story is hard to classify. Is it science fiction? Maybe. Dystopian avant-garde? Yup. Sometimes difficult to follow? Indeed. Patterson does a great job keeping listeners engaged as the story shifts from a looming ice apocalypse to dream sequences and a bizarre love story. It’s a difficult listen to, but Patterson keeps it interesting. After hearing Jonathan Lethem’s foreword, listeners will want to stick with the book and get to the afterword, where Patterson continues his solid narration in sharing scholar Kate Sambreno’s insights into Kavan and her work. Patterson’s passion and ability keep listeners shivering as the temperatures in the novel plummet. J.P.S. © AudioFile 2018, Portland, Maine
Kirkus Reviews
★ 2017-09-19
This 50th-anniversary edition of a novel about a surreal pursuit through an apocalyptic world should bring new attention to Kavan (1901-1968; Who Are You, 1963, etc.), a writer of intense imagination.Kavan's unnamed narrator returns to his home country after spending time abroad in the tropics and finds the countryside in the clutch of disturbing, unseasonable cold. He has come back to "investigate rumors of a mysterious impending emergency" but is unable to focus on anything except seeing a woman he was once infatuated with. He blames her past rejection of him for various psychological sufferings and has vivid dreams of her enduring violent physical harm that intrude upon the narrative without warning. He finally sees her, victimized by a poisonous marriage, but then she runs away, and he feels compelled to find her, beginning a lonely chase through a world succumbing to an unspecific and terrifying disaster. Governments fail, militaries take over, tension increases between countries with nuclear armaments, and, most inevitably, deadly cold and walls of ice start to overtake the planet. While elements of Kavan's story feel sometimes like a science-fiction adventure and sometimes like a hallucinatory psychological nightmare, the whole never sits still as one or the other, and it is always slippery, bizarre, and meticulously written. Time is elastic and the horrors of reality and fantasy are rarely delineated, so the power of one scene falling after another remains unconstrained by conventional logic and is instead wielded for maximum visceral effect. Kavan's descriptions of disaster are brutal and beautiful: "Ice walls loomed and thundered, smooth, shining, unearthly, a glacial nightmare…." There is little gentleness in this world, and the unrelenting fixation on male pursuit of female victimization might be read as problematic, but aligning that pursuit with a human-inflicted destruction of the entire world provides an interesting pairing to consider.A gripping and uniquely strange work of science fiction.
