For all but the few people who were actually aware of
Virulence during their largely unheralded existence, the release of 2010's
If This Isn't a Dreamâ?¦1985-1989 anthology may at first seem like yet another pointless exercise on behalf of yet another unoriginal and therefore undeserving, production-line, So-Cal hardcore bandâ?¦but
Virulence were anything but that. In fact, the teenage group's music evolved in startling fashion during their four years of existence -- all of which are chronicled here by way of long-lost demos, extremely rare live cuts, and their only, long out of print studio album. Best analyzed back to front (the disc is sequenced in reverse chronological order), rescued demos and live cuts from 1985 through 1987 do indeed showcase a merely promising garage band, still fascinated with hardcore's fast and furious fundamentals, and heavily indebted to everyone from the
Circle Jerks to
Suicidal Tendencies for their ideas. But by the time they recorded their 1988 album,
If This Isn't a Dream, and contemporary bonus cuts included here,
Virulence had transformed into a far more accomplished, eclectic, and unpredictable concern. Admittedly inspired by hardcore-metal crossover agents
Bl'ast!, as well as later day
Black Flag and possibly their new labelmates,
the Melvins, too,
Virulence's persistent speed bursts now came interspersed with loads of doom-paced sludge and surprisingly long and technical instrumental passages. The overall formula still needed some work, but with the rise of alternative rock and grunge still a few years hence,
Virulence might have had just enough time to hone their talents and jump aboard the bandwagon for that wild ride into possible stardom. But instead, the group folded in 1989 with the departure of vocalist
Ken Pucci, and remaining members
Scott Hill (guitar) and
Ruben Romano (drums) decided to shift creative gears, and, after reconnecting with former
Virulence bassist,
Mark Abshire, forged ahead as one of the '90s leading stoner rock bands,
Fu Manchu. Their future success certainly fuels some of the motivation for fans to discover
Virulence's work, but not all of it, as their music itself did indeed have something interesting to offer, as things turned out. ~ Eduardo Rivadavia
