From the author of the beloved Hum If You Don't Know the Words comes a rich, unforgettable story of three unique women in post-Apartheid South Africa who are brought together in their darkest time and discover the ways that love can transcend the strictest of boundaries.
In a squatter camp on the outskirts of Johannesburg, seventeen-year-old Zodwa lives in desperate poverty, under the shadowy threat of a civil war and a growing AIDS epidemic. Eight months pregnant, Zodwa carefully guards secrets that jeopardize her life.
Across the country, wealthy socialite Ruth appears to have everything her heart desires, but it's what she can't have that leads to her breakdown. Meanwhile, in Zaire, a disgraced former nun, Delilah, grapples with a past that refuses to stay buried. When these personal crises send both middle-aged women back to their rural hometown to heal, the discovery of an abandoned newborn baby upends everything, challenging their lifelong beliefs about race, motherhood, and the power of the past.
As the mystery surrounding the infant grows, the complicated lives of Zodwa, Ruth, and Delilah become inextricably linked. What follows is a mesmerizing look at family and identity that asks: How far will the human heart go to protect itself and the ones it loves?
|Publisher:||Penguin Publishing Group|
|Product dimensions:||6.10(w) x 9.10(h) x 1.60(d)|
About the Author
Bianca Marais is the author of Hum If You Don't Know the Words. She holds a certificate in creative writing from the University of Toronto's School of Continuing Studies, where she now teaches creative writing. Before turning to writing, she started a corporate training company and volunteered with Cotlands, where she assisted care workers in Soweto with providing aid for HIV/AIDS orphans. Originally from South Africa, she now resides in Toronto with her husband.
Read an Excerpt
21 November 1993
Sterkfontein, Transvaal, South Africa
A thread of smoke snakes up into the cloudless sky and serves as Zodwa's compass needle. She trails it until the sandy path dips suddenly, revealing a squat hut nestled in the grassland below. A woman sits waiting at the threshold. She's hunched over like a question mark, her headdress of white beads partially obscuring her face. A leopard skin is draped over her shoulders and the sight of it reassures Zodwa; the gold-and-black-spotted pelt ibhayi signifies the nyanga is a healer of great power.
The woman chews tobacco, which she spits out when Zodwa reaches her. "What took you so long?" she gripes, rising up on arthritic knees.
"How did you know I was coming?" Zodwa herself hadn't known she'd be making the journey until the early hours of that morning.
"The ancestors told me." The nyanga holds out her palm.
Zodwa reaches into her bra and withdraws a few crumpled notes. They are everything she has. "How much will it be?"
The nyanga's knobbly hand shoots out and snatches it all away before Zodwa can protest. She disappears into the gloom and beckons for Zodwa to follow. Inside, it looks like a regular hut with its circular walls, thatch roof, and dung floor, but Zodwa knows it's imbued with the spirits of the clan members who have gone before; the ndumba is a sacred place.
The healer motions for Zodwa to sit on the floor. "How many years do you have, child?"
"I'm seventeen," Zodwa replies. "Almost eighteen." She knows she looks younger and blames it on her rounded cheekbones, which lend her face a childish quality.
The healer's eyes inspect Zodwa from head to toe and Zodwa flushes, knowing that the old woman disapproves. Her pleated black skirt is hemmed to just below her knees, but still it's too short for traditional wear. The white blouse is a fraction too tight, but this is because Zodwa has outgrown it, not out of choice.
The nyanga holds up a gourd. "Undlela zimhlophe," she explains before swallowing its contents. She limps to her mat and kneels down.
It's past midday and the powerful root has to be consumed on an empty stomach so that it can induce the lucid and prophetic dreams that will help her hear the ancestors' voices. The old woman must be hungry. Zodwa's hungry too, though not because she's been fasting. Her hunger isn't the temporary kind that will soon be satiated; it's the gnawing kind that takes up residence in a stomach that has been empty for too long. It's a hunger born of poverty.
The nyanga begins groaning while rocking back and forth. The smell of impepho burning saturates the air, and the sage fills Zodwa's lungs with every breath she takes, dulling her senses with its hypnotic scent. The hut, darkened and warm, reminds her of home. At least, the home she'd lived in with her grandmother in KwaZulu before she joined her mother in the sqatter camp earlier in the year.
Her grandmother had been reluctant, at first, to relinquish Zodwa to Leleti and considering everything that had happened, Zodwa couldn't blame her. Her gogo had lost her only son, Zodwa's father, to a mining accident in the City of Gold, and then Zodwa's eighteen-year-old brother, Dumisa, disappeared less than a year after leaving for Johannesburg when Zodwa was seven.
"Be very careful, my child," Zodwa's gogo had cautioned her before she left the village for the township. "Bad things happen in the city. Its gods are very hungry and must be appeased. Don't become one of the sacrifices made to it.
"You must study hard, mzukulu wami," her grandmother had continued. "You must be brave but do not try to be as brave as your brother was. If your light shines too bright, someone will always seek to extinguish it. And do not give in to temptations. The city makes girls forget their virtue and modesty. It makes them behave in wanton ways. Remember, my child, that a good bride price comes from respect."
Zodwa had tried to follow her gogo's advice, she really had, but the township had awakened something in her. It was as if the city's electricity had jump-started her body, and no matter how much she tried to keep her thoughts pure, they simply wouldn't cooperate.
There will be no good lobolo now. There will be no bride price at all since no offer of marriage has come.
Zodwa's thoughts are interrupted by the nyanga rising from her place on the floor. The old woman winces as she stands up on stiff knees and shuffles over to where Zodwa sits.
Her voice is hoarse. "The amadlozi are angry with you."
It is what Zodwa most feared hearing. No one wants to incite the wrath of the ancestors. "Because of the baby?"
The old woman shoots Zodwa a shrewd look. "It is not the baby the ancestors speak of."
Zodwa hangs her head, the familiar shame slithering its way up her spine.
"What did you dream the last time you slept?" the healer asks.
It isn't difficult to answer, as the nightmare has stayed with Zodwa all day. "I dreamt I was being chased."
Zodwa shivers inwardly. "Two white owls. Their wingspan stretched across the sky, blocking out the sun."
The healer's frown deepens. "And then what happened?"
"I thought they were going to kill me, but it wasn't me they wanted."
"The baby. They snatched it from me and flew away."
The nyanga nods and sighs. "It is as the ancestors have said. You wage a war with yourself by following the wrong path. You have only yourself to blame that you are now expecting this child who will bring you even greater misery."
"What can I do?"
"About the baby . . . only you can decide." The nyanga shrugs. "I can give you herbs to try to take care of it. About the other matter . . . the ancestors say that you must walk the path that is intended for you. Only then will you find peace."
Zodwa can't think of that now. Any peace she could wish for in that regard would only follow a termination of her pregnancy, which is the more urgent of her problems. "I will take the herbs."
"It may already be too late." The nyanga's face is inscrutable as she turns and hobbles to the table laid out with dozens of pots and baskets.
She moves assuredly between them, picking sprigs from some and roots from others, as she sets about making her infusion, adding water to a three-legged cast-iron pot and emptying the ingredients into it, before setting it over the coals in the middle of the room. Stirring it occasionally, she brings the mixture to a boil and then removes it, straining the liquid through a cloth.
"Drink," she says, handing Zodwa a gourd filled with an acrid-smelling brew.
Everything makes Zodwa nauseous these days but the concoction is especially vile. She struggles to drink it, gagging a few times and almost bringing it up.
When she's swallowed the last drop and wiped her mouth, the nyanga takes the gourd back. "Now we wait."
22 April 1994
The letter that changed everything arrived as Xavier and I were coaxing the generator back to life after the power had gone out again. Considering that the orphanage housed more than two hundred children, the lack of electricity for lighting and heating was bad enough, but not being able to pump water out of the borehole was a potential crisis.
Everyone's nerves were already on edge after the plane carrying the Rwandan and Burundian presidents was shot down two weeks before. Thousands of Rwandans were fleeing for their lives, the Tutsis streaming across the border into Zaire. We were all on full alert and had to be ready to make a run for it if the Rwandan military sent incursions across the border. It seemed more and more likely that it would.
As it was, the generator was useless without fuel, every last drop of which had been poured into the Land Rovers' tanks in case we needed to evacuate. I'd had to siphon off some of it for the machine but the cantankerous beast was still refusing to accept the offering and start.
I looked to the horizon at the sun that would soon be setting. Xavier couldn't work in the dark, so there wasn't much time left. I was about to start sieving leftover sunflower oil through a sock, to serve as lubricant in case Xavier needed it, when I heard my name being called.
I turned to see Doctor grinning wildly and running at me while waving something in his hand. Everyone stepped back as he made his way through the playground. He was like Moses parting the Red Sea. "Granny! Granny!" he shouted.
That's how all the children naturally addressed anyone over forty and, being closer to sixty, I more than qualified. When I was much younger and starting out as an aid worker across the border, I'd been called "Mother." It had felt like a slap in the face to be named that, as if they were mocking me for my childless state, which of course they weren't. All those countries and missions later, after all the thousands of children I'd tended, I'd finally grown used to it.
As Doctor ran at me, I should have chided him for his recklessness around the machinery but I didn't. His joy at being alive was so pure that I found myself favoring him, even granting him amnesty from the rules all the others were expected to live by. My partiality for the boy wasn't solely based on his positive outlook on life; I'd delivered him five years before.
Despite having had no child-birthing training, I'd stepped in when all the other midwives had refused to help his HIV-positive mother, back when HIV was so rare that it was considered more black magic than a disease. His mother had gone into labor a few weeks premature after almost being stoned to death as she was chased from her village. I'd refused to allow her to go through another ordeal alone.
Coached over satellite telephone by a Doctors Without Borders obstetrician, I'd kitted up in a makeshift kind of hazmat suit before helping bring Doctor into the world. We were lucky. Despite his mother's health issues, it had been a textbook birth.
She'd cradled him to her chest for an hour afterward, too weak to sit up but too fierce to allow me to take him from her. She held him while I held her, my gloved hand over her bare one, which was resting on his scrawny buttocks.
"He will be a great man, this one," she said, smiling weakly. "I name him Doctor." It was the highest honor she could think to bestow on him. It depressed me, given that the medical profession had been able to do nothing for her.
I'd often wondered since then if a child could be inoculated in the womb against the horror of the world through the power of its mother's love; if that love could infuse joy into a child even when her presence couldn't. God knows, if ever there was a woman who wanted to live to raise her child, who'd fought like a hellion just so that he could be born, it was she. She told me it was because he was the only thing in her life that was truly hers.
"I have a letter for you, Granny," Doctor now said, smiling proudly as he handed the envelope across.
He was painfully thin and out of breath from the short sprint. Breathing should never sound that way. As though lungs are blades and air is something solid to be chopped up. Still, Doctor had lived three years longer than any of us had expected and he accepted his condition stoically.
"Thank you, Doctor. You've done a good job getting it to me," I said solemnly as I reached out and squeezed his shoulder. He beamed at the contact. "Could you put it in my pocket?" I asked, indicating my dirty hands and turning so he could tuck the envelope into the back of my trousers.
It was after midnight when Xavier and I finally parted ways, exhausted yet triumphant. The generator was running again. Disaster had been staved off for another day. Seeking refuge in my room, I made my way to the narrow bed and lifted the mosquito net to sit on the cotton sheet I'd paid such an exorbitant price for.
The view from there was of my makeshift wardrobe, which consisted of a pole balanced between two columns of raised cinder blocks. The few items of clothing I owned were hung up while my empty rucksack sat propped in a corner of the room. Amelia, the UN aid coordinator, would've had a fit if she'd seen it, since we'd been given strict instructions to be ready to evacuate at a moment's notice.
Where did you flee to, though, when you were already in purgatory and surrounded by hell on all sides? And how was running an option when it would mean saving yourself while abandoning hundreds of defenseless children?
I lit the candle on my bedside table, pushing away thoughts of the threat across the border just as the light pushed away the darkness, and bent down to undo the laces of my boots. We usually wore flip-flops because of the heat, but they'd been banned that week because it was impossible to run in them. Boots made your feet sweat, but they wouldn't trip you up or twist your ankle if you needed to sprint to safety.
Once I'd kicked off my shoes, I pulled the wrinkled envelope from my pocket. I held a candle up to the postmark, careful not to let the flame lick at the paper. The letter had originated in Johannesburg, though the date was too smudged to read. There was no return address, but I suddenly recognized the handwriting even though I hadn't seen it in many years.
My pulse quickened as I set the candle holder down and slipped my finger under the envelope's flap. I wriggled it until the seal tore and found a single sheet of onionskin paper inside. When I unfolded it, a Polaroid fluttered to the floor. I bent to pick it up and when I flipped it over, the face I beheld made my heart stutter. Setting the photo aside, I held the page to the light.
I pray that this letter finds its way safely into your hands. Please forgive me for being both the bearer of bad news, and for having to convey it in this impersonal manner.
The page trembled in my grasp as impossible words marched across its landscape: Father Daniel . . . rectory . . . robbery . . . Joburg General Hospital . . . coma . . . fighting for his life . . . I had to read it three times before I understood its full import. The past was beckoning and I had no choice but to answer its siren call.
Most Helpful Customer Reviews
Wow, this is truly just such a special book! Five stars for this second book by Bianca Morris that is based on the lives of 3 women (2 white & 1 black) in post-apartheid South Africa. This raw and witty story weaves through the lives of these 3 women over the course of a number of hears and ultimately culminates in how they are connected. It is a story of friendship, motherhood, sisterhood, culture & racial challenges, and how these issues shape our lives. A perfect discussion book for book clubs!
I read and loved Hum If You Don't Know the Words so was thrilled to be approved to read this title. Marais did not disappoint. 4.5 but rounding up as each time I put this compelling book down, I could not wait to pick it up again. My only criticism is that this book was chock full of--everything. No spoiler from me, but I wonder if one particular thread were removed, would it have been any less powerful or enjoyable or altered the storyline too much? To name a few: Racism. Poverty. Rape. AIDS. Homophobia. The priesthood. Love. South Africa on the eve of Mandela's victory. The lives of three women intersect. Each characters is well-drawn and has her own story. Two white, privileged sisters in their 50s. One downtrodden 17-year old South African woman who lives in a squatter camp outside Johannesburg. Addtionally, there are others--male and female--who influence the trajectory of the plot. Secrets play a significant role in this often heartbreaking novel. Several times, I thought I knew what was coming--and I was correct, but didn't care [though this is often a detraction for me]. Some of the prose I loved because it conjured up so much. "Some signs have saved my life while others reminded me that I had a life worth saving." "[her mother's remains] "Remains, but of what? What remains when a small life ends too soon?" "She soaked up the world around her, becoming bloated with knowledge like a little intellectural tick..." And, towards the end, I must say I was tearing up. I heartily recommend this book.
It’s the late 1900s. Nelson Mandela is about to become the first African President of South Africa, but apartheid is still very much rampant in the minds of white Afrikaan citizens. Splinter rebel groups have fought for freedom for years; now some of those groups are out to wipe out all blacks. In this time of new freedom and old prejudices, three women wind up living together. Zodwa is a young pregnant woman whose failures have given her mother tremendous grief. Her brother was part of the Inkatha Freedom Group and is considered dead but his body, living or dead, has never been found. Now Zodwa will never achieve her dreams of being educated and free. Two sisters, Ruth and Delilah, are seeking to fashion a life of agreement but past memories in both white women haunt the present. Ruth was a stripper and prostitute who has been married and divorced three times. Delilah was a convert to the Catholic faith and fell in love with a priest who later abuses her. She has a son who becomes a priest and later dies under the dominance of his father. Delilah would do anything to see her son and discover the truth about their separation. Meanwhile Zodwa gives birth but her mother gives away the child. By coincidence, she finds him and agrees to work for his foster parents, Ruth and Delilah. All three live together with their funny bantering, highly sarcastic bickering and a sense of need that brings redemption to all of their lives. If You Want to Make God Laugh is an uplifting, solid story that is crafted well and includes a huge segment of African history that has not been well-known up to now, the period of reconciliation led by Bishop Desmond Tutu, and the plague of HIV disease that led to an AIDS crisis. Change is a process, not a miraculous moment or miracle. Yet many miracles happen in this tale revealing tremendous violence, sexuality, romance, Church abuse, forgiveness and growth into a new life. You will never forget this amazing story. Bianca Marais is a writer to watch and relish with this novel and hopefully with what will follow! Congratulations on this story of relentless love and transformation!
Emotional and powerful read about post-apartheid South Africa combing the lives of three very different women and an abandoned newborn. I read HUM IF YOU DON'T KNOW THE WORDS (Putnam, March 2018) and immediately fell in love with Robin and Beauty and also the author, Bianca Marias. In this new title, IF YOU WANT TO MAKE GOD LAUGH (July 16 2019), you'll meet a series of three very different women--Dee (Delilah) an ex-nun with a history, her sister, Ruth (an ex-stripper with multiple ex-husbands), and Zodwe, a pregnant Zulu teen living in a sqautter camp on the outskirts of Johannesburg. How these three women come together will shake you--and just may have you cheering for each one, but for different reasons. Delivered in short, alternating chapters narrated by Ruth, Zodwa, and Delilah, IF YOU WANT TO MAKE GOD LAUGH shares its characters' divergent perspectives on class, race, and faith as it probes closely at the 1990s political and socioeconomic headlines. This narrative is complex and there are a lot things going on under the context--rape and rampant racism, stigma surrounding homosexuality, priest abuse and church corruption, orphanages, the AIDS epidemic, even cover-ups in government institution, one of which came as a surprise to me. There were just a few parts that I felt less connected to, or that seemed to drag, but this could just be me. The writing comes from an experienced hand, one that is emotionally rich and resonate surrounding the blatant corruption of innocents and vulernable populations. I found much explanation--and fully immersed--in a culture not typically visited by literature, which is exactly what I like--it builds empathy and understanding of other people and cultures. I promise, IF YOU WANT TO MAKE GOD LAUGH will pull at your heartstrings and have you rooting for the underdog, which is just about everyone. I found some similarities between this title and also LITTLE BEE (Chris Cleave) meets THE MAGDALEN GIRLS (V.S. Alexander) with maybe a touch of Lynda Cohen Loigman's THE WARTIME SISTERS. L.Lindsay|Always with a Book
"If You Want To Make God Laugh” is the story of three women in South Africa whose lives intertwine in an awesome narrative that grabbed my your interest from the very beginning. The main storyline is about love, AIDS, secrets, heartbreak and the things mothers will do to protect their children. It also touches on the election of Mandela as president and the ending of apartheid. This is a terrific novel and a very moving story that I didn’t want to end. I highly recommend it! I was fortunate to receive this novel from Netgalley as an Advance Reader Copy in exchange for an objective review.
“Sometimes all we need is to be seen in order to blossom. Just be seen, nothing more.” PREORDER THIS BOOK NOW (available July 16th)…and trust me, you want it in your mailbox so you can start reading this one asap! With well-developed characters who have powerful and transformative stories to share, I could not put this one down. Following three separate ladies with very different stories, their lives become intertwined in the most beautiful and compassionate way. Set in the 1990s in post-apartaid South Africa, this book explores themes of racism, motherhood, the AIDS epidemic, and family. While I enjoyed Marais' debut novel, Hum If You Don’t Know The Words, Bianca knocked it out of the park with this one! It’s incredible in so many ways and I know it will make my Top 10 List at the end of the year (speaking of which - I may have to change it to the Top 100 of the year if I keep going at this rate with all these 5 star books!)