Iké Udé: Nollywood Portraits: A Radical Beauty
The cinema of Nigeria is often referred to as Nollywood, a term coined in the mid-1990s to describe Nigeria’s vibrant, film industry consisting of movies produced in the country but watched all over Africa and largely by Africans in the diaspora.

This book presents a selection of photographic portraits by Iké Udé depicting some of the major Nigerian actors and actresses, television presenters, directors, and producers. With his ongoing photographic self-portraits, Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, mainstream/marginal, African/postnationalist, individual/everyman, and fashion/art. As a Nigerian-born, New York–based artist conversant with the world of fashion and celebrity, Udé gives conceptual aspects of performance and representation a new vitality, melding his own theatrical selves and multiple personae with his art.

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Iké Udé: Nollywood Portraits: A Radical Beauty
The cinema of Nigeria is often referred to as Nollywood, a term coined in the mid-1990s to describe Nigeria’s vibrant, film industry consisting of movies produced in the country but watched all over Africa and largely by Africans in the diaspora.

This book presents a selection of photographic portraits by Iké Udé depicting some of the major Nigerian actors and actresses, television presenters, directors, and producers. With his ongoing photographic self-portraits, Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, mainstream/marginal, African/postnationalist, individual/everyman, and fashion/art. As a Nigerian-born, New York–based artist conversant with the world of fashion and celebrity, Udé gives conceptual aspects of performance and representation a new vitality, melding his own theatrical selves and multiple personae with his art.

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Overview

The cinema of Nigeria is often referred to as Nollywood, a term coined in the mid-1990s to describe Nigeria’s vibrant, film industry consisting of movies produced in the country but watched all over Africa and largely by Africans in the diaspora.

This book presents a selection of photographic portraits by Iké Udé depicting some of the major Nigerian actors and actresses, television presenters, directors, and producers. With his ongoing photographic self-portraits, Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, mainstream/marginal, African/postnationalist, individual/everyman, and fashion/art. As a Nigerian-born, New York–based artist conversant with the world of fashion and celebrity, Udé gives conceptual aspects of performance and representation a new vitality, melding his own theatrical selves and multiple personae with his art.


Product Details

ISBN-13: 9788857232294
Publisher: Skira
Publication date: 02/21/2017
Pages: 192
Product dimensions: 12.90(w) x 15.20(h) x 0.90(d)

About the Author

Professor Henry Louis Gates Jr. is an American historian, literary critic, filmmaker and public intellectual. Chigozie Obioma (born 1986) is a Nigerian writer shortlisted for the 2015 Booker Prize and has been described, in a New York Times book review, as “the heir to Chinua Achebe.” Olu Oguibe is a Nigerian-born American artist and intellectual, Professor of Art and African-American Studies at the University of Connecticut, Storrs. Sarah Nuttall is Professor of Literary and Cultural Studies and Director of WiSER (Wits Institute for Social and Economic Research) in Johannesburg South Africa. Helen Trompeteler is Curator of Photographs of the National Portrait Gallery, London, UK. Toni Kan holds both M.A and B.A degrees in English Literature from the Universities of Lagos and Jos (in Nigeria) respectively and is the author of 4 critically acclaimed works of fiction and poetry. Osahon Akpata has contributed articles to several magazines and blogs, including Vogue Italia, Forbes Africa, and ONE Blog. Binyavanga Wainaina is a Kenyan author, journalist, and winner of the Caine Prize for African Writing.

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