I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven
256
I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven
256Hardcover
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Overview
"I am a poet," I said. "It is my destiny to do strange things."
My father gripped the wheel of his car. "I am the chauffeur for foolishness."
We said no more.
Foolhardy missions. Life-altering conversations. Gifts—given and received. Loss. Getting lost. Wisdom delivered before dawn and deep into the night. Love and kissing (not necessarily in that order). Laughter. Rides on the edge. Roses. Ghosts.
As a traveling poet and visiting teacher, Naomi Shihab Nye has spent a considerable amount of time in cars, both driving and being driven. Her observations, stories, encounters, and escapades—and the kernels of truth she gathers from them—are laugh-out-loud funny, deeply moving, and unforgettable. Buckle up.
Product Details
| ISBN-13: | 9780060853921 |
|---|---|
| Publisher: | HarperCollins |
| Publication date: | 09/18/2007 |
| Pages: | 256 |
| Product dimensions: | 5.00(w) x 7.38(h) x 0.89(d) |
| Age Range: | 13 - 17 Years |
About the Author
Naomi Shihab Nye was born in St. Louis, Missouri. Her father was a Palestinian refugee and her mother an American of German and Swiss descent, and she spent her adolescence in both Jerusalem and San Antonio, Texas. She earned her BA from Trinity University in San Antonio. Naomi Shihab Nye describes herself as a “wandering poet.” She has spent more than forty years traveling the country and the world, leading writing workshops and inspiring students of all ages.
Naomi Shihab Nye is the author and/or editor of more than thirty books. Her books of poetry for adults and young people include 19 Varieties of Gazelle: Poems of the Middle East (a finalist for the National Book Award); A Maze Me: Poems for Girls; Voices in the Air: Poems for Listeners; Honeybee (winner of the Arab American Book Award); Cast Away: Poems of Our Time (one of the Washington Post’s best books of 2020); Come with Me: Poems for a Journey; and Everything Comes Next: Collected and New Poems. Her other volumes of poetry include Red Suitcase; Words Under the Words; Fuel; Transfer; You & Yours; Mint Snowball; and The Tiny Journalist. Her collections of essays include Never in a Hurry and I’ll Ask You Three Times, Are You Okay?: Tales of Driving and Being Driven.
Naomi Shihab Nye has edited nine acclaimed poetry anthologies, including This Same Sky: Poems from Around the World; The Space Between Our Footsteps: Poems from the Middle East; Time You Let Me In: 25 Poets Under 25; and What Have You Lost? Her picture books include Sitti’s Secrets, illustrated by Nancy Carpenter, and her acclaimed fiction includes Habibi; The Turtle of Oman (winner of the Middle East Book Award) and its sequel, The Turtle of Michigan (honorable mention for the Arab American Book Award).
Naomi Shihab Nye has been a Lannan Fellow, a Guggenheim Fellow, and a Witter Bynner Fellow (Library of Congress). She has received a Lavan Award from the Academy of American Poets, the Isabella Gardner Poetry Award, the Lee Bennett Hopkins Poetry Award, the Paterson Poetry Prize, four Pushcart Prizes, the Robert Creeley Award, and "The Betty," from Poets House, for service to poetry, and numerous honors for her children’s literature, including two Jane Addams Children’s Book Awards. In 2011 Nye won the Golden Rose Award given by the New England Poetry Club, the oldest poetry-reading series in the country. Her work has been presented on National Public Radio on A Prairie Home Companion and The Writer’s Almanac. She has been featured on two PBS poetry specials, including The Language of Life with Bill Moyers, and she also appeared on NOW with Bill Moyers. She has been affiliated with the Michener Center for Writers at the University of Texas at Austin for twenty years and served as poetry editor at the Texas Observer for twenty years. In 2019–20 she was the poetry editor for the New York Times Magazine. She is Chancellor Emeritus for the Academy of American Poets and laureate of the 2013 NSK Neustadt Prize for Children’s Literature, and in 2017 the American Library Association presented Naomi Shihab Nye with the 2018 May Hill Arbuthnot Honor Lecture Award. In 2018 the Texas Institute of Letters named her the winner of the Lon Tinkle Award for Lifetime Achievement. She was named the 2019–21 Young People's Poet Laureate by the Poetry Foundation. In 2020 she was awarded the Ivan Sandrof Award for Lifetime Achievement by the National Book Critics Circle. In 2021 she was voted into the American Academy of Arts and Sciences. Naomi Shihab Nye is professor of creative writing-poetry at Texas State University.
Read an Excerpt
I'll Ask You Three Times, Are You OK? EPB
Chapter One
Fabric Thrown over the City
He says, "You could call it a shawl or a scarf-I call it a fabric-but it's thrown over the city and only a few pinholes of light get through."
"Excuse me?" This is before a cup of coffee or anything. Six-thirty A.M. on a Saturday morning in New York City and the driver, staring up out his window, is pausing at a stoplight in a yellow taxi en route to Columbia University.
His voice is butter smooth and soft. "I think about the light, how it's always been there, when the Indians were here and the old-time people and everything. And they thought their time was the real time and we think our time is the real time and no one's time is, really."
"Have you been up all night?" I say.
"No, why?"
"Just wondered."
He turns his head to the side and smiles. "I prefer morning to night. Do you?"
"Sure do. More energy."
I feel as if a certain mesmerizing fabric has been thrown over . . . our car.
There's hardly any traffic. The streets are ripe with that pre-buzz emptiness, pre-crowd, pre-everything. The streets feel like childhood, like our lives before things happen. There's so much that belongs to no one and to all of us, and mornings are rich enough to remember this.
The driver's damp blond hair rolls back in long waves. Odd how, with taxi drivers, you know the sides and backs of their heads. Somehow this feels very personal.
And he just keeps talking. "Occasionally the light seems like a strong, straight beam, and other times it's very faded and drifty. You know? There's a whole mood, the waylight is. It's hard to know how a day will be when we first begin it. Like, we really don't know about today at all. Do we? We just hope. We have ideas. And we think we're wise, but we're not. We just want to be. The world is not your oyster. It is not mine, either. The world is not an oyster, period. The world is the world. Whoever said it was an oyster, do you know?"
"I do not."
"Why are you going out so early? Who are you going to see at Columbia? Smart people with big opinions?"
"Teachers at a conference."
"Oh. People you know or people you don't know?"
I have to think about it. Then I say, "After a while, everyone seems a tiny bit familiar, even if you've never met them before, don't you think?" His style is contagious.
He peers at me in the rearview mirror. "Do I seem familiar?"
"Yes, you do, sort of, but I don't know why exactly." I don't want to say James Dean. I have always missed James Dean in the world. I have caught him in shadings of a stance, a posture, an eyelid, a hand in a pocket, a tip of a head. I feel the same about Jack Kerouac. He died before I found his books. Then I started looking for him everywhere in the world. This taxi driver has James and Jack both, and he's not even standing up.
He says, "We are dreamers in a windy sky, see? Floating among buildings and schedules. All a dream. Like that 'Row Row the Boat' song. We're rowing right now, feel it? The whole world is rowing through the sky."
I stare out the window at pretzel carts and old men in faded raincoats and women with small sacks in their hands that might be a single bagel or a single muffin and ladies walking tiny nervous dogs on leashes. The stoplights click in predictable and comforting patterns. I think of that moment before a car starts up again after idling, how well we come to know that moment as passengers or drivers, either one. We are so accustomed to anticipation, being on the brink, pitching forward.
The driver never stops talking no matter what the car is doing.
He says, nodding his head slightly, "Today you will say things you can predict and other things you could never imagine this minute. Don't reject them, let them come through when they're ready, don't think you can plan it all out. This day will never, no matter how long you live, happen again. It is exquisitely singular. It will never again be exactly repeated-ouch! Did you see? That woman dropped her bag on the sidewalk and swooped it up again, did you see that? She will never again drop her bag in exactly the same spot. Don't ever forget it. Precious, precious, precious-oh. "
"I do know," I say to him, feeling a swoon overtaking me in rhythm with his words. "I know it and I care about it. Thoughts like that have occurred to me for a long time already, but I really like hearing you say them. I mean, it is so beautiful how you say them. I wish you were talking to these teachers today, not me. Seriously, and thank you."
We're driving past a park lined with overflowing trash cans. My driver sighs, staring through the wide-open window with his left arm dangling on the outside. He says, "Isn't it amazing how much garbage accumulates from one day to the next-just through the course of the hours? I wonder sometimes how cities hide dump sites so well. You'd think there would be more of them and we would see them everywhere, wouldn't you?"
"Yes."
Then he says, "Look, look up! Oh, how I love that. Early sun streaks. So beautiful. If you look up right now, the fabric cracked a little."
I'll Ask You Three Times, Are You OK? EPB. Copyright (c) by Naomi Nye . Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.