This double album is becoming hard to find, which is unfortunate, as it's easily the most comprehensive collection of
Bowie's 1966-1967 work for
Deram. The 21 tracks include the entirety of his 1967 debut album, plus seven stray songs from singles and sessions that were unreleased at the time. Possibly because it wasn't heard by many listeners until it was reissued in the early '70s during
Bowie's ascent to stardom, this material has been unfairly maligned. Critics and fans of
Ziggy Stardust were shocked to discover an all-around entertainer seemingly bent upon becoming the new
Anthony Newley. Indeed, much of his work from this era was overbearingly cloying and saccharine, both in the West End matinee aspirations of the lyrics and the unabashedly theatrical orchestration, which bore hardly any resemblance to good old
rock & roll whatsoever. One of these,
"Laughing Gnome" (featuring
Chipmunk-like backup vocals), would cause
Bowie considerable embarrassment when it was reissued -- and became a hit -- in Britain in 1973. The less-idiotically cheerful efforts, though, show definite signs of an idiosyncratic talent: the odd character sketches, the fleeting references to transvestites and mysticism, even the occasional London swinging
pop number (
"Let Me Sleep Beside You"). The best track,
"London Boys" (a 1966 single), is a neglected classic look at the downer side of the
mod experience, and is the best of his many obscure pre-
Space Oddity recordings. ~ Richie Unterberger