Powerful and indispensable, Joseph Luzzi unites emotion and ideas in a work that defies categorization, except for the category marked ‘brilliant.’ If every academic wrote like this, the humanities would be prospering.” — Gary Shteyngart, New York Times bestselling author of Little Failure and Super Sad True Love Story
“An engrossing struggle to build a life after enormous personal loss and the luminous power of literature to transform sorrow’s exile into a kind of blessing.” — New York Journal of Books
“A heartfelt memoir…[Luzzi’s] is a quest so universal that we can all fin ourselves in his struggle.” — Christian Science Monitor
“This is not an academic book about Dante. It’s an elegant and moving memoir of one man’s journey through grief and finally back to life.” — Albany Times Union
“Luzzi’s new memoir transforms unthinkable tragedy into literary gold. More than simply a memoir of mourning, In a Dark Wood testifies to the life-giving importance of literature and what it has to teach us.” — BookPage.com
“Joseph Luzzi lived through something terrible, and has made something beautiful. In a Dark Wood is a memoir of love and loss; but more than that, it is a powerful testimony to the consolation—even salvation—that an engagement with great literature can supply.” — Rebecca Mead, author of My Life in Middlemarch
“Heartbreaking. Heartrending. Heart-stopping.” — Vanity Fair
“Luzzi’s story is intensely personal, but holds universal appeal for anyone who has experienced love and loss. As he grasps blindly for routes out of his personal underworld, both he and the reader discover that only a change of mind and heart can open the way to love and fulfillment.” — Booklist
“Luzzi honestly grapples with profound questions about being a man and father in this very literary and very personal work.” — Publishers Weekly
“A forthright chronicle of emergence from darkness.” — Kirkus Reviews
“Heartfelt memoir… [told with] raw and unguarded candor.” — New York Times Book Review
“…achingly beautiful… — Entertainment Weekly
“Luzzi has written a memoir that is at once inspiring and fascinating. Beautifully written, with humor as well as depth, this book is a must for all serious readers.” — Hudson Valley News
“You say you’ve not read The Divine Comedy …. It doesn’t matter. Luzzi writes with the economy and flair of a novelist…[and] makes it all personal when he twines his historical analysis…with his own dark emotional terrain.” — Chronogram
“In his memoir...Luzzi adopts Dante’s journey as his own. He writes about the long, difficult path through the hell of grief in search of healing, [exploring] the power that Dante’s poetry still holds for modern audiences.” — The Thread, MPR News
“Compelling” — Providence Journal
“The book soared when Luzzi used Dante’s words to explain how grief made him feel.” — Salon
Joseph Luzzi lived through something terrible, and has made something beautiful. In a Dark Wood is a memoir of love and loss; but more than that, it is a powerful testimony to the consolation—even salvation—that an engagement with great literature can supply.
Powerful and indispensable, Joseph Luzzi unites emotion and ideas in a work that defies categorization, except for the category marked ‘brilliant.’ If every academic wrote like this, the humanities would be prospering.
Luzzi’s new memoir transforms unthinkable tragedy into literary gold. More than simply a memoir of mourning, In a Dark Wood testifies to the life-giving importance of literature and what it has to teach us.
Luzzi’s story is intensely personal, but holds universal appeal for anyone who has experienced love and loss. As he grasps blindly for routes out of his personal underworld, both he and the reader discover that only a change of mind and heart can open the way to love and fulfillment.
An engrossing struggle to build a life after enormous personal loss and the luminous power of literature to transform sorrow’s exile into a kind of blessing.
New York Journal of Books
This is not an academic book about Dante. It’s an elegant and moving memoir of one man’s journey through grief and finally back to life.
A heartfelt memoir…[Luzzi’s] is a quest so universal that we can all fin ourselves in his struggle.
Christian Science Monitor
Heartbreaking. Heartrending. Heart-stopping.
Compelling
The book soared when Luzzi used Dante’s words to explain how grief made him feel.
…achingly beautiful…
You say you’ve not read The Divine Comedy …. It doesn’t matter. Luzzi writes with the economy and flair of a novelist…[and] makes it all personal when he twines his historical analysis…with his own dark emotional terrain.
Heartfelt memoir… [told with] raw and unguarded candor.
New York Times Book Review
Luzzi has written a memoir that is at once inspiring and fascinating. Beautifully written, with humor as well as depth, this book is a must for all serious readers.
In his memoir...Luzzi adopts Dante’s journey as his own. He writes about the long, difficult path through the hell of grief in search of healing, [exploring] the power that Dante’s poetry still holds for modern audiences.
Luzzi’s story is intensely personal, but holds universal appeal for anyone who has experienced love and loss. As he grasps blindly for routes out of his personal underworld, both he and the reader discover that only a change of mind and heart can open the way to love and fulfillment.
04/13/2015 Luzzi (My Two Italies), a professor of Italian at Bard College, plunges into a familiar classic he had often taught and studied—Dante’s Divine Comedy—that suddenly took on a heartbreaking new resonance after the death of his young wife. In November 2007, Luzzi was in his late 30s, living in Tivoli, N.Y., with Katherine, who was nine months pregnant. He felt he was finally on his way professionally and personally when tragedy struck. A car accident took Katherine’s life, yet the baby she carried survived; within a few hours Luzzi found himself both a widower and a new father to a daughter, Isabel. In a narrative that would seem contrived coming from someone less immersed in the language of Dante, Luzzi attests that reading the exiled 14th-century Florentine author at this crucial juncture “gave me the language to understand my own profound sense of displacement.” Like Dante’s epic poem, Luzzi’s narrative moves structurally through the stages of the Underworld, from Hell into Paradise; instead of having Virgil as his guide, Luzzi enlisted his family, namely his old-world mother, Yolanda, to care for Isabel. Yolanda’s help was a godsend but also at times got in the way of his emotional connection with his new daughter. Naturally, Katherine serves as his own Beatrice. Luzzi honestly grapples with profound questions about being a man and father in this very literary and very personal work. (May)
2015-02-16 Dante serves as a guide through a landscape of sorrow.In November 2007, Luzzi (Italian/Bard Coll.; My Two Italies, 2014, etc.) faced a cataclysmic change in his life: his wife, eight and a half months pregnant, was killed in a car accident; his daughter, born prematurely, was fighting for her life. As he struggled with grief, guilt, and loneliness, Dante's works, which he had long been teaching, "gave me the language to understand my own profound sense of displacement. More important, they enabled me to connect my anguished state to a work of transcendent beauty." In this frank and engaging memoir, Luzzi demonstrates a deep knowledge of Dante's life and writing, interweaving the poet's experiences with his own. He admits feeling numb after the accident, unsure of his ability to be a father and emotionally detached from his infant daughter. As much as he missed his wife, he yearned to find another love; self-protectively, he buried himself obsessively in teaching and scholarship. Dante suffered similarly, condemned to exile, mourning the death of his beloved Beatrice, and devoting himself obsessively to poetry. Luzzi is not proud of turning over his daughter's care to his selfless 77-year-old mother and sisters, for him "the path of least resistance" that allowed him to return to the classroom and, nearly a year into widowerhood, to begin a relationship. With his competent female relatives willing to raise his daughter, he decided he couldn't face "the drudgery [and] grinding rhythms of focusing exclusively on a child." He had never, he confesses, considered what child care responsibilities he would have had if his wife had lived. When his first relationship ended, he embarked on a desperate search for a companion, meeting women through online dating sites, which was a dispiriting experience. It took years before he found a new love and embraced his role as a father. A forthright chronicle of emergence from darkness.