The 2022 Kirkus Prize Winner for Nonfiction * One of NPR's "Books We Love of 2022" * A Shondaland's "May's Must-Read Books by Asian American Authors" *One of Kirkus's Best Books of 2022 * —
"We selected In Sensorium by Tanaïs as the winner of the 2022 Kirkus Nonfiction Prize for its daring, inventiveness, vision, and lyrical eloquence. Using the framework of fragrance and scent, the author's work confronts aspects of our society related to women, gender, and people of color. Seductive, vital, and incomparable, this is a reading experience that endures." — Kirkus Prize for Nonfiction Panel
"This memoir from writer and perfumer Tanaïs is as ambitious as it is wide-ranging, telling the story of their experience as an American Bangladeshi Muslim femme moving around the world in a wise and engaging manner that asks deeply relevant questions about queerness, gender, colonization and South Asian identity." — Vogue
"(In Sensorium) is, in short, the balm we have always needed." — Harper's Bazaar
"In Sensorium is a potently beautiful testimonial of feeling, touching, and breathing beyond the boundaries of empire, patriarchy, and the rule of law. It is a love story for all of us who not only live on the margins, but make magic there. With remarkable sensitivity and frankness, Tanaïs has given us an unforgettable, wise, and sumptuous story. This book will be with me for a very long time." — Imani Perry, author of Breathe and South to America
"In Sensorium does to the senses, particularly smell, what Toni Cade Bambara did to sound. I have never come close to experiencing a book that reminds us to accept the calcified histories and fluid futures deeply packed in our senses. What an absolutely unique and momentous book! Tanaïs has made a book only they could write, and my body is so, so thankful. Stunning work." — Kiese Laymon, author of Long Division and Heavy
"Novelist and perfumer Tanaïs blends in this beautiful work memoir, history, and notes on perfuming to interrogate love, violence, and generational healing. Throughout, rich imagery and language are married as Tanaïs moves through their ancestral trauma to discover a place of healing...Readers will find more than just their olfactory senses heightened by this beautiful meditation." — Publishers Weekly
"A lyrical memoir, sensuous and sensual, that crosses decades and continents...Tanaïs, author of the acclaimed novel Bright Lines, brings a millennial sensibility—and a rejection of outmoded mores—to their work as a sharp observer of the world. Refusing old binaries, they move freely among peoples who are bitterly divided...A heady pleasure of language in love with the author’s many subjects, and perfectly suited to them." — Kirkus Reviews (starred review)
"To read In Sensorium is to be made as aware of the sensuousness of place, time, and body... It brings the past and the present into being, beyond the boundaries of knowing, and lingers like scent on the skin." — Guernica
"Through a series of investigations into the origin and capture of notable scents throughout history, In Sensorium takes us through the ambitious project of mapping scents to Tanäis’s own history and the histories and connections that come from their own embodied experience as an American Bangladeshi Muslim femme." — The Cut
"In Sensorium works, like perfuming itself, to 'reconstruct silence into sensuous experience,' challenging what Tanaïs calls the patramyth—those 'foundational lies and mythologies recorded in history to protect the powerful.'" — Literary Hub
"As a devout memoir enthusiast, I can honestly say I’ve never read a book like this: pieces of life strung together through senses and stimuli. In Sensorium is robust, assured and sacrosanct." — Autostraddle
"In In Sensorium, Tanai¨s paints an evocative scentscape traversing forgotten histories" — Vogue India
"Lyrical, expansive, aching, and alive, In Sensorium invites us to behold and be humbled, to boldly redraw the old maps, to not only recover what has been erased, but to wildly create what has never been and is forever possible. 'I write to imagine freedom, even though I write in the language of power.' In this book, language is a portal and language is a world and language is a syncretic invention. Kaleidoscopic in scope, each page unfolds into a dazzling spiral as Tanaïs weaves personal histories into the history of Bangladesh and South Asia. These meditations on ancestral violence, war, the feminine divine, scent, erotic dreamscapes, rage, belonging, beauty, liberation and familial inheritances pulse with voluptuous longing. This work requires attention and deep devotion." — Jenny Zhang, author of Sour Heart and My Baby First Birthday
Structured like the base, heart, and head notes of a perfume, Tanaïs’ deeply intimate new book is no ordinary memoir. Expertly weaving their own personal narrative together with an incisive cultural history of fragrance, the writer and perfumer’s genre-defying work offers a truly multi-sensory reading experience. — Harper’s Bazaar, "The Best Beach Reads of 2022"
"With bold and lyrical language, this singular sensorium is structured like a perfume with base, heart and head notes. It interlaces South Asian history with personal history, diasporic longing with homeland love, and ancestral trauma with present-day crises. Well-researched explorations of eroticism in ancient religions, the violence of British colonialism and South Asian patriarchal cultures, and capitalism-induced environmental damage are synthesized artfully with intensely personal revelations about love, sex, liberation, selfhood and healing." — Jenny Bhatt for NPR
"The book is ultimately a sundial—a totem of light and shadow that changes gradually the longer you look at it. In Sensorium is a way of organizing time—the history of a people, a place, a family, a life—guided by scent and the essence of memory." — BOMB Magazine
"Tanaïs’s writing is not unlike a perfume itself—setting out histories and mythologies of the powerful as base notes, exploring the experiences of women and femmes in the heart notes, and creating fragrances as transportive mediums for pilgrimage and knowledge as the top notes." — The Nation
★ 2021-11-27
A novelist and perfume maker serves up a lyrical memoir, sensuous and sensual, that crosses decades and continents.
Tanaïs, author of the acclaimed novel Bright Lines, brings a millennial sensibility—and a rejection of outmoded mores—to their work as a sharp observer of the world. Refusing old binaries, they move freely among peoples who are bitterly divided. Though descended from Bangladeshi Muslims, the author feels at home in India among Hindus, writing that neither religion “is absolved of brutal violence or enslaving innocent people.” Later, they add, “I celebrate Kali puja. I recite a Buddhist Tara mantra every morning. I probably know more mantras than I do surah in the Quran.” Try to explain such things to “a jaunty Indian bro” at a party, though, and the old walls come back up. Though the Brahmin in question fully grasped the racism wrought of “being brown in America,” he did not carry the memory of genocide that Bangladeshis do—even today, adds Tanaïs, Hindu fascists are stirring up pogroms against India’s Muslims. Much of this evocative memoir is told through the vehicle of perfumes and their history. Scents mark the sex workers of South Asia and the enslaved peoples of Africa, find their way into Ayurvedic and Chinese medicine, and serve to enhance appetite and desire everywhere. Readers with an interest in such things will learn, through Tanaïs’ elegant prose, just about everything about sandalwood essences, rhododendron incense, and “perfume as fluid as language, as lineage, as rivers of sweat.” More, they’ll emerge with a deeper understanding of the many ethnicities that make up South Asia and that merge in the author’s sensibility along with cultural artifacts from America and elsewhere in the West, from manifestations of “radical-vision Buddhism” to the occasional dose of LSD.
A heady pleasure of language in love with the author’s many subjects, and perfectly suited to them.
