Indigenous Archives: The Maya Diaspora and Mobile Cultural Production
Indigenous Archives analyzes the modes through which young Guatemalan Mayas in Los Angeles and Guatemala make sense of and respond to transnational structures of settler colonialism. Drawing on in-depth analysis of cultural production and interviews with Guatemalan Maya youth and young adults, Floridalma Boj Lopez examines how Mayas in diaspora craft and circulate narratives about their experiences across borders. Citing a more active practice of “archives in formation,” Boj Lopez depicts Indigenous archives as a cross-generational, collective conversation rooted in memory, survival, and cultural expression where Indigenous cultural practices and artifacts move, adapt, and assert their presence in the contemporary. Indigenous Archives invites readers to consider Indigeneity as a process, lived experience, and historical perspective, rather than as a static identity, and shows how extending analysis across borders is critical to understanding Latinidad and Indigeneity.
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Indigenous Archives: The Maya Diaspora and Mobile Cultural Production
Indigenous Archives analyzes the modes through which young Guatemalan Mayas in Los Angeles and Guatemala make sense of and respond to transnational structures of settler colonialism. Drawing on in-depth analysis of cultural production and interviews with Guatemalan Maya youth and young adults, Floridalma Boj Lopez examines how Mayas in diaspora craft and circulate narratives about their experiences across borders. Citing a more active practice of “archives in formation,” Boj Lopez depicts Indigenous archives as a cross-generational, collective conversation rooted in memory, survival, and cultural expression where Indigenous cultural practices and artifacts move, adapt, and assert their presence in the contemporary. Indigenous Archives invites readers to consider Indigeneity as a process, lived experience, and historical perspective, rather than as a static identity, and shows how extending analysis across borders is critical to understanding Latinidad and Indigeneity.
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Indigenous Archives: The Maya Diaspora and Mobile Cultural Production

Indigenous Archives: The Maya Diaspora and Mobile Cultural Production

by Floridalma Boj Lopez
Indigenous Archives: The Maya Diaspora and Mobile Cultural Production

Indigenous Archives: The Maya Diaspora and Mobile Cultural Production

by Floridalma Boj Lopez

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$25.95 
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Overview

Indigenous Archives analyzes the modes through which young Guatemalan Mayas in Los Angeles and Guatemala make sense of and respond to transnational structures of settler colonialism. Drawing on in-depth analysis of cultural production and interviews with Guatemalan Maya youth and young adults, Floridalma Boj Lopez examines how Mayas in diaspora craft and circulate narratives about their experiences across borders. Citing a more active practice of “archives in formation,” Boj Lopez depicts Indigenous archives as a cross-generational, collective conversation rooted in memory, survival, and cultural expression where Indigenous cultural practices and artifacts move, adapt, and assert their presence in the contemporary. Indigenous Archives invites readers to consider Indigeneity as a process, lived experience, and historical perspective, rather than as a static identity, and shows how extending analysis across borders is critical to understanding Latinidad and Indigeneity.

Product Details

ISBN-13: 9781478033011
Publisher: Duke University Press
Publication date: 01/06/2026
Pages: 200
Product dimensions: 6.00(w) x 9.00(h) x 0.00(d)

About the Author

Floridalma Boj Lopez is Assistant Professor of Chicana/o and Central American Studies at the University of California, Los Angeles.

Table of Contents

Foreword / Oscar Ubaldo Boj Chojolán  ix
Acknowledgments  xiii
Introduction  1
1. Contesting the Logics of Displacement in the Production of the Indigenous Migrant  33
2. Weaving Maya Geographies, Textiles, and Relationality in Diaspora  53
3. La Comunidad Ixim and Organizing in the Maya Diaspora  81
4. Returning the Gaze, Reclaiming the Image: Contemporary Photography as Archive Making  111
Conclusion  137
Notes  143
Bibliography  159
Index  175
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