Indivisible, new edition

by Fanny Howe, Eugene Lim (Introduction)

Overview

The conclusion of a radically philosophical and personal series of Fanny Howe novels animated by questions of race, spirituality, childhood, transience, resistance, and poverty.

First published by Semiotexte in 2001, Indivisible concludes a radically philosophical and personal series of Fanny Howe novels animated by questions of race, spirituality, childhood, transience, wonder, resistance, and poverty. Depicting the tempestuous multiracial world of artists and activists who lived in working-class Boston during the 1960s, Indivisible begins when its narrator, Henny, locks her husband in a closet so that she might better discuss things with God. On the verge of a religious conversion, Henny attempts to make peace with the dead by telling their stories.

Product Details

ISBN-13:	9781635901559
Publisher:	MIT Press
Publication date:	04/26/2022
Series:	Semiotext(e) / Native Agents
Pages:	216
Product dimensions:	5.37(w) x 8.00(h) x 0.65(d)

About the Author

Fanny Howe is the author of more than twenty books of poetry and prose. She has taught literature and writing for many years and is currently Professor Emerita in Literature at the University of California, San Diego. She has mentored a generation of American poets, activists and scholars working at the intersection of experimental and metaphysical forms of thinking.

Eugene Lim is the author of four novels, most recently, of Dear Cyborg and the founder of Ellipsis Press.

What People are Saying About This

From the Publisher

“In hate with her husband and in love with God, Henny decides to have a life that really matters. Fanny Howe likes Catholicism for its contradictions. Like Susan Sontag, each line she writes is the product of a lifetime of thinking that occurs off the page.” —Sarah Schulman

“Fanny Howe is a hallowed voice of the violent and brutal twentieth century. A sacred idiot, a wise friend who passes a bottle of warmth through the icy night, who fishes of what haunts the depths.” —Kazim Ali, author of Inquisition

Editorial Reviews

In an age when many American artists and writers seem focused on projecting an aura of glib certitude, Fanny embraces radical indeterminacy. Reading her fiction feels something like facing a patch of wilderness—startling, beautiful, yet terrifyingly mysterious. Themes such as race and class, poverty and theology, women and oppression, are not merely explored, they are exploded.” —Kim Jensen, Bomb

From the Publisher