Table of Contents
List of Contributors
Introduction: Mapping new horizons in audio description research
Chapter 1: Immersion, presence and engagement in audio described material
Chapter 2: New approaches to accessibility and audio description in museum environments
Chapter 3: Easier audio description: exploring the potential of Easy-to-Read principles in simplifying AD
Chapter 4: Film language, film experience and film interpretation in a reception study comparing conventional and interpretative audio description styles
Chapter 5: Audio description 2.0: re-versioning audiovisual accessibility to assist emotion recognition
Chapter 6: Towards a user specification for immersive audio description
Chapter 7: Mainstreaming audio description through technology
Chapter 8: Comparing human and automated approaches to visual storytelling
Index