Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic
In Insignificant Things Matthew Francis Rarey traces the history of the African-associated amulets that enslaved and other marginalized people carried as tools of survival in the Black Atlantic world from the seventeenth to the nineteenth centuries. Often considered visually benign by white Europeans, these amulet pouches, commonly known as “mandingas,” were used across Africa, Brazil, and Portugal and contained myriad objects, from herbs and Islamic prayers to shells and coins. Drawing on Arabic-language narratives from the West African Sahel, the archives of the Portuguese Inquisition, sixteenth- and seventeenth-century European travel and merchant accounts of the West African Coast, and early nineteenth-century Brazilian police records, Rarey shows how mandingas functioned as portable archives of their makers’ experiences of enslavement, displacement, and diaspora. He presents them as examples of the visual culture of enslavement and critical to conceptualizing Black Atlantic art history. Ultimately, Rarey looks to the archives of transatlantic slavery, which were meant to erase Black life, for objects like the mandingas that were created to protect it.
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Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic
In Insignificant Things Matthew Francis Rarey traces the history of the African-associated amulets that enslaved and other marginalized people carried as tools of survival in the Black Atlantic world from the seventeenth to the nineteenth centuries. Often considered visually benign by white Europeans, these amulet pouches, commonly known as “mandingas,” were used across Africa, Brazil, and Portugal and contained myriad objects, from herbs and Islamic prayers to shells and coins. Drawing on Arabic-language narratives from the West African Sahel, the archives of the Portuguese Inquisition, sixteenth- and seventeenth-century European travel and merchant accounts of the West African Coast, and early nineteenth-century Brazilian police records, Rarey shows how mandingas functioned as portable archives of their makers’ experiences of enslavement, displacement, and diaspora. He presents them as examples of the visual culture of enslavement and critical to conceptualizing Black Atlantic art history. Ultimately, Rarey looks to the archives of transatlantic slavery, which were meant to erase Black life, for objects like the mandingas that were created to protect it.
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Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic

Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic

by Matthew Francis Rarey
Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic

Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic

by Matthew Francis Rarey

Paperback

$26.95 
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Overview

In Insignificant Things Matthew Francis Rarey traces the history of the African-associated amulets that enslaved and other marginalized people carried as tools of survival in the Black Atlantic world from the seventeenth to the nineteenth centuries. Often considered visually benign by white Europeans, these amulet pouches, commonly known as “mandingas,” were used across Africa, Brazil, and Portugal and contained myriad objects, from herbs and Islamic prayers to shells and coins. Drawing on Arabic-language narratives from the West African Sahel, the archives of the Portuguese Inquisition, sixteenth- and seventeenth-century European travel and merchant accounts of the West African Coast, and early nineteenth-century Brazilian police records, Rarey shows how mandingas functioned as portable archives of their makers’ experiences of enslavement, displacement, and diaspora. He presents them as examples of the visual culture of enslavement and critical to conceptualizing Black Atlantic art history. Ultimately, Rarey looks to the archives of transatlantic slavery, which were meant to erase Black life, for objects like the mandingas that were created to protect it.

Product Details

ISBN-13: 9781478019855
Publisher: Duke University Press
Publication date: 05/12/2023
Series: Visual Arts of Africa and Its Diasporas
Pages: 304
Product dimensions: 6.00(w) x 8.90(h) x 0.80(d)

About the Author

Matthew Francis Rarey is Associate Professor of Art History at Oberlin College.

Table of Contents

Acknowledgments  ix
Introduction. Significance, Survival, and Silence  1
1. Labels  31
2. Contents  72
3. Markings  124
4. Revolts  171
Epilogue  208
Notes  217
Works Cited  249
Index  275

What People are Saying About This

From Cameroon to Paris: Mousgoum Architecture in and out of Africa - Steven Nelson

“In this groundbreaking, beautifully written, and deeply researched book, Matthew Francis Rarey reframes our understandings of the Black Atlantic and the complex social and cultural terrain of the Lusophone world. He not only sheds light on bodies and their vulnerabilities but also opens onto worlds of sorcery, jurisprudence, and human relations. Most importantly, he shows how enslaved people took advantage of any power they could find or construct. Insignificant Things is a stunning contribution to the larger study of Blackness and formations of modernism and a model for those who seek to do this kind of transcultural and diasporic work.”

Slavery in the Age of Memory: Engaging the Past - Ana Lucia Araujo

“Leading the reader through three different continents and multiple religions, Matthew Francis Rarey demonstrates that mandingas existed at the crossroads of Islam, Catholicism, Judaism, and African religions. Rarey is the first to make these connections and to fully take into account their early history in the African continent. This book will be welcomed by specialists in the history of art, slavery, and the African diaspora.”

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