is 5 - Poetry by e.e. cummings

by E. E. Cummings

Overview

e.e. cummings' fourth poetry collection demonstrates his skilled modernist voice and unmatched ability to test the limitations of the English language.

First published in 1926, is 5 contains 88 poems in cummings' distinctively complex style. Featuring satirical work, many experimental pieces, and several anti-war poems, this volume is a collection of modernist poetry that explores classic poetic themes.

This volume's title is the first hint of e. e. cummings' signature grammatical style. In the foreword, he claims that a poet gains advantage from their 'ineluctable preoccupation with The Verb'. He suggests that poets are able to roam outside the bounds of punctuation and syntax, therefore, where it is indisputably known that 'two time two is four', poets are able to explore other possibilities for the sum's answer, giving the volume its title is 5.

Five sections are featured in this collection, including notable poems such as:

- 'my sweet old etcetera'

- 'She being Brand'

- 'since feeling is first'

Now in a new high-quality edition, is 5 has been proudly republished by Ragged Hand, Read & Co. Books' specialist poetry imprint. An ideal read for fans of war poetry and cummings' experimental work.

Product Details

ISBN-13:	9781528720212
Publisher:	Ragged Hand
Publication date:	09/27/2022
Pages:	126
Product dimensions:	5.50(w) x 8.50(h) x 0.30(d)

About the Author

E. E. Cummings (1894–1962) was among the most influential, widely read, and revered modernist poets. He was also a playwright, a painter, and a writer of prose. Born in Cambridge, Massachusetts, he studied at Harvard University and, during World War I, served with an ambulance corps in France. He spent three months in a French detention camp and subsequently wrote The Enormous Room, a highly acclaimed criticism of World War I. After the war, Cummings returned to the States and published his first collection of poetry, Tulips & Chimneys, which was characterized by his innovative style: pushing the boundaries of language and form while discussing love, nature, and war with sensuousness and glee. He spent the rest of his life painting, writing poetry, and enjoying widespread popularity and success.