Is It God's Will?: Making Sense of Tragedy, Luck, and Hope in a World Gone Wrong
In the wake of two foiled assassination attempts while Donald Trump was campaigning for President, many of his supporters claimed Trump's survival was an act of Divine intervention, and a sign that Trump was favored by God. In his victory speech, Trump alluded to this. But his survival prompts other questions: Why did God spare Trump, but not the retiree sitting behind him? Why couldn't God have spared everyone that day? And if God is truly omnipotent, why do so many children die in gun violence every year?

To award-winning journalist and theologian Brandon Ambrosino, these mortal questions provide us with an opportunity to explore the great questions about Divine and human agency, especially in relation to human tragedy and a world that seems to be slipping into chaos. In this powerful and searching enquiry—in the vein of N. T. Wright and C. S. Lewis—Ambrosino argues that theologians have been poorly equipped to confront these questions, because many hang on to an omnipotent model of God. Exploring the daily tragedies that so many of us must contend—as well as a provocative and challenging reading of Christ's death and resurrection—Ambrosino provides us with the tools to understand and process grief but also presents a refreshing portrait of less a God of power, and more of one of persuasion, who can still provide a residue of hope in a world gone wrong.

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Is It God's Will?: Making Sense of Tragedy, Luck, and Hope in a World Gone Wrong
In the wake of two foiled assassination attempts while Donald Trump was campaigning for President, many of his supporters claimed Trump's survival was an act of Divine intervention, and a sign that Trump was favored by God. In his victory speech, Trump alluded to this. But his survival prompts other questions: Why did God spare Trump, but not the retiree sitting behind him? Why couldn't God have spared everyone that day? And if God is truly omnipotent, why do so many children die in gun violence every year?

To award-winning journalist and theologian Brandon Ambrosino, these mortal questions provide us with an opportunity to explore the great questions about Divine and human agency, especially in relation to human tragedy and a world that seems to be slipping into chaos. In this powerful and searching enquiry—in the vein of N. T. Wright and C. S. Lewis—Ambrosino argues that theologians have been poorly equipped to confront these questions, because many hang on to an omnipotent model of God. Exploring the daily tragedies that so many of us must contend—as well as a provocative and challenging reading of Christ's death and resurrection—Ambrosino provides us with the tools to understand and process grief but also presents a refreshing portrait of less a God of power, and more of one of persuasion, who can still provide a residue of hope in a world gone wrong.

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Is It God's Will?: Making Sense of Tragedy, Luck, and Hope in a World Gone Wrong

Is It God's Will?: Making Sense of Tragedy, Luck, and Hope in a World Gone Wrong

Is It God's Will?: Making Sense of Tragedy, Luck, and Hope in a World Gone Wrong

Is It God's Will?: Making Sense of Tragedy, Luck, and Hope in a World Gone Wrong

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Overview

In the wake of two foiled assassination attempts while Donald Trump was campaigning for President, many of his supporters claimed Trump's survival was an act of Divine intervention, and a sign that Trump was favored by God. In his victory speech, Trump alluded to this. But his survival prompts other questions: Why did God spare Trump, but not the retiree sitting behind him? Why couldn't God have spared everyone that day? And if God is truly omnipotent, why do so many children die in gun violence every year?

To award-winning journalist and theologian Brandon Ambrosino, these mortal questions provide us with an opportunity to explore the great questions about Divine and human agency, especially in relation to human tragedy and a world that seems to be slipping into chaos. In this powerful and searching enquiry—in the vein of N. T. Wright and C. S. Lewis—Ambrosino argues that theologians have been poorly equipped to confront these questions, because many hang on to an omnipotent model of God. Exploring the daily tragedies that so many of us must contend—as well as a provocative and challenging reading of Christ's death and resurrection—Ambrosino provides us with the tools to understand and process grief but also presents a refreshing portrait of less a God of power, and more of one of persuasion, who can still provide a residue of hope in a world gone wrong.


Product Details

ISBN-13: 9798228679726
Publisher: christianaudio
Publication date: 09/16/2025
Product dimensions: 5.30(w) x 7.50(h) x (d)
Age Range: 18 Years

About the Author

Brandon Ambrosino is an award-winning journalist who has written for Politico, BBC, Vox, Boston Globe, Globe & Mail, the Atlantic, Smithsonian, Economist, Washington Post, and many other outlets. He is a visiting professor in the Augustine and Culture Seminar at Villanova University, where he also received his PhD in theology. His work focuses on teasing out the theological implications of camp theory and aesthetics. His article "Someone's Gotta Tell the Freakin' Truth," on Jerry Falwell's tenure at Liberty University, was the second most-read article on the internet in 2019. A regular contributor to Commonweal and Christian Century, he writes a monthly "Theology for Kids" column at US Catholic Magazine called "Childish." He lives in Newark, Delaware.

Daniel Henning is a director, producer, actor, and writer. His work has been seen on HBO, CBS, NBC, ABC, FOX, MTV, Comedy Central, and on stages throughout Southern California. He won a 2017 Telly Award for "Best Writer" for the film version of his play The Tragedy of JFK (as Told by Wm. Shakespeare). As director and writer, his TV and film work includes MTV's Rob Dyrdek's Fantasy Factory and the film Critic's Choice. He won the NAACP Theatre Award for "Best Director of a Musical" for The Wild Party.

He is the Founding Artistic Director of Hollywood's The Blank Theatre, winning over 200 awards for his productions, including "Best Production," from LA Drama Critic Circle, LA Weekly, Ovations, NAACP, etc. Henning has been inspirational to thousands of young artists through his creation of The Blank's Young Playwrights Festival (the only professional nationwide competition for playwrights aged nine to nineteen). He directed the first play by 2016 Tony Award Winner for "Best Play" Stephen Karam when Stephen was seventeen and a winner in The Blank's Young Playwrights Festival.

Henning has also been an acting teacher and coach and is known for his ability to spot young talent. He has given opportunities to many young actors who later went on to success in Hollywood including Tessa Thompson, Noah Wyle, Alison Brie, Molly Shannon, Academy Award winner Octavia Spencer, and Sarah Michelle Gellar. He coached Sarah Michelle Gellar on her auditions for the landmark TV series Buffy the Vampire Slayer, and they shared a close personal friendship, even traveling to Australia together with family for New Year's Eve 2000, where the paparazzi photographed Henning and Gellar dancing. For several months, Henning was rumored to be dating Gellar in the Australian fan magazines (including Big Hit Magazine), which, of course, was inaccurate as Henning was traveling with his husband, Rick Baumgartner.
He is a graduate of NYU's Tisch School of the Arts, Circle in the Square Theatre School, and American Conservatory Theatre. His work for LGBTQ Equality includes creating the fiftieth Anniversary Celebration of the Black Cat Protests (the first major LGBTQ Demonstration in the US) and directing and hosting the 2017 LA City Council LGBTQ Pride Ceremony. He was recently honored by the CA State Legislature for his work in LGBTQ Equality and nurturing the future of the Arts.

He has also narrated dozens of audiobooks, both nonfiction and fiction.
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