Publishers Weekly
★ 06/20/2022
Hjorth (Long Live the Post Horn!) delivers a gripping tale of obsession about an artist and her frayed relationship with her family. Johanna, nearing 60, hasn’t spoken to her estranged mother or sister since her father’s death many years ago. Now, recently widowed, she returns to Oslo after decades spent living in the U.S. Her adult son lives in Copenhagen, and a retrospective of her work is soon to launch in Norway. While working on new pieces for the show, Johanna decides to call her mother, who doesn’t answer. Johanna then begins to construct a fantasy of her mother’s daily life while simultaneously ratcheting up her attempts at interaction. She hides outside her mother’s building, follows her from a distance, and sifts through her trash. Johanna calls and texts, yet she continues to receive no response, and her fixation on breaking through swells along with memories of a rocky childhood and her mother’s own unhappiness. Hjorth keenly walks the line between Johanna’s concern and mania; as Johanna’s hang-ups occasionally spin out of control, they remain true to the character. This accomplished novel is hard to shake. (Oct.)
From the Publisher
Hjorth delivers a gripping tale of obsession about an artist and her frayed relationship with her family. [She] keenly walks the line between Johanna’s concern and mania; as Johanna’s hang-ups occasionally spin out of control, they remain true to the character. This accomplished novel is hard to shake.”
—Publishers Weekly (starred review)
“In Is Mother Dead, Hjorth returns to themes of family and estrangement. Johanna, a middle-aged artist, returns to Oslo for a retrospective of her work. She attempts to reconnect with her mother, but she doesn’t pick up the phone. Johanna continues to call and text her, fixating on reaching her despite surfacing memories of an unhappy childhood. She continues to stalk her mother—hiding out in her mother’s building, following her, and going through her trash—resulting in a memorable story of surveillance and psychological torment.”
—Emily Firetog, Lit Hub (“Most Anticipated Books of 2022”)
“A darkly insightful examination of mother-daughter relationships that captivates with the suspense of a thriller. The novel’s strength lies in its deft use of psychological analysis as it looks at this relationship through one lens after another.”
—Kirkus Reviews
“Is Mother Dead is a Norwegian domestic thriller about the lengths to which people will go to dig up truths that others want to stay buried.”
—Foreword Reviews (Starred Review)
“Hjorth has written a fascinating tale about the Norwegian postal system and composed a best-selling work of autofiction … In her latest work to appear in English, an ex-pat artist returns to Norway to oversee a retrospective of her work and attempts to contact, and then stalks, her estranged mother.”
—The Millions (“Most Anticipated Books of 2022”)
“Vigdis Hjorth is a major hero of mine. When my friend Sheila Heti told me to read A House in Norway, my life was changed. I’ve since recommended her work to so many people, who love it just as passionately. Hjorth has tapped into the novel in a way I have not seen or experienced since Woolf, Kafka, and Bernhard.”
—Makenna Goodman, author of The Shame
“A master of familial estrangement and obsession, Hjorth tells the story of Johanna, an artist living abroad who returns to Oslo for a retrospective of her work. After initial attempts to get in touch with her estranged mother fail, she begins stalking her, hiding out in her building and rummaging through her trash. Hjorth’s piercing writing captures the torment and mania that roils under the surface of most all of us.”
—Lynn Steger Strong, Los Angeles Times
“Is Mother Dead overflows with contrasts in both its structure and its language. Some sections are stark and only a line or two long; other sentences are long and winding, helping to demonstrate the narrator’s conflicted perspectives on art, family, and her own fraught relationship with her relatives. [An] immersive trip into the protagonist’s mind—and the difficult decisions she has to reckon with.”
—Words Withour Borders
“Hjorth captures the mind’s inner dialogue … with almost nauseating precision.”
—Emily Bootle, New Statesman
“The realities of growing up with a mother who consumed you, who poured her insecurities into her young daughter, is an experience I have never before seen so ruthlessly examined.”
—Billie Walker, Polyester Zine
“Beautiful in its ability to match effect with intention and in its descriptive powers.”
—Declan O’Driscoll, Irish Times
“Writing with a rush of anxious interiority beautifully reproduced by Barslund’s translation, Hjorth spins out Joanna’s hopes, fears, and half-suppressed memories in obsessive and propulsive run-on sentences, full of self-reflexive questions and crushing doubt … Is Mother Dead both pulls readers into Joanna’s adventure and calls on them to become more alive to their own task, their arms stretching upward for the next rung. “
—Asymptote Journal
“[A] harrowing and propulsive novel about the strained tether between daughters and mothers … lucidly translated by Charlotte Barslund. Hjorth deftly conveys the psychological warfare of familial conflict in circuitous, searching sentences. Fragments replicate the stab of betrayal, run-ons rummage for truth amid lies. “
—Naomi Huffman, New York Times Book Review
“A thorough and anxious exploration of motherhood and childhood.”
—Patrick Graney, Literary Review
“Hjorth has masterfully written a family drama where no reunion takes place and a thriller where no blood is shed. “
—Grace Kennedy, Ploughshares
“[Is Mother Dead] feels liberating. In the struggle to break free … from our abusers and our own pain, there can be, in a hand as deft as Hjorth’s, an energy both creative and destructive.”
—Jessa Crispin, Telegraph
“A troubling and stunningly accomplished excavation into the past.”
—Catherine Taylor, Financial Times
“Both mother and daughter are paralysed—despite their attempts to slip the bonds of their relationship, neither can escape … This kind of ‘merciless intimacy’ is Hjorth’s natural terrain.”
—Eloise Hendy, Frieze
“Hjorth traverses Johanna’s emotional exile, the ruthless censorship within her family’s stories, and the language of art, in which the narrator takes solace.”
—Astra Magazine
“Bizarre yet totally mesmerising.”
—Ellen Peirson-Hagger, i Newspaper
“Is Mother Dead confirms Hjorth’s place as an unparalleled chronicler of the fault lines in intimate relationships.”
—Leslie Camhi, 4 Columns
“Covering raw and prescient themes, Is Mother Dead is a rich but unsettling read.”
—Kathryn Cutler-MacKenzie, Lucy Writers Platform
“Brilliantly claustrophobic, this novel is a testament to the fact that, when the present becomes the past, we are only left with our own version of what happened.”
—Holly Connolly, AnOther
“The Norwegian novelist Hjorth is something of a specialist in mordant, exacting depictions of familial estrangement; her latest novel, translated by Charlotte Barslund, recounts the increasingly obsessive efforts by a middle-aged painter to reunite with her mother, whom she has not spoken to for decades.”
—New York Times
“In Is Mother Dead, Hjorth asks how we can ever draw a clear distinction between personal experience and a shared collective experience, between our own mothers and mothers as they have been depicted throughout history.”
—Maya Solovej, The Baffler
“Boldly refusing to settle for a narrative of forgiveness, Is Mother Dead is an increasingly shocking, unsettling novel.”
—Lucy Scholes, Prospect
“Rich and insular.”
—Samir Chadha, White Review (“Best Books 2022”)
“An absorbing study of inner turmoil … gripping.”
—Susie Mesure, Guardian
“Hjorth is an intoxicating writer who manages to somehow infuse her fictional wanderings with a strong underpinning of personal truths. We feel her presence always lurking beneath Johanna. And we understand how much still remains unsaid.”
—Elaine Margolin, World Literature Today
“A profound, uncomfortable and ultimately beautiful exploration of the first human relationship.”
—Emily Barton, Times Literary Supplement
Kirkus Reviews
2022-07-27
A Norwegian artist probes the rift between her mother and herself.
Johanna is a widowed painter nearly 60 years old, her son grown and with a child of his own, who's been estranged from her mother and sister for nearly three decades. When asked to prepare a retrospective of her work in Oslo, her hometown, Johanna uproots her life and moves back there. Rather than focus on painting, however, Johanna dwells on how she once again lives in the same city as her mother and sister. One night, after a few glasses of wine, Johanna calls her mother; when she doesn’t pick up, Johanna begins to fill the silence between them with her own best guesses of her mother’s thoughts. “I use words to create my image of you,” she thinks. The novel follows Johanna as she recalls her childhood and catalogs the events that culminated in her estrangement—such as her decision to leave her first husband, Thorleif, and abandon her family-sanctioned legal studies to marry her art teacher, Mark, and pursue painting in America. Johanna’s obsession quickly escalates from that phone call to full-blown stalking. As she sifts through her mother’s garbage and lurks on the stairs of her mother’s apartment building, she's compelling in her desire to understand what it means to be a fully grown woman and yet still need your mother. The novel's strength lies in its deft use of psychological analysis as it looks at this relationship through one lens after another. While it's full of metaphorical hauntings, it's most plaintive in Johanna’s desire to have a conversation with her mother. The novel falters in its resolution, but Johanna’s intelligence and emotion still captivate. Like a wounded animal in her need and grief, Johanna cries, “I made myself homeless and homeless I am, and my anguish will not be stilled. Hailstones lash the window and teeth gnaw at the walls, steel knuckles bang on doors, paws maul, creatures sigh, wanting to get in, the terror arrives, the great darkness rises from the forest and the sky hangs low over me like a stone.”
A darkly insightful examination of mother-daughter relationships that captivates with the suspense of a thriller.
