It's Only Rock and Roll: An Anthology of Rock and Roll Short Stories

by Janice Eidus (Editor), John Kastan (Editor)

Overview

A fiction anthology of 22 stories that celebrate the many sides of rock and roll and its cultural impact. Among the many gems here are Lee K. Abbott's wild portrait of a delusional, megalomaniacal rock star on his comeback; T. Coraghessan Boyle's wryly comic depiction of a recently deceased guitarist trying to find his way to rock and roll heaven; Kathleen Warnock's wistful tale of a schoolteacher in the 1980s who meets the real Elvis; Janice Eidus's hip romance between a fifties doo-wop singer and his high-school sweetheart; Lucinda Ebersole's fine riff on Kafka's Metamorphosis, in which a nineties guy named Sammy wakes up one morning as a Beatle; and Geoffrey Becker's moving story of a road trip taken by a guitar-playing father and his teenage son, a journey on which they learn the real meaning of the blues.

Product Details

ISBN-13:	9781567920895
Publisher:	David R. Godine, Publisher
Publication date:	01/01/1998
Pages:	291
Product dimensions:	6.22(w) x 8.40(h) x 0.87(d)

Editorial Reviews

The stories here range from the absurd and the gritty to the bombastic. . . In the hands of these authors, the music becomes more than just accompaniment. It becomes, to quote both John Lennon and the title of one of these stories, 'bigger than Jesus.' -- Time Out New York

Bilge Ebiri

…entertaining and enlightening stories, with front-row, backstage and motel-room perspectives of the music scene.

CNN

How different this anthology would be if it had been published in, say, 1972, when rock and roll still had its messianic buzz. Twenty-five years later we have a book of 22 stories about rock in which not a single character even thinks about doing acid. If that makes you feel, well, old, welcome to the overriding theme of the book. Jill McCorkle captures the mood here in the wonderful "Final Vinyl Days" (also the title of her current collection from Algonquin), in which the narrator, a mid-30s male rock aficionado, experiences both the phasing-out of real records and the parallel rejection (by a series of girlfriends) of his alternative, non-advancing lifestyle. In a similar vein, the 35-year-old father in Geoffrey Becker's "Bluestown" (from his novel of that name) removes his 15-year-old son from high school for an unauthorized journey to Canada, ostensibly to share his last shot at a steady gig but really in a hurtful effort to overcome his own sense of failure. Then there is the mood of rueful mundaneness in Madison Smartt Bell's "Never Mind," covering a day in the life of a "covers" band, whose members know that it will never make the big time. Still, all is not resignation. More upbeat tales include Kevin Downs's funny story of how an ex-punker came to love that schlock classic, Led Zeppelin's "Stairway to Heaven"; Harold Jaffee's stream-of-consciousness post-gonzo rant "Madonna"; and Lucinda Ebersole's throwaway, "Bigger Than Jesus," about a man who wakes up as a Beatle--Ringo, of course. (Sept.)

Publishers Weekly - Publisher's Weekly