Jamaica's Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism
Recognizing that in the contemporary postcolonial moment, national identity and cultural nationalism are no longer the primary modes of imagining sovereignty, Sheri-Marie Harrison argues that postcolonial critics must move beyond an identity-based orthodoxy as they examine problems of sovereignty. In Jamaica’s Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism, Harrison describes what she calls “difficult subjects”—subjects that disrupt essentialized notions of identity as equivalent to sovereignty. She argues that these subjects function as a call for postcolonial critics to broaden their critical horizons beyond the usual questions of national identity and exclusion/inclusion.
 
Harrison turns to Jamaican novels, creative nonfiction, and films from the 1960s to the present and demonstrates how they complicate standard notions of the relationship between national identity and sovereignty.  She constructs a lineage between the difficult subjects in classic Caribbean texts like Wide Sargasso Sea by Jean Rhys and The Harder they Come by Perry Henzell and contemporary writing by Marlon James and Patricia Powell. What results is a sweeping new history of Caribbean literature and criticism that reconfigures how we understand both past and present writing. Jamaica’s Difficult Subjects rethinks how sovereignty is imagined, organized, and policed in the postcolonial Caribbean, opening new possibilities for reading multiple generations of Caribbean writing.
1119250687
Jamaica's Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism
Recognizing that in the contemporary postcolonial moment, national identity and cultural nationalism are no longer the primary modes of imagining sovereignty, Sheri-Marie Harrison argues that postcolonial critics must move beyond an identity-based orthodoxy as they examine problems of sovereignty. In Jamaica’s Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism, Harrison describes what she calls “difficult subjects”—subjects that disrupt essentialized notions of identity as equivalent to sovereignty. She argues that these subjects function as a call for postcolonial critics to broaden their critical horizons beyond the usual questions of national identity and exclusion/inclusion.
 
Harrison turns to Jamaican novels, creative nonfiction, and films from the 1960s to the present and demonstrates how they complicate standard notions of the relationship between national identity and sovereignty.  She constructs a lineage between the difficult subjects in classic Caribbean texts like Wide Sargasso Sea by Jean Rhys and The Harder they Come by Perry Henzell and contemporary writing by Marlon James and Patricia Powell. What results is a sweeping new history of Caribbean literature and criticism that reconfigures how we understand both past and present writing. Jamaica’s Difficult Subjects rethinks how sovereignty is imagined, organized, and policed in the postcolonial Caribbean, opening new possibilities for reading multiple generations of Caribbean writing.
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Jamaica's Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism

Jamaica's Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism

by Sheri-Marie Harrison
Jamaica's Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism

Jamaica's Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism

by Sheri-Marie Harrison

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Overview

Recognizing that in the contemporary postcolonial moment, national identity and cultural nationalism are no longer the primary modes of imagining sovereignty, Sheri-Marie Harrison argues that postcolonial critics must move beyond an identity-based orthodoxy as they examine problems of sovereignty. In Jamaica’s Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism, Harrison describes what she calls “difficult subjects”—subjects that disrupt essentialized notions of identity as equivalent to sovereignty. She argues that these subjects function as a call for postcolonial critics to broaden their critical horizons beyond the usual questions of national identity and exclusion/inclusion.
 
Harrison turns to Jamaican novels, creative nonfiction, and films from the 1960s to the present and demonstrates how they complicate standard notions of the relationship between national identity and sovereignty.  She constructs a lineage between the difficult subjects in classic Caribbean texts like Wide Sargasso Sea by Jean Rhys and The Harder they Come by Perry Henzell and contemporary writing by Marlon James and Patricia Powell. What results is a sweeping new history of Caribbean literature and criticism that reconfigures how we understand both past and present writing. Jamaica’s Difficult Subjects rethinks how sovereignty is imagined, organized, and policed in the postcolonial Caribbean, opening new possibilities for reading multiple generations of Caribbean writing.

Product Details

ISBN-13: 9780814252918
Publisher: Ohio State University Press
Publication date: 06/01/2016
Edition description: 1
Pages: 206
Product dimensions: 6.00(w) x 9.00(h) x 0.90(d)

About the Author

Sheri-Marie Harrison is assistant professor of English at the University of Missouri.

Table of Contents

Introduction • The Politics of Sovereignty in Postcolonial West Indian Literary Discourse

Chapter 1 •  “Who worked this evil, brought this distance between us?” Sex and Sovereignty in Sylvia Wynter’s The Hills of Hebron

Chapter 2 •  “What you say, Elsa?” Postcolonial Sovereignty and Gendered Self-Actualization

Chapter 3 •  “No, my girl, try Bertha”: Race, Gender, Nation, and Criticism in Wide Sargasso Sea and Lionheart Gal

Chapter 4 • Beyond Inclusion, Beyond Nation: Queering Twenty-First-Century Caribbean Literature

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