Jazzology: The Encyclopedia of Jazz Theory for All Musicians

Jazzology: The Encyclopedia of Jazz Theory for All Musicians

by Robert Rawlins, Nor Eddine Bahha

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Overview

(Jazz Instruction). A one-of-a-kind book encompassing a wide scope of jazz topics, for beginners and pros of any instrument. A three-pronged approach was envisioned with the creation of this comprehensive resource: as an encyclopedia for ready reference, as a thorough methodology for the student, and as a workbook for the classroom, complete with ample exercises and conceptual discussion. Includes the basics of intervals, jazz harmony, scales and modes, ii-V-I cadences. For harmony, it covers: harmonic analysis, piano voicings and voice leading; modulations and modal interchange, and reharmonization. For performance, it takes players through: jazz piano comping, jazz tune forms, arranging techniques, improvisation, traditional jazz fundamentals, practice techniques, and much more! Customer reviews on amazon.com for Jazzology average a glowing 5 stars! Here is a typical reader comment: "The book's approach is so intuitive, it almost leads you by the hand into the world of jazz. Certainly jazz is freedom of expression, but you have to know what you're doing and this book is the tool for that ... (it) should be standard in every high school with a jazz program and every college lab band."

Product Details

ISBN-13: 9780634086786
Publisher: Hal Leonard
Publication date: 01/28/2005
Edition description: New Edition
Pages: 272
Sales rank: 454,650
Product dimensions: 9.00(w) x 12.00(h) x 0.69(d)

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Jazzology: The Encyclopedia of Jazz Theory for All Musicians 5 out of 5 based on 0 ratings. 1 reviews.
Guest More than 1 year ago
This excellent book is useful and relevant both as a reference work and as a coursebook. In addition to being the definitive compendium of music theory as it relates to Jazz usage, it also contains exercises for the student that can be used in the classroom as a supplementary teaching tool or even as a full blown course of study in itself. There are hundreds of musical examples to flesh out the prinicples and topics covered in the text. The material is well paced and in a logical order. The uncrowded look of the page layouts aids considerably in making this vast amount of technical material easily digestible for learners of any level. This extremely deep book is certainly poised to become the standard Jazz Theory text of the 21st century.