Released 40 years after
Orson Welles' infamous radio version of the
H.G. Wells tale,
Jeff Wayne's musical version of
War of the Worlds straddles old-style radio drama and contemporary orchestrated narratives by
Rick Wakeman and
David Bedford. And while it lacks the sophisticated arrangements of, say,
Journey to the Centre of the Earth, it does boast an impressively odd cast -- this may be the only time that a member of
Thin Lizzy worked with
Richard Burton, and the presence of
Julie Covington and
the Moody Blues'
Justin Hayward in very attractive singing roles attest to its
pop/rock aspirations. It's
Burton's sonorous tones that sustain this work; his frequent solo narrations are eminently listenable, whereas sections featuring dialogue with other characters often come off as a bit stilted. The music is competent studio
rock, and
"Horsell Common and the Heat Ray" does strike just the right balance between
Burton's narration and an accompaniment built around a buzzsaw guitar riff. Overall, it's pleasant as a period piece, and still a fine way to introduce younger listeners to
Wells' classic tale. (And if you can find it in a vinyl, it comes with a nicely produced narrative booklet with gloriously lurid illustrations by
Geoff Taylor.) The album was actually appealing on too many fronts for its own good in many ways -- the
Justin Hayward-sung
ballad "Forever Autumn," extracted from a much longer piece on the double-LP -- showed some signs of appealing to AM radio listeners and climbed to the Top 40 based on airplay alone, but by the time
Columbia Records in America (missing this boat entirely) got copies of the single into stores so that people could actually buy the record, the song had dropped back down; in the meantime, the record became a favorite of discos and dance clubs in New York and elsewhere, where its extended, highly rhythmic, synthesizer-driven sections delighted deejays and audiences, and
Columbia missed another bet by not releasing an instrumental-only assembly of those long passages. (In New York, for years after it went out of print on vinyl, the album was sought after by club deejays eager to spin it). ~ Paul Collins and Bruce Eder
