"A well-written biography."-New York Times
On Stanwyck: The Life and Times of Barbara Stanwyck:
"Madsen's admirably researched, insightful portrait of her aloof nature . . . reveals she was always torn between her wish to give of herself and her need to be in control."-Christian Science Monitor
On Chanel: A Woman of Her Own:
"Fascinating . . . . Takes the reader behind the coromandel veneers of Chanel's life."-New York Times Book Review
"Carefully knits together the complex pattern of Chanel's complicated existence. It's not an easy task."-Toronto Globe and Mail
On Gloria and Joe:
"Axel Madsen finally gives the public a fascinating chronicle of the romance that could have ruined more than two careers."-Dallas Morning News
On Cousteau:
"Both critical and understanding. And it is exceptionally readable. Readers are well advised to take the plunge."-Chicago Tribune
On Malraux:
"Will stand as the best of more than a dozen books about Malraux in print."-Kansas City Star
"A well-written biography."-New York Times
On Stanwyck: The Life and Times of Barbara Stanwyck:
"Madsen's admirably researched, insightful portrait of her aloof nature . . . reveals she was always torn between her wish to give of herself and her need to be in control."-Christian Science Monitor
On Chanel: A Woman of Her Own:
"Fascinating . . . . Takes the reader behind the coromandel veneers of Chanel's life."-New York Times Book Review
"Carefully knits together the complex pattern of Chanel's complicated existence. It's not an easy task."-Toronto Globe and Mail
On Gloria and Joe:
"Axel Madsen finally gives the public a fascinating chronicle of the romance that could have ruined more than two careers."-Dallas Morning News
On Cousteau:
"Both critical and understanding. And it is exceptionally readable. Readers are well advised to take the plunge."-Chicago Tribune
On Malraux:
"Will stand as the best of more than a dozen books about Malraux in print."-Kansas City Star


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Overview
"A well-written biography."-New York Times
On Stanwyck: The Life and Times of Barbara Stanwyck:
"Madsen's admirably researched, insightful portrait of her aloof nature . . . reveals she was always torn between her wish to give of herself and her need to be in control."-Christian Science Monitor
On Chanel: A Woman of Her Own:
"Fascinating . . . . Takes the reader behind the coromandel veneers of Chanel's life."-New York Times Book Review
"Carefully knits together the complex pattern of Chanel's complicated existence. It's not an easy task."-Toronto Globe and Mail
On Gloria and Joe:
"Axel Madsen finally gives the public a fascinating chronicle of the romance that could have ruined more than two careers."-Dallas Morning News
On Cousteau:
"Both critical and understanding. And it is exceptionally readable. Readers are well advised to take the plunge."-Chicago Tribune
On Malraux:
"Will stand as the best of more than a dozen books about Malraux in print."-Kansas City Star
Product Details
ISBN-13: | 9780471385035 |
---|---|
Publisher: | Wiley |
Publication date: | 01/30/2001 |
Pages: | 320 |
Product dimensions: | 6.40(w) x 9.70(h) x 1.07(d) |
About the Author
Read an Excerpt
The Hard Years
The Hard Years
At a time when most people lived and died within a hundred miles of where they were born, John Jacob Astor's birth in the German territory of the margrave of Baden-Baden was almost accidental. The Astors--the name was variously spelled Astore and Aoster--were Italian Protestants from the Alpine village of Chiavenna high above the northern end of Lake Como. A medieval ancestor was supposed to have been Pedro de Astorga, a knight from León, in northwestern Spain, whose coat of arms featured a goshawk--azor in Spanish--and who was killed in Jerusalem on the Fourth Crusade in 1203. Tracing the lineage back to the Castilian grandee was the genealogical handiwork of John Jacob's great-grandson, William Waldorf Astor, when the latter pressed his case for British peerage. The first documented ancestor is Jean-Jacques d'Astorg, who embraced the Reformation. He and his family are assumed to have been followers of the persecuted Waldensian Puritan faith originating in southern France and existing chiefly in Savoy, a small duchy in northwestern Italy. The religious wars, which broke out in 1618, resulted in brutal persecutions.
Like most subjects of the duke of Savoy, d'Astorg spoke French and Italian, and answered both to Jean-Jacques and Giovan Pietro Astore. The duke of Savoy was a boy of ten and a vassal of Louis XIV in 1685 when the Sun King revoked the Edict of Nantes, which for nearly a century had protected French Calvinists and Lutherans. The massacre of Protestants in Valtellina high up in the Adda Valley sent d'Astorg-Astore, his wife, and their two children fleeing north across Switzerland to Heidelberg, the old university town and Calvinist stronghold where freedom of worship was respected. The family was uprooted again in 1693 when the troops of Louis XIV razed the town. They settled in Zurich, the birthplace a century earlier of Ulrich Zwingli's Reformation. Astore found work as a silk maker and changed his name to Hans Peter Astor. He died in 1711 at the age of forty-seven. His grandson Johann Jakob moved north to Nussloch in Baden, one of the three hundred German principalities, duchies, free cities, and estates forever changing shapes and allegiances as a result of wars and dynastic marriages.
Records show that Johann Jakob and his wife, Anna Margaretha Eberhard, had only one child, Felix Astor. He, too, moved. After Felix married Eva Freund and came into property settled on his wife, the couple established themselves in Walldorf--from the German words Wald and Dorf, meaning literally "wood village"--a community of a thousand souls on the edge of the Black Forest twenty miles south of Heidelberg.
Baden was a long strip of territory stretching from Mannheim to the Swiss border on the south and on the west facing French Alsace across the Rhine. Baden was divided into two states, Catholic Baden-Baden and Protestant Baden-Durlach, a rift that provided little incentive for commerce and industry. Because the Catholic and Protestant halves had pursued diverging policies, Baden had been left helpless during French expansion across the Rhine. Towns and citadels had been destroyed. Felix Astor bought a vineyard in Walldorf in 1713, but he and Eva were never part of the landowning class, although he achieved the honorable position of churchwarden. They were enterprising in commerce. Johann Jacob chose to stay while his half brother Georg Peter--one of the six sons born to Felix Astor's second wife, Susannah--sought his fortune in England. Johann Jacob became the town butcher and, in 1750, married Maria Magdalena Volfelder, when she was seventeen. Five sons and one daughter were born of the union. The first boy died in infancy. Georg Peter, Johann Heinrich, Catherine, and Melchior followed.
The future empire builder and founder of the Anglo-American dynasty was the fifth and youngest son, born on July 17, 1763. Johann Jakob, as he was christened, was three when his mother died. The widowed butcher remarried, but his new wife, Christina Barbara, proved to be of little benefit to her stepchildren as she bore her husband six children of her own. The first set of children resented their stepmother and the second brood. The loathing was mutual. Perhaps because he was only three when his birth mother died, young Johann Jakob seemed not to have suffered the problems so often associated with boys and stepmothers. No letters indicating his affection for Christina exist, but as a mature man he hired an artist to paint portraits of his father and stepmother. Like modern-day police sketches, the portraits were painstakingly drawn from the adult John Jacob's memory. The portraits showed the elder Johann Jakob, toothless and scrawny, selling fish and game. Christina is thin and wrinkled. She holds up one egg from a basket of eggs in the Walldorf market square.
Maria Magdalena's offspring left the overcrowded home as soon as they were old enough to fend for themselves--Catherine to marry, the boys to seek their fortunes elsewhere. There was little motivation for their father to keep them at home or for them to stay. Johann Jakob Sr. was a stubborn, careless, and optimistic man. After a few steins of beer, he could turn nasty and cruel. None of his children apparently liked him. But he ran Walldorf's leading butcher shop for forty years and after that enjoyed good health for another three decades. He was ninety-two when he died in 1816.
The margrave Karl Friedrich was a benevolent ruler of Baden-Durlach and, after the other line of margraves became extinct in 1771, of Baden-Baden. In his youth, he had visited France, the Netherlands, England, and Italy and for a time studied at the University of Lausanne. With his wife, Caroline Louise of Hesse-Darmstadt, he was devoted to art and science beyond mere patronage, and became a friend of Mirabeau and the benefactor of Goethe, Voltaire, and Linnaeus. His concern for improving farming made him an acquaintance of Pierre S. du Pont de Nemours, who would flee the French Revolution for the United States and make a fortune in gunpowder.
Karl Friedrich introduced reforms that were much admired in other German states. Among them was early schooling, from which the Astor children benefited. Johann Jakob came under the influences of schoolmaster Valentin Jeune, a French Protestant who had settled in Walldorf, and the village pastor, John Philip Steiner. Both men seemed to have recognized an able mind in young Johann Jakob because both made special efforts to broaden the boy's horizons beyond reading, writing, and ciphering. The boy was no dreamer. His talents were practical and analytical, and he was an avid reader of the few books and newspapers available in Walldorf. Since his brothers Georg and Heinrich had emigrated, he was especially interested in foreign countries.
Georg, the eldest son of Johann and Maria Magdalena, had been the first to leave. In London, Uncle Georg Peter secured him a job in a company making musical instruments. Young Georg was a gifted musician and craftsman who did well in his uncle's workshop. In 1777, he borrowed enough money to set out to make his own way in the London music scene. He wooed a young girl named Elizabeth Wright. Because she was under the age of consent, her father had to agree to their union. The fact that he did so suggests Georg was not regarded as a penniless foreigner.
The second son, Heinrich, seized his opportunity when German princes began raising regiments to help the Hanoverian King George III of England fight dissidence in his American colonies. Wars were remarkably passionless in eighteenth-century Europe, restricted by conventions and fought for dynastic reasons, with limited objectives. Nationality made little difference to allegiance. Armies were immobile and expensive, and mostly recruited from nobles, vagabonds, and sons pushed out of large, hardscrabble families. The officer corps was permeated by corruption and ineptness, and was separated from the enlisted men by arrogance and incompetence. Heinrich enlisted in Frankfurt, one of the 29,166 men rented out to George III by German rulers for the gross sum of £850,000 a year. Germany was the British army's traditional recruiting ground. German mercenaries were cheaper to recruit than working-class Englishmen who, although poor, enjoyed a high standard of living and were rarely driven by hunger to enlist. Besides, procuring mercenaries for Britain was all in the family. The ruler of Frankfurt was Prince William of Hesse-Kassel, King George's nephew.
Heinrich sailed in a Royal Navy man-of-war in 1775 and arrived in British-held New York, not as a soldier but as a butcher. His job was to procure and prepare meat to feed the Regiment of Hesse. He Anglicized his name to Henry, but the way he pronounced his last name made people spell it Ashdour. He discovered that a third of the colonists were for accommodation with the Crown, a third were for independence, and a third had no opinion.
When his regiment moved out, he deserted and soon opened a butcher's stall in Fly Market. To overcome the shortage of meat, he slipped out of New York City on horseback and somewhere in Westchester County bought stolen livestock from a raiding party. Under cover of night he drove the animals into town, slaughtered them, and sold the meat. Since his prices were generally lower than those of other butchers, competitors protested.
On Palm Sunday of 1777, fourteen-year-old Johann Jakob was confirmed in the Lutheran Church. For peasant and village boys the ceremony marked the end of schooling. Thanks to Karl Friedrich's education reforms and to schoolmaster Jeune's teaching and interest in him, Johann Jakob was better educated than the majority of poor youths of his time. However much his head was filled with ideas of striking out on his own like George and Henry, he followed his father's edict and learned the butcher's trade.
The next two years were the unhappiest in his life. He hated the slaughterhouse and the butcher shop where he worked skinning animals, jointing carcasses, serving customers, and delivering orders. At fifteen he was an expert meat cutter and, with his knack for calculations, a competent would-be tradesman. He was serious, and eager to improve himself. From his mother he was said to have inherited an alert mind. Physically, he was a lanky blond youth, strong and sturdy.
The letters from his brothers made him realize that Walldorf was, economically, the sticks. Henry wrote from New York that even a butcher boy could earn three times as much as he could in Walldorf. Letters from George in London also stirred John Jacob's imagination, and he showed the letters to Reverend Steiner and Schoolmaster Jeune. The trio gravely discussed the contents. It was hard to believe that the rebels in America could possibly win against the powers of the English king. But George reported that London merchants were uneasy over the way the fighting was going in the colonies.
George suggested Melchior join him in his expanding flute-making business. But Melchior could not or would not leave home. He either had no interest or his father could not do without him. Late in life John Jacob would remember how he tramped miles to collect the letters his brothers sent, how his imagination was stirred by descriptions of life in London and the New World. Melchior eventually left their father's shop and joined a community of the evangelistic Moravian church near Koblenz. There he managed a community school and became a tenant farmer on the estate of the prince of Neuwied.
Johann Jakob wrote back to his brothers, asking if he could take Melchior's place. The answer came from London after many weeks, from New York after many months. Yes, they said, he should leave. We do not know why he chose flute making in London over slaughtering in New York: perhaps one step at the time was sensible, or perhaps money for passage to America was out of the question; after all, the king of England had paid for Henry's Atlantic crossing. Johann Jakob discussed the opportunities with Steiner and Jeune. The choice no doubt came down to what was common sense. Other Germans worked in George's instrument factory. Pastor and schoolmaster put in a word with Butcher Astor. It apparently took months before Johann Jakob Sr. agreed to give the youngest son of his first wife the chance he had afforded his other sons.
Two months short of his seventeenth birthday, Johann Jakob stood at the edge of Walldorf and gravely said goodbye to Steiner, Jeune, and one of his half sisters. Only the teacher was cheerful, saying Johann Jakob had a good head and that the world would hear of him. Out of their sight, Johann Jakob knelt under a tree and, according to a story he probably originated himself, promised der lieber Gott he would be honest, industrious, and never gamble. With that he walked to the Rhine and, in the town of Speyer, became a deckhand on a raft transporting Black Forest lumber downriver. Two weeks later he was in Holland with enough money for passage to England. In London he found his way to the Astor & Broadwood musical instrument factory.
Johann Jakob stayed four years in London and Anglicized his name to John Jacob. In 1778, the musical instrument firm of George and John Astor opened its doors at 26 Wych Street, off Drury Lane, in the heart of fashionable London. The brothers made wooden flutes, clarinets, and other wind instruments, slowly broadening their range. As John matured, he learned the business from his brother, and became fluent in English, though he never lost his heavy, guttural accent and never learned the spelling. George was an astute merchant who expanded and diversified into keyboard instruments. John proved to be a born salesman.
News from the American colonies told a confusing story. Letters from Henry spoke of opportunities for ambitious young men and suggested John Jacob come and try his luck. France entered the war on the side of the American rebels the year George and John Jacob opened their shop, and bolstered George Washington's resistance to Britain's veteran troops. The surrender of Cornwallis at Yorktown in 1781 did not settle the conflict, but peace negotiations were started. Thomas Jefferson, President Washington's ambassador to France, was particularly anti-British. "Mr. Jefferson likes us because he detests England," wrote the French minister Pierre Adet, "but he might change his opinion of us tomorrow, if tomorrow Great Britain should cease to inspire his fears." Even after the peace treaty was signed in Paris in 1783, Jefferson brought Anglo-American relations close to war again after a 1790 flare-up between Britain and Spain over English navigator George Vancouver's claims for Britain of a stretch of the Pacific coast of North America.
Twenty-year-old John Jacob possessed both imagination and caution. Peace meant the ex-colonists would turn to cultivating the arts, meaning they would want musical instruments. On the other hand, if the music business failed, there was always the butcher's trade. Flutes were a luxury, but people always needed meat, leather, and furs. The brothers dissolved their London partnership and, with his own modest resources, John Jacob embarked aboard a vessel named the North Carolina or the Carolina in November 1783. His luggage included a consignment of flutes.
The average transatlantic crossing took sixty-six days. Because of an unusually severe winter, the ship taking John Jacob to America was four months at sea. Captain Jacob Stout veered south toward Baltimore to avoid pack ice, which clogged the more northerly ports. The ship was nevertheless immobilized in the frozen waters of Chesapeake Bay. The ice encasing the vessel was thick enough to walk on, and by February and March 1784 a number of John Jacob's fellow passengers clambered overboard and made their way on foot to the Maryland headland. There are two versions of how John Jacob reached America's shore. In 1929, Arthur Howden Smith would write in John Jacob Astor: Landlord of New York that John Jacob waited until the ice broke and the captain was able to move the ship to her berth. In his 1993 biography, The Astors 1763--1992: Landscape with Millionaires, Derek Wilson would claim John Jacob stayed on the ship because the shipping company was obliged to provide bed and board until the end of the voyage. However, by March 24 or 25, he, too, had enough and, with no sign of an imminent thaw, made his way across the frozen Chesapeake Bay to Baltimore.
Half a century later, when he commissioned the best-selling author, historian, diplomat, and gossip Washington Irving to write his life story, he dictated this sketch of his first day in the New World:
I took a walk to see the town, getting up Market Street. While standing and looking about, a little man came out of his shop. This was Nicholas Tuschdy. He addressed me saying--young man I believe you are a stranger, to which I replied yes. Where did you come from--from London--but you are not an Englishman, no a German. Then he says we are near countrymen. I am a Swiss--we are glad to see people coming to this country from Europe. On this he asked me into his house and offered me a glass of wine and introduced me to his wife as a countryman. He offered his services and advice while in Baltimore and requested me to call again to see him.
John Jacob stayed three weeks in Baltimore. Tuschdy displayed some of John Jacob's instruments in his shop window. Several sold. When it was time for J. J. to move on, he had money enough to take a coach for New York.
Table of Contents
Acknowledgments.Introduction.
The Hard Years.
Flutes and Miss Todd.
Into the Woods.
Politics.
Rounding Out the Century.
China Profits.
Realpolitik.
Punqua Wingchong.
Family.
The Good Ship Enterprise.
A Perfect Triangle.
Outbound.
The Hunt Journey.
No News.
Mr. Madison's War.
"So Long as I Have a Dollar".
John Jacob Astor & Son.
Paris.
This Land Is My Land.
Estimable Grand-Papa.
The Bigger Picture.
Writing about It.
A Third Fortune.
Richest Man in America.
Heirs and Graces.
Notes.
Bibliography.
Index.