Kant's Critique of the Power of Judgment: Critical Essays
Kant's Critique of the Power of Judgment, first published in 1790, was the last of the great philosopher's three critiques, following on the heels of Critique of Pure Reason (1781) and Critique of Practical Reason (1788). In the first two, Kant dealt with metaphysics and morality; in the third, Kant turns to the aesthetic dimension of human experience, showing how our experiences of natural and artistic beauty, the sublime magnitude and might of nature, and of purposive organisms and ecological systems gives us palpable evidece that it is possible for us not only to form moral intentions, but also to realize our freely chosen moral goals within nature as we experience it.

The present volume collects twelve of the most important critical discussions on the Critique of the Power of Judgment written by leading Kant scholars and aestheticians from the United States and Great Britain. In addition to a substantive introduction by the editor, the book includes an extensive, annotated bibliography of the most important work on Kant and on the background and arguments of his third Critique published throughout the twentieth century.

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Kant's Critique of the Power of Judgment: Critical Essays
Kant's Critique of the Power of Judgment, first published in 1790, was the last of the great philosopher's three critiques, following on the heels of Critique of Pure Reason (1781) and Critique of Practical Reason (1788). In the first two, Kant dealt with metaphysics and morality; in the third, Kant turns to the aesthetic dimension of human experience, showing how our experiences of natural and artistic beauty, the sublime magnitude and might of nature, and of purposive organisms and ecological systems gives us palpable evidece that it is possible for us not only to form moral intentions, but also to realize our freely chosen moral goals within nature as we experience it.

The present volume collects twelve of the most important critical discussions on the Critique of the Power of Judgment written by leading Kant scholars and aestheticians from the United States and Great Britain. In addition to a substantive introduction by the editor, the book includes an extensive, annotated bibliography of the most important work on Kant and on the background and arguments of his third Critique published throughout the twentieth century.

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Overview

Kant's Critique of the Power of Judgment, first published in 1790, was the last of the great philosopher's three critiques, following on the heels of Critique of Pure Reason (1781) and Critique of Practical Reason (1788). In the first two, Kant dealt with metaphysics and morality; in the third, Kant turns to the aesthetic dimension of human experience, showing how our experiences of natural and artistic beauty, the sublime magnitude and might of nature, and of purposive organisms and ecological systems gives us palpable evidece that it is possible for us not only to form moral intentions, but also to realize our freely chosen moral goals within nature as we experience it.

The present volume collects twelve of the most important critical discussions on the Critique of the Power of Judgment written by leading Kant scholars and aestheticians from the United States and Great Britain. In addition to a substantive introduction by the editor, the book includes an extensive, annotated bibliography of the most important work on Kant and on the background and arguments of his third Critique published throughout the twentieth century.


Product Details

ISBN-13: 9780742514195
Publisher: Bloomsbury Academic
Publication date: 09/03/2003
Series: Critical Essays on the Classics Series
Edition description: New Edition
Pages: 280
Product dimensions: 5.85(w) x 8.90(h) x 0.85(d)

About the Author

Paul Guyer is the Jonathan Nelson Professor of Humanities and Philosophy at Brown University, USA. He is the author of eleven books on the philosophy of Kant, most recently Virtues of Freedom (2016) and Kant on the Rationality of Morality (2019), as well as of A History of Modern Aesthetics in three volumes (2014).

Nick Zangwill, Honorary Research Fellow, Philosophy Department, University College London and Visiting Professor, Philosophy Department University of Lincoln, UK.

Paul Guyer is the Jonathan Nelson Professor of Humanities and Philosophy at Brown University, USA. He is the author of eleven books on the philosophy of Kant, most recently Virtues of Freedom (2016) and Kant on the Rationality of Morality (2019), as well as of A History of Modern Aesthetics in three volumes (2014).

Table of Contents

Chapter 1 Kant's Principles of Reflecting Judgment
Chapter 2 Unkantian Notions of Disinterest
Chapter 3 Kant's Aesthetics and the "Empty Cognitive Stock"
Chapter 4 The Idealism of Purposiveness
Chapter 5 Free and Dependent Beauty
Chapter 6 The Sublime in Nature
Chapter 7 Kant's Theory of Creative Nature
Chapter 8 Artistic Genius and the Question of Creativity
Chapter 9 "Aesthetic Ideas" and the Role of Art in Kant's Ethical Hermeneutics
Chapter 10 Imaginative Freedom and the German Enlightenment
Chapter 11 Newtonian Biology and Kant's Mechanistic Concept of Causality
Chapter 12 Kant's Antinomy of Teleological Judgment

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