Kathryn Maple: A Year of Drawings
Kathryn Maple (b. 1989, Canterbury) is an artist specializing in drawing and painting. Her large-scale paintings feature urban, suburban, and rural landscapes which are frequently populated by human figures. Her work is distinctive for its use of intensely layered mark making, lending the work both urgency and intimacy. The places and people depicted, rendered in a range of painting and drawing materials, are frequently afforded a sense of wildness or mystery by dint of their color palette, collage-like compositions, and recurring motifs such as wind-blown trees and winding pathways.

This, her first monograph, features 379 images, many of which are reproduced for the first time. These include the presentation of her recent major series of oil pastel on paper works "A Year of Drawings", alongside reproductions of her mixed media works on paper, as well as large oils on canvas.

An essay by Kathryn Lloyd, writer, artist, and Contemporary Art Editor at The Burlington Magazine, offers insight into Maple’s impulse to explore the world around her through her work. Large-scale paintings, replete with dense layers of marks, are constructed by means of personal encounter, memory, and imagination. Details of man-made objects, tree bark, and human skin, for instance, become composite, crucial in capturing fleeting experiences of place and of people. Lloyd brings out the symbolism of Maple’s work, making art historical comparisons while connecting these to the specific local characteristics of Maple’s familiar South London landscapes and the importance of walking to the artist’s practice.

An interview with independent curator and critic Anneka French is focused on "A Year of Drawings", a series of 365 drawings made daily since January 2022 outside the artist’s studio. They discuss the process, materials, and art historical and literary influences upon Maple’s work, with a focus on how her drawing and painting strands of work impact each other. Their conversation provides an insight into the thinking of the artist at a crucial stage in Maple’s career.

Taking its title from the lyrics of The Cure’s A Forest (1980), Editor Matt Price’s essay "Into the Trees" offers an introduction to, and an overview of, "A Year of Drawings", discussing examples of the works and considering aspects of the series ranging from art historical precedents to themes, recurring motifs, and interpretation.

The monograph is published to coincide with the exhibitions: Under a Hot Sun, by Kathryn Maple, Walker Art Gallery, Liverpool, 11 February – 30 April 2023 and Kathryn Maple: A Year of Drawings, Lyndsey Ingram Gallery, London, 1–17 March 2023. It has been edited by Matt Price, designed by Anomie Studio, printed by Mixam, Watford, and published by Anomie, London.
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Kathryn Maple: A Year of Drawings
Kathryn Maple (b. 1989, Canterbury) is an artist specializing in drawing and painting. Her large-scale paintings feature urban, suburban, and rural landscapes which are frequently populated by human figures. Her work is distinctive for its use of intensely layered mark making, lending the work both urgency and intimacy. The places and people depicted, rendered in a range of painting and drawing materials, are frequently afforded a sense of wildness or mystery by dint of their color palette, collage-like compositions, and recurring motifs such as wind-blown trees and winding pathways.

This, her first monograph, features 379 images, many of which are reproduced for the first time. These include the presentation of her recent major series of oil pastel on paper works "A Year of Drawings", alongside reproductions of her mixed media works on paper, as well as large oils on canvas.

An essay by Kathryn Lloyd, writer, artist, and Contemporary Art Editor at The Burlington Magazine, offers insight into Maple’s impulse to explore the world around her through her work. Large-scale paintings, replete with dense layers of marks, are constructed by means of personal encounter, memory, and imagination. Details of man-made objects, tree bark, and human skin, for instance, become composite, crucial in capturing fleeting experiences of place and of people. Lloyd brings out the symbolism of Maple’s work, making art historical comparisons while connecting these to the specific local characteristics of Maple’s familiar South London landscapes and the importance of walking to the artist’s practice.

An interview with independent curator and critic Anneka French is focused on "A Year of Drawings", a series of 365 drawings made daily since January 2022 outside the artist’s studio. They discuss the process, materials, and art historical and literary influences upon Maple’s work, with a focus on how her drawing and painting strands of work impact each other. Their conversation provides an insight into the thinking of the artist at a crucial stage in Maple’s career.

Taking its title from the lyrics of The Cure’s A Forest (1980), Editor Matt Price’s essay "Into the Trees" offers an introduction to, and an overview of, "A Year of Drawings", discussing examples of the works and considering aspects of the series ranging from art historical precedents to themes, recurring motifs, and interpretation.

The monograph is published to coincide with the exhibitions: Under a Hot Sun, by Kathryn Maple, Walker Art Gallery, Liverpool, 11 February – 30 April 2023 and Kathryn Maple: A Year of Drawings, Lyndsey Ingram Gallery, London, 1–17 March 2023. It has been edited by Matt Price, designed by Anomie Studio, printed by Mixam, Watford, and published by Anomie, London.
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Kathryn Maple: A Year of Drawings

Kathryn Maple: A Year of Drawings

Kathryn Maple: A Year of Drawings

Kathryn Maple: A Year of Drawings

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Overview

Kathryn Maple (b. 1989, Canterbury) is an artist specializing in drawing and painting. Her large-scale paintings feature urban, suburban, and rural landscapes which are frequently populated by human figures. Her work is distinctive for its use of intensely layered mark making, lending the work both urgency and intimacy. The places and people depicted, rendered in a range of painting and drawing materials, are frequently afforded a sense of wildness or mystery by dint of their color palette, collage-like compositions, and recurring motifs such as wind-blown trees and winding pathways.

This, her first monograph, features 379 images, many of which are reproduced for the first time. These include the presentation of her recent major series of oil pastel on paper works "A Year of Drawings", alongside reproductions of her mixed media works on paper, as well as large oils on canvas.

An essay by Kathryn Lloyd, writer, artist, and Contemporary Art Editor at The Burlington Magazine, offers insight into Maple’s impulse to explore the world around her through her work. Large-scale paintings, replete with dense layers of marks, are constructed by means of personal encounter, memory, and imagination. Details of man-made objects, tree bark, and human skin, for instance, become composite, crucial in capturing fleeting experiences of place and of people. Lloyd brings out the symbolism of Maple’s work, making art historical comparisons while connecting these to the specific local characteristics of Maple’s familiar South London landscapes and the importance of walking to the artist’s practice.

An interview with independent curator and critic Anneka French is focused on "A Year of Drawings", a series of 365 drawings made daily since January 2022 outside the artist’s studio. They discuss the process, materials, and art historical and literary influences upon Maple’s work, with a focus on how her drawing and painting strands of work impact each other. Their conversation provides an insight into the thinking of the artist at a crucial stage in Maple’s career.

Taking its title from the lyrics of The Cure’s A Forest (1980), Editor Matt Price’s essay "Into the Trees" offers an introduction to, and an overview of, "A Year of Drawings", discussing examples of the works and considering aspects of the series ranging from art historical precedents to themes, recurring motifs, and interpretation.

The monograph is published to coincide with the exhibitions: Under a Hot Sun, by Kathryn Maple, Walker Art Gallery, Liverpool, 11 February – 30 April 2023 and Kathryn Maple: A Year of Drawings, Lyndsey Ingram Gallery, London, 1–17 March 2023. It has been edited by Matt Price, designed by Anomie Studio, printed by Mixam, Watford, and published by Anomie, London.

Product Details

ISBN-13: 9781910221471
Publisher: Anomie Publishing
Publication date: 04/06/2023
Pages: 348
Product dimensions: 8.50(w) x 9.25(h) x (d)

About the Author

Kathryn Maple was born in Canterbury in 1989, and lives and works in South London. She graduated in 2011 with a degree in fine art printmaking from the University of Brighton, before undertaking the postgraduate program The Drawing Year at the Royal Drawing School in 2012–13. Maple has featured in exhibitions at venues including Barber & Lopes at the British Art Fair, London, The Royal Academy, London, Beers London, Messums Wiltshire, Flowers Gallery, London, Frestonian Gallery, London, Christies New York, Kristin Hjellegjerde Gallery, London, and Drawing Room, London. Maple was the winner of the Times Watercolour Competition 2014 and 2016, and The John Moores Painting Prize 2020. Her exhibition Under the Hot Sun at the Walker Art Gallery, Liverpool, 2023, was awarded to Maple as part of her prize for winning the latter.

Kathryn Lloyd is a writer, editor, and artist based in London. She has contributed to various arts publications including Art Monthly, Art Review, Apollo, Burlington Contemporary, MAP, and The White Review. She is Contemporary Art Editor at The Burlington Magazine.

Anneka French is a curator and critic who writes for Art Quarterly, Burlington Contemporary, and Photomonitor. She has been commissioned by the Turner Prize, worked at Tate Modern, Ikon, The New Art Gallery Walsall, and Wolverhampton Art Gallery, and curated exhibitions at Grand Union, Birmingham; KH7 ArtSpace, Denmark, and Coventry Biennial.

Matt Price is a London-based arts publisher, editor, and writer. He has published approaching fifty books and catalogues under his Anomie imprints, and edited publications for other publishers including Phaidon, Rizzoli, Thames & Hudson, and Hatje Cantz. He has compiled and written two volumes of The Anomie Review of Contemporary British Painting.
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