Keys

by Alicia Keys

Overview

Going by title and release proximity -- never before had Alicia Keys released studio albums in consecutive years -- Keys seems set up to be pitched as a sequel to Alicia. Conversely, it's another ball of wax. Make that conjoined balls of wax. Disc one is essentially a standard Alicia Keys LP, while the second disc is an album of remixes plus two more new songs. It starts like a mixtape with Keys' anticipatory piano trailed by the stern voice of Pusha T and an equally menacing beat recycling the one from Beanie Sigel's "The Truth" (with that charged Graham Nash organ). Keys testifies her faith and gives thanks, and through the rest of the first set sings to a lover in varying states of their relationship, often with words of devotion and pleas to make it through the not-so-good times. The songs are more likely to evoke a feeling than have a clear meaning; to wit, "Somebody never told me there's a last time for everything/Even a landslide is an opening/Turning metal into gold" requires some interpretive skill to comprehend what Keys is putting across. The originals peak with "Best of Me," a crisp and sighing slow jam with a writing assist from Raphael Saadiq and a hint of Sade's "Cherish the Day." Two of Keys' most moving vocal performances are contained in "Is It Insane," an anguished torch song done acoustic jazz-trio style, and "Love When You Call My Name," a levitating ballad out of time. Keys produced most of the first disc on her own, and for the second disc teams almost exclusively with Mike WiLL Made-It and associates for the alternate versions. The makeovers range from subtle to fairly extreme. "Nat King Cole" is turned into hip-hop soul with an obvious debt to early Portishead (and an insignificant verse from Lil Wayne). The "Skydive" remodel, which likewise evokes the mid-'90s, is much craftier, retaining some of the bass from Taana Gardner's "Heartbeat" but smoothing it out to be in a class with Mary J. Blige's "Mary Jane (All Night Long)" or Groove Theory's "Tell Me." The latter half's new songs are two of the album's higher-profile collaborations: a tentative-sounding missed opportunity with Khalid and Lucky Daye, and an intoxicated duet with Swae Lee where Tyrone Davis' coasting 1979 hit "In the Mood" does most of the work. ~ Andy Kellman

Product Details

Release Date:	02/11/2022
Label:	Rca
UPC:	0194399566428

Album Credits

Performance Credits

Alicia Keys   Primary Artist
Lil Wayne   Featured Artist
Khalid   Featured Artist
Swae Lee   Featured Artist
Lucky Daye   Featured Artist

Technical Credits

James Bailey   Creative Director
Dwight Grant   Composer
Darryl Ellis   Composer
Barry White   Composer
Graham Nash   Composer
Kanye West   Composer
Raphael Saadiq   Composer
Kasseem Dean   Composer
Paul Richmond   Composer
Hank Williams   Composer
Stuart Matthewman   Composer
Ann Mincieli   Engineer,Project Manager,Executive Producer
Alicia Keys   Concept,Composer,Producer,Executive Producer
Andrew Hale   Composer
Natalie Hemby   Composer
Swizz Beatz   Producer
Bill Withers   Composer
Kevin Peterson   Mastering Assistant
Kenton Nix   Composer
Ruben Locke, Jr.   Composer
Sam Morton   Producer
Ramon Rivas   Video Editor
Fred Ball   Producer
Helen Folasade Adu   Composer
Shondrae Crawford   Composer
BJ Burton   Composer,Producer
David Brown   Composer
Jermaine Cole   Composer
AraabMuzik   Producer
Helen Adu   Composer
Abraham Orellana   Composer
Marquel Middlebrooks   Composer
Pierre Slaughter   Composer
Asheton Hogan   Composer
Mike WiLL Made-It   Producer,Executive Producer
P-Nasty   Producer
Carter Lang   Composer
Amanda Charchian   Photography
Khalif Brown   Composer
Dean McIntosh   Composer
Khalid Robinson   Composer
Pluss   Producer
Michael Williams II   Composer
Marzeratti   Producer
Fredrik Ball   Composer
Dave Kutch   Mastering
Aaron Jhenke   Producer
Dwayne Carter   Composer