Credit to the band this much -- they actually went right ahead and started their album with a flushing toilet, living up to their name and album art (the latter provided by guitarist/organist
Adib Casta, later to gain more fame for his paintings). That droll touch aside,
Ladies WC's sole album, like that of many one-offs from the Latin American late-'60s
rock scene, is caught somewhere between moments of individual flair and amiable imitation of obvious favorites. Reissued by the
Shadoks label in 2004 as part of their continuing exhumation of various small-release rarities -- the original album only received a pressing of 4,000 in 1969 -- it's still one of the more enjoyable full-lengths to get a digital revival. In his liner notes, bassist
Steve Scott, the one American member of the Venezuelan quartet and co-writer of most of the songs with
Casta, speaks of their love of such acts as
Paul Butterfield, early
Steve Miller,
Cream, and so forth. There's little question that if one has heard enough electric
blues-rock of the period that there won't be many surprises with songs like
"Heaven's Coming Up" and
"Put That in Your Pipe and Smoke It." To their credit, though, the quartet created a slew of originals instead of simply energetically delivering covers, and that plus their own exuberance means an album that throws in a few curve balls along the way, making an enjoyable listen. The occasional
ballads are particularly lovely in a soft, drifting
psychedelic way --
"To Walk On Water" blends low-key harmonica, chimes, and an echoed vocal to striking effect. The signature touch on the album is a series of sound effects rather than silence separating each of the songs -- fire engines, applause, and so forth -- and while it wasn't an innovation on their part, it's still amusing enough. ~ Ned Raggett
