Last Call

Last Call

by Tim Powers

Narrated by Bronson Pinchot

Unabridged — 19 hours, 36 minutes

Last Call

Last Call

by Tim Powers

Narrated by Bronson Pinchot

Unabridged — 19 hours, 36 minutes

Audiobook (Digital)

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Overview

Scott Crane abandoned his career as a professional poker player twenty years ago and hasn't returned to Las Vegas, or held a hand of cards, in ten years. But troubling nightmares about a strange poker game he once attended on a houseboat on Lake Mead are drawing him back to the magical city. For the mythic game he believed he won did not end that night in 1969-and the price of his winnings was his soul. Now, a pot far more strange and perilous than he could ever imagine depends on the turning of a card.

Enchantingly dark and compellingly real, this World Fantasy Award-winning novel is a masterpiece of magic realism set in the gritty, dazzling underworld known as Las Vegas.


Editorial Reviews

Publishers Weekly - Publisher's Weekly

In a difficult, but distinctive and commanding novel, Powers posits a world of magic and horror behind the neon flash of contemporary Las Vegas. (Oct.)

Kirkus Reviews

Rich, top-flight mythic fantasy based on Jungian archetypes, Tarot symbolism, T.S. Eliot's The Waste Land, and the Parsifal legend; by the smartly acclaimed author of On Stranger Tides, 1987, etc. Luck could not flow with more Jungian synchronicity for Powers than his having cast Bugsy Siegel as The Fisher King in this long novel just as Warren Beatty's Bugsy has fixed the nation's eye on the Oscar race, along with Robin Williams's turn as The Fisher King. The scene is Las Vegas, the subject supernatural poker using Tarot cards. Bugsy Siegel is the reigning Fisher King whose new Flamingo Hotel gambling casino is modeled on the Tarot's tower card, with the Flamingo as an inverted tower. Overthrowing Bugsy is Georges Leon, who assassinates Bugsy in his mistress's home in L.A. and prepares to become Fisher King. Leon has two sons, Robert and Scott. He has already spiritually gutted Robert and now can see through Robert's eyes, and is setting up five-year-old Scott for the same treatment while inducting him into playing-card magic. But Leon's wife shoots him in the groin, giving Leon the Fisher King's unhealing wound, and throws Scott onto a yacht that's passing by on a trailer. Scott, who has been blinded in one eye by Leon and become a one-eyed jack, is adopted and raised by the yacht's wizardly owner, Ozzie (who is much smarter than the Wizard of Oz). Scott faces his father in a weird poker game called Assumption, which uses Tarot cards and allows Leon to assume the bodies of losers for his future use, thus assuring him of immortality as long as he has a stable of bodies. When Scott loses to Leon, his objective becomes someday to beat Leon at Assumption and save his own soul by deprivinghis beastly father of bodies. Scott is aided by the ghost of Bugsy Siegel, which he meets at the bottom of Lake Mead. Knockout poker sequences give the symbolism real sizzle, while the genre is enlivened throughout with great lines from Eliot.

From the Publisher

Dazzling . . . a tour de force, a brilliant blend of John le Carre spy fiction with the otherworldly.” — Dean Koontz

“There’s never been a novel quite like DECLARE…one of the protean Powers’s most absorbing and rewarding creations.” — Kirkus Starred Review

“Highly ingenious . . . No one else writes like Powers, and Declare finds him at the top of his game.” — San Francisco Chronicle

“DECLARE is classic Tim Powers, his best novel since Last Call, and possibly his best to date.” — Locus Magazine

“Tim Powers is a brilliant writer. Declare’s occult subtext for the deeper Cold War is wonderfully original and brilliantly imagined.” — William Gibson

Locus Magazine

DECLARE is classic Tim Powers, his best novel since Last Call, and possibly his best to date.

San Francisco Chronicle

Highly ingenious . . . No one else writes like Powers, and Declare finds him at the top of his game.

Dean Koontz

Dazzling . . . a tour de force, a brilliant blend of John le Carre spy fiction with the otherworldly.

William Gibson

Tim Powers is a brilliant writer. Declare’s occult subtext for the deeper Cold War is wonderfully original and brilliantly imagined.

San Francisco Chronicle

Highly ingenious . . . No one else writes like Powers, and Declare finds him at the top of his game.

Denver Rocky Mountain News

A terrific read . . . a believable tapestry of greed and passion.

Tom Robbins

A novel of the supernatural and occult that is hard boiled, seamy and suspenseful as the best film noir.

Los Angeles Daily News

Riveting…lyrical and brutal…a thrilling tale of gambling, fate and fantastic adventure.

San Jose Mercury News

Weird . . .grippingly written . . . a nightmarish novel, brilliantly researched and made.

Raymond E. Feist

Brilliant! Compelling and satisfying! Tim Powers is one of our best writers, and LAST CALL is his best book yet.

APRIL 2011 - AudioFile

Tim Powers won the World Fantasy Award for this classic work, in which card player Scott Crane faces his long-estranged father in a complex game of poker. The stakes are the ownership of Scott’s body and the position of Fisher King, master of the elemental magic emanating from Las Vegas. Narrator Bronson Pinchot’s focused narration guides the listener through each twist of the eventful plot. Initially known for his facility with accents on television comedy, Pinchot proves equally adept at applying that skill to drama. He mixes in some tense but humorous scenes in which Scott disguises himself as a transvestite with a heavy Brooklyn accent. A.B.G. © AudioFile 2011, Portland, Maine

Product Details

BN ID: 2940169521382
Publisher: Blackstone Audio, Inc.
Publication date: 11/18/2010
Series: Fault Lines Series , #1
Edition description: Unabridged

Read an Excerpt

Last Call

Chapter One

"I'll Still Have You, Sonny Boy"

Georges Leon held his, little boy's hand too tightly and stared up from under hishatbrim at the unnaturally dark noon sky.

He knew that out over the desert, visible to any motorists along the lonelier stretches of Boulder Highway, the rain would be twisting in -tall, tagged funnels under the clouds; already some flooding had probably crept across the two lanes of Highway 91, islanding the Flamingo Hotel outside town. And on the other side of the earth, under his feet, was the full moon.

The Moon and the Fool, he thought desperately. Not goodbut I can't stop now.

A dog was barking a block or two away, in one of these alleys or parking lots. In spite of himself, Leon thought about the dog that appeared on the Fool card in the Tarot deck and the dogs that in Greek mythology accompanied Artemis, the goddess of the moon. And of course, the picture on the Moon card generally showed rain falling. He wished he were allowed to get drunk.

"We'd better be heading for home, Scotty," he told the boy, keeping the urgency out of his voice only with some effort. Get this done, he thought.

Palm fronds rattled overhead and threw big drops down onto the pavement.

"Home'" protested Scotty. "No, you said -- "

Guilt made Leon gruff. "You got a fancy breakfast and lunch, and you've got a pocketful of punched chips and flattened pennies." They took a, few more steps along the puddled pavement toward Center Street, where they'd be turning right toward the bungalow. The wet street smelled like dry white wine. "I'll tell you what, though," he said,despising himself for making an empty promise, "tonight after dinner this storm will have cleared up, and we can drive out of town with the telescope and look at the stars."

The boy sighed. "Okay," he said, trotting along to keep up with his father, his free hand rattling the defaced chips and pennies in his pocket. "But it's gonna be a full moon. That'll wash everything else out, won't it'"

God, shut up, Leon thought. "No," he said, as though the universe might be listening and might do what he said. "No, it won't change a thing."

Leon had wanted an excuse to stop by the Flamingo Hotel, seven miles outside of town on 91, so he had taken Scott there for breakfast.

The Flamingo was a wide three-story hotel with a fourthfloor penthouse, incongruously green against the tan desert that surrounded it. Palm trees had been trucked in to stand around the building, and this morning the sun had been glaring down from a clear sky, giving the vivid green lawn a look of defiance.

Leon had let a valet park the car, and he and Scott had walked hand in hand along the strip of pavement to the front steps that led up to the casino door.

I Below the steps on the left side, behind a bush, Leon had long ago punched a hole in the stucco and scratched some symbols around it; this morning he crouched at the foot of the steps to tie his shoe, and he took a package from his coat pocket and leaned forward and pitched it into the hole.

"Another thing that might hurt you, Daddy'" Scott asked in a whisper. The boy was peering over his shoulder at the crude rayed suns and stick figures that grooved the stucco and flaked the green paint.

Leon stood up. He stared down at his son, wondering why he had ever confided this to the boy. Not that it mattered now.

"Right, Scotto," he said. "And what is it'"

"Our secret."

"Right again. You hungry'"

"As a bedbug." This had somehow become one of their bits of standard dialogue.

"Let's go."

The desert sun had been shining in through the windows, glittering off the little copper skillets the fried eggs and kippered herrings were served in. The breakfast had been "on the house," even though they weren't guests, because Leon was known to have been a business associate of Ben Siegel, the founder. Already the waitresses felt free to refer openly to the man as "Bugsy" Siegel.

That had been the first thing that had made Leon uneasy, eating at the expense of that particular dead man.

Scotty had had a good time, though, sipping a cherry-topped Coca-Cola from an Old Fashioned glass and squinting around the room with a worldly air.

"This is your place now, huh, Dad." he'd said as they were leaving through the circular room that was the casino.

Cards were -turning over crisply, and dice were rolling with a muffled rattle across the green felt, but Leon didn't look at any of the random suits and numbers that were defining. the moment.

None of the dealers or croupiers seemed to have heard the boy. "You don't --" Leon began.

"I know," Scotty had said in quick shame, "you don't talk about important stuff in front of the cards."

They left through the door that faced the 91, and had to wait for the car to be brought around from the other sidethe side where the one window on the penthouse level made the building look like a one-eyed face gazing out across the desert.

The Emperor card, Leon thought now as he tugged Scotty along the rain-darkened Center Street sidewalk; why am I not getting any signs -from it' The old man in profile, sitting on a throne with his legs crossed because of some injury. That has been my card for a year now. I can prove it by Richard, my oldest son -- and soon enough I'll be able to prove it by Scotty here.

Against his. will he wondered what sort of, person Scotty would have grown up to be if this weren't going to happen.

Last Call. Copyright © by Tim Powers. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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