Laughing Out Loud: Writing the Comedy-Centered Screenplay / Edition 1

by Andrew Horton

Overview

Whoever wrote "Make 'em laugh!" knew that it's easier said than done. But people love to laugh, and good comedy will always sell. With the help of this complete and entertaining guide, writers and would-be writers for film and television can look forward to writing comedy that goes far beyond stereotypic jokes and characters. In Laughing Out Loud, award-winning screenwriter and author Andrew Horton blends history, theory, and analysis of comedy with invaluable advice.

Using examples from Chaplin to Seinfeld, Aristophanes to Woody Allen, Horton describes comedy as a perspective rather than merely as a genre and then goes on to identify the essential elements of comedy. His lively overview of comedy's history traces its two main branches—anarchistic comedy and romantic comedy—from ancient Greece through contemporary Hollywood, by way of commedia dell'arte, vaudeville, and silent movies. Television and international cinema are included in Horton's analysis, which leads into an up-close review of the comedy chemistry in a number of specific films and television shows.

The rest of the book is a practical guide to writing feature comedy and episodic TV comedy, complete with schedules and exercises designed to unblock any writer's comic potential. The appendices offer tips on networking, marketing, and even producing comedies, and are followed by a list of recommended comedies and a bibliography.

Product Details

ISBN-13:	9780520220157
Publisher:	University of California Press
Publication date:	01/03/2000
Edition description:	First Edition
Pages:	230
Product dimensions:	6.00(w) x 9.00(h) x 0.70(d)

About the Author

Andrew Horton, the Jeanne H. Smith Professor of Film and Video Studies at the University of Oklahoma, is author of the popular Writing the Character-Centered Screenplay (California, 1994) and other books. Most recently he coedited Play It Again Sam: Retakes on Remakes (with Stuart McDougal, California, 1998) and wrote the introduction to Three More Screenplays by Preston Sturges (California, 1998).

Table of Contents

Acknowledgments
Introduction

PART I
Comic Elements and Exercises
1 Elements of Comedy That Writers Should Know
2 Exercises to Nurture the Comic Muse

PART II
A Writer's Overview of the Traditions and Genres of Comedy
3 From Stage and Page to Screen: Anarchistic
and Romantic Comedy
4 Physical Humor: From Commedia dell'Arte
and Moliere to Vaudeville and Silent Screen Comedy
5 Sound Comedy: American Screwball Romantic Comedy,
Then and Now
6 Comedy and Television: Stand-up, Sitcom and Everything
in Between
7 Comedies from around the World
8 Comedy and the Documentary Impulse

PART III
Close-ups on Comedies
9 Feature Film Comedies
10 Television Comedy: Seinfeld and The Simpsons

PART IV
Writing Comedy
11 The Fifteen-Week Feature Comedy Screenplay
12 The Seven-Week Half-Hour Television Comedy
Pilot Script
Beyond Happy Endings: Toward a Comic Conclusion

Appendix 1 A Recommended Viewing List
of American and Foreign Feature Comedies

Appendix 2 Networking, Marketing and Making
Your Own Comedy

Appendix 3 Food, Recipes and Comic Screenwriting
Bibliography
Index

What People are Saying About This

Barbara Hall

Horton does a masterful job of explaining the inexplicable - the elusive principles of comedy. The book is a celebration of those who have mined for humor in the most barren landscapes and struck gold.
—Barbara Hall, screenwriter

Herschel Weingrod

Horton's latest book is not only refreshing, insightful, and effortlessly scholarly; it's also imbued with that rare quality so lacking in its field - a shameless sense of fun.
—Herschel Weingrod, screenwriter