Light on the Path: Advancing Occultism Through Esoteric Fiction, 1880�1940
In the late nineteenth and early twentieth centuries, the US and UK experienced an occult revival, a flourishing "occulture" that signalled the increasing presence of the occult in the popular imagination. This period also witnessed another major cultural development—a rapid expansion of print culture that offered a dizzying array of new magazines, pulp fiction, cheap single-volume and paperback novels, and emerging forms of genre fiction, all designed to meet (and create) the demands of a growing fiction readership. In Light on the Path, Mark S. Morrisson explores the surprising interdependence of these two phenomena.

As supernatural fiction moved in increasingly occult directions, modern occultism itself became so entangled with popular fiction that it can almost be seen as a literary phenomenon. Morrisson recounts the strategic efforts by modern occultists, including Mabel Collins, Aleister Crowley, Dion Fortune, Kenneth Morris, and Talbot Mundy, to use popular fiction to wrest esotericism away from its traditional modes of secrecy and make esoteric experiences of self-transformation widely accessible. Through experiments to forge a new esoteric fiction genre from already existing genres, these occultists intended their novels to open gates for readers, to offer an occult gnosis through the simple act of reading a novel. In so doing, they transformed genre fiction into a tool with which to launch new religious movements that persist today.
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Light on the Path: Advancing Occultism Through Esoteric Fiction, 1880�1940
In the late nineteenth and early twentieth centuries, the US and UK experienced an occult revival, a flourishing "occulture" that signalled the increasing presence of the occult in the popular imagination. This period also witnessed another major cultural development—a rapid expansion of print culture that offered a dizzying array of new magazines, pulp fiction, cheap single-volume and paperback novels, and emerging forms of genre fiction, all designed to meet (and create) the demands of a growing fiction readership. In Light on the Path, Mark S. Morrisson explores the surprising interdependence of these two phenomena.

As supernatural fiction moved in increasingly occult directions, modern occultism itself became so entangled with popular fiction that it can almost be seen as a literary phenomenon. Morrisson recounts the strategic efforts by modern occultists, including Mabel Collins, Aleister Crowley, Dion Fortune, Kenneth Morris, and Talbot Mundy, to use popular fiction to wrest esotericism away from its traditional modes of secrecy and make esoteric experiences of self-transformation widely accessible. Through experiments to forge a new esoteric fiction genre from already existing genres, these occultists intended their novels to open gates for readers, to offer an occult gnosis through the simple act of reading a novel. In so doing, they transformed genre fiction into a tool with which to launch new religious movements that persist today.
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Light on the Path: Advancing Occultism Through Esoteric Fiction, 1880�1940

Light on the Path: Advancing Occultism Through Esoteric Fiction, 1880�1940

by Mark S Morrisson
Light on the Path: Advancing Occultism Through Esoteric Fiction, 1880�1940

Light on the Path: Advancing Occultism Through Esoteric Fiction, 1880�1940

by Mark S Morrisson

Overview

In the late nineteenth and early twentieth centuries, the US and UK experienced an occult revival, a flourishing "occulture" that signalled the increasing presence of the occult in the popular imagination. This period also witnessed another major cultural development—a rapid expansion of print culture that offered a dizzying array of new magazines, pulp fiction, cheap single-volume and paperback novels, and emerging forms of genre fiction, all designed to meet (and create) the demands of a growing fiction readership. In Light on the Path, Mark S. Morrisson explores the surprising interdependence of these two phenomena.

As supernatural fiction moved in increasingly occult directions, modern occultism itself became so entangled with popular fiction that it can almost be seen as a literary phenomenon. Morrisson recounts the strategic efforts by modern occultists, including Mabel Collins, Aleister Crowley, Dion Fortune, Kenneth Morris, and Talbot Mundy, to use popular fiction to wrest esotericism away from its traditional modes of secrecy and make esoteric experiences of self-transformation widely accessible. Through experiments to forge a new esoteric fiction genre from already existing genres, these occultists intended their novels to open gates for readers, to offer an occult gnosis through the simple act of reading a novel. In so doing, they transformed genre fiction into a tool with which to launch new religious movements that persist today.

Product Details

ISBN-13: 9780197773246
Publisher: Oxford University Press
Publication date: 12/02/2025
Series: Oxford Studies in Western Esotericism
Pages: 256
Product dimensions: 6.50(w) x 1.50(h) x 9.50(d)

About the Author

Mark S. Morrisson is Liberal Arts Professor of English and Associate Dean for Undergraduate Studies in the College of the Liberal Arts at The Pennsylvania State University. A former president of the Modernist Studies Association, he is author of several books and numerous articles on modernist era occultism and esotericism, modernist era print culture, and science studies of the modernist period, including Modern Alchemy: Occultism and the Emergence of Atomic Theory (Oxford, 2007) and, with Richard Shillitoe, a scholarly edition of I Saw Water: An Occult Novel and Other Selected Writings by Ithell Colquhoun (Penn State, 2014).

Table of Contents

Introduction
Chapter 1: The Emergence of Esoteric Fiction: The Long View
Chapter 2: Mabel Collins's Theosophical Fiction: Authorship, Authority, and Romances of Reincarnation
Chapter 3: Aleister Crowley: Modern Esoteric Fiction, the "Crowley Syndicate," and the Great Work
Chapter 4: Dion Fortune's Novels of the 1930s: The Reading of Genre Fiction, Psychotherapeutics, and Esoteric Initiation
Chapter 5: Katherine Tingley's Lomaland: Esoteric Wisdom, Exoteric Evangelism, and Kenneth Morris's Theosophical Fantasy Fiction
Chapter 6: Talbot Mundy at Lomaland: Esoteric Adventure Literature for the Masses
Coda
Notes
Abbreviations
References
Index
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