About the Author
Anastasia Bakogianni is Lecturer in Classical Studies at Massey University, New Zealand, author of Electra Ancient & Modern: Aspects of the Tragic Heroine’s Reception (2011), editor of Dialogues with the Past: Classical Reception Theory and Practice (2013) and co-editor of War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict (2015).
Table of Contents1. Introduction Face to Face: Locating Classical Receptions on Screen; Ricardo Apostol and Anastasia Bakogianni.- 2. Indirect or Masked Modysseys? Establishing a Working Set of Criteria; Gregory N. Daugherty.- 3. Sacrificial Shadows: Tragic Greek Heroines Reinvented for Television in Buffy the Vampire Slayer and Game of Thrones; Tania Evans and Amanda Potter.- 4. Statues, Synths and Simulacra: The Ovidian Contours of Screen Pygmalions; Paula James.- 5. Artefacts, Authenticity and Digital Idols: The Classical After-Image in Contemporary Hollywood Stardom; Michael Williams.- 6. From Album Alitem to Black Swan: Horace and Aronofsky on Poetic Perfection and Death; Ricardo Apostol.- 7. Shades of Ajax: In Search of the Tragic Hero in Modern War Movies; Anastasia Bakogianni.
What People are Saying About This
“This book proposes a radically new way to excavate the layers of modern film and television for their underlying connections with the themes and tropes of classical antiquity. Expertly mingling interpretative techniques borrowed from Film Studies, Comparative Literature, and Adaptation Studies, the six dynamic essays in this volume skillfully investigate a range of screen texts – from The Hurt Locker to Game of Thrones – to uncover multiple strata of the deep engagements between contemporary media and the ancient world.” (Monica S. Cyrino, Professor of Classics, University of New Mexico, USA)
“Locating Classical Receptions on Screen invites the reader to embark on an intrepid journey that transcends the traditional boundaries of Classical Reception Studies. This provocative volume challenges the linear and binary engagements with the ancient past that often guide scholarly approaches to modern media. Refreshing methodologies and cross-disciplinary views contribute to building a stimulating collection that proposes a more dynamic and multisided look at cinema and television, and at the viewer’s ‘face to face encounters’ with Classical myths, stories, characters and ideas.” (Marta Garcia Morcillo, Senior Lecturer in Ancient History, University of Roehampton, UK)