Lost Profiles: Memoirs of Cubism, Dada, and Surrealism

by Philippe Soupault, Alan Bernheimer (Translator), Ron Padgett (Afterword), Mark Polizzotti (Foreword by)

Overview

A retrospective of crucial periods in modernism via portraits of its literary lions by the co-founder of the Surrealist Movement.

Poet Alan Bernheimer provides a long overdue English translation of this French literary classic. Opening with a reminiscence of the international Dada movement in the late 1910s and its transformation into the beginnings of surrealism, Lost Profiles then proceeds to usher its readers into encounters with a variety of literary lions. We meet an elegant Marcel Proust, renting five adjoining rooms at an expensive hotel to "contain" the silence needed to produce Remembrance of Things Past; an exhausted James Joyce putting himself through grueling translation sessions for Finnegans Wake; and an enigmatic Apollinaire in search of the ultimate objet trouvé. Soupault sketches lively portraits of surrealist precursors like Pierre Reverdy and Blaise Cendrars, a moving account of his tragic fellow surrealist René Crevel, and the story of his unlikely friendship with right-wing anti-Vichy critic George Bernanos. The collection ends with essays on two modernist forerunners, Charles Baudelaire and Henri Rousseau. With an afterword by Ron Padgett recounting his meeting with Soupault in the mid 70's and a preface by André Breton biographer Mark Polizzotti, Lost Profiles confirms Soupault's place in the vanguard of twentieth-century literature.

Praise for Lost Profiles:

"Philippe Soupault was a central figure in both the Dada and Surrealist movements but throughout his long life walked under no banner except the one of artistic freedom. In this previously untranslated book, he gives us a collection of richly remembered portraits of some of his best-loved friends from the old days of the new modernism. As a glimpse into that time, these lost portraits are invaluable—and often deeply moving."—Paul Auster, author of Report from the Interior

"Reading Alan Bernheimer's splendid translation of Soupault's memoir, I forgot that it was a translation, that it was Soupault writing or talking about another time, about his friends of one century past. I read myself into these vivid and virile (so, sue me!) assaults on time, and Time stopped."—Andrei Codrescu, author of The Posthuman Dada Guide: Tzara and Lenin Play Chess

"Philippe Soupault was present at the creation of both Dada and Surrealism—collaborating with André Breton to produce The Magnetic Fields, the first book of automatic writing—before going his own way as a poet, novelist, and journalist. In this present volume, Soupault's fierce independence, deep wit, and generous heart shine through a set of sharply observed portraits of European writers—fellow geniuses, most of them known to him personally. Alan Bernheimer's fine translation allows Soupault's vibrant voice to come to life in our time, and to reanimate in turn some of the greatest spirits of the past century's literature—a marvelous and much-needed apparition."—Andrew Joron, author of Trance Archive: New and Selected Poems

"In this dazzling book—adroitly, smoothly & accurately translated by poet Alan Bernheimer—poet & co-founder of Surrealism Philippe Soupault trains his great secret eye & ear to auscultate an astounding range of core 20th century literary figures he knew personally. And does so with serenity, humor & profound insight. Like none of the academic histories covering this period, no matter how well written and documented, this book makes you say as you devour it: 'Wish I had been there.' Enough said, I’m going to call René Crevel right now."—Pierre Joris, author of Barzakh: Poems 2000-2012

Product Details

ISBN-13:	9780872867277
Publisher:	City Lights Books
Publication date:	10/25/2016
Pages:	118
Product dimensions:	5.00(w) x 7.00(h) x 0.40(d)

About the Author

A key poet of Parisian modernism, Philippe Soupault (1897-1990) served in the French army during WWI and subsequently joined the antirationalist Dada movement under the leadership of Tristan Tzara. With friends André Breton and Louis Aragon, Soupault co-founded the Dada journal Littérature. In 1919, Soupault collaborated with Breton on the automatic text Les Champs magnétiques, widely considered the foundation of the surrealist movement. He would remain with the movement until 1929, resigning over its increasing politicization. In the years that followed, he wrote novels and journalism, and directed Radio Tunis in Tunisia, where he was imprisoned by the Vichy government during WWII. After the war, he resumed his journalistic activities and also worked for UNESCO. In 1972 he was awarded the Grand Prix de Poésie by the French Academy and he lived long enough the assist with the first complete translation of Breton and his Magnetic Fields in 1985.

Poet Alan Bernheimer’s most recent collection is The Spoonlight Institute, published by Adventures in Poetry in 2009. He has lived in the Bay Area since the late 1970s, where he was active in Poets Theater and produced a radio program, “In the American Tree,” of new writing by poets. He has translated works by Robert Desnos and Valery Larbaud.

Table of Contents

Introduction
Translator’s Note
Steps in the Footsteps
Guillaume Apollinaire
Ode to Guillaume Apollinaire
René Crevel
Marcel Proust
James Joyce
Georges Bernanos
Pierre Reverdy
Baudelaire Rediscovered
Henri Rousseau, le Douanier
Afterword: Remembering Philippe Soupault, by Ron Padgett

Editorial Reviews

"The gentlest of renegades, the most tender of the French avant-garde poets, the co-author of the first literary work of automatic writing (The Magnetic Fields, 1919), Philippe Soupault was a central figure in both the Dada and Surrealist movements but throughout his long life walked under no banner except the one of artistic freedom. In this previously untranslated book, he gives us a collection of richly remembered portraits of some of his best-loved friends from the old days of the new modernism. A young disciple of the short-lived Apollinaire, the translator of Joyce's Anna Livia Plurabelle, the son of one of Proust's jeunes filles en fleurs, Soupault crossed paths with nearly everyone from that time whose name is still remembered today. As a glimpse into that time, these lost portraits are invaluable—and often deeply moving. The chapter about Proust alone is worth the price of admission, and then there is more, much more packed into the pages of this small, indelible book. Bravo to Alan Bernheimer for having given it to us."—Paul Auster, author of Report from the Interior

"Poets must encourage each other because time is indifferent to the lives that flow through it. Time is what we are made of, but we are a rare school of fish that can see, in Rimbaud's sense, the substance that everyone disregards even as it dissolves them. We have to be young because we are the only force that can slow time down to reveal the beauty of its devastation. Reading Alan Bernheimer's splendid translation of Soupault's memoir, I forgot that it was a translation, that it was Soupault writing or talking about another time, about his friends of one century past. I read myself into these vivid and virile (so, sue me!) assaults on time, and Time stopped."—Andrei Condrescu, author of The Posthuman Dada Guide: Tzara and Lenin Play Chess

"First published in 1963, this charming collection of reminiscences by surrealist poet Philippe Soupault offers warm, generous, appreciative profiles of some of his famous contemporaries. … Sharp, stylish, and anecdotal, the book offers a fresh glimpse into a fertile artistic world."—Kirkus Reviews

"In [Alan] Bernheimer’s graceful translations, Soupault’s little reflections on many of his contemporaries give readers the poet’s own insights into a host of literary giants … For anyone interested in early 20th-century literary and artistic movements, Bernheimer’s translation is a worthy event."—Publishers Weekly

"Lost Profiles offers witty and unexpurgated views of a daring era in the Arts when the world became shatteringly altered. These are the memories shared some forty odd years later by one actively involved with multiple fellow players in various scenes of the time. It’s a delightful, thought-provoking read that will have those who are already familiar with the material returning to favorite books, while those who are unfamiliar will be busy becoming acquainted with marvelous characters from a key period in world literary history. Even more importantly, Lost Profiles signals a necessary reminder of how much joy there is to be found in discovering terrific, epochal texts freshly translated.”—Patrick Dunagan, The Northwest Review of Books

“[C]harming … a brief account by a perceptive writer who was on the scene when modernity was young.”—National Post

"The attraction of this little book pivots on the first word of its subtitle. Memoirs, yes, but not only just that, considering their author—along with André Breton and Louis Aragon—is a founder of Parisian Dada and surrealism. Charming, deft, the profiles that the author paints of those he knew, and one he didn't, though all to him were friends in truth or feeling, reach out and ever so subtly ensnare. It is not that they reveal anything completely new after nearly a century of scholarship and criticism. Nor is that the point. But freshness is a value, both personal and poetic that, for Soupault, is as natural as breath.”—Leonardo

"Soupault's memoir would not be out of place in the company of such minor classics as Ambroise Vollard's Recollections of a Picture Dealer, Manuel Rosenthal's Satie, Ravel, Poulenc, Jean Cocteau's Professional Secrets, or even Ernest Hemingway's A Moveable Feast. … The accumulation of choice details leaves us with the impression that at an advanced age, Soupault continued to look back on the past fondly—and to inhabit, in his own quiet way, the world that had been explosively dramatized decades earlier by Dada and Surrealism, wherein events counted for more than aesthetic artifacts. Or as Blaise Cendrars had taught him, 'You have to live poetry before you write it; writing, that was superfluous.’”—Rain Taxi

From the Publisher

2016-07-31
Personal perspectives on the creation of modernism.First published in 1963, this charming collection of reminiscences by surrealist poet Philippe Soupault (1897-1990) offers warm, generous, appreciative profiles of some of his famous contemporaries. Framed by an introduction by Mark Polizzotti, who interviewed Soupault as part of his research about Breton, and an afterword by poet Ron Padgett, who met the author in 1975, the volume includes pieces on writers whom Soupault knew well, including Guillaume Apollinaire, Marcel Proust, James Joyce, René Crevel, Pierre Reverdy, Georges Bernanos, and Blaise Cendrars, and two from the past: painter Henri Rousseau and poet Charles Baudelaire. Coming of age as an artist after World War I, Soupault says the spirit of the times was one of destruction, incited by the arrival of Tristan Tzara (“like a bomb”), who brought Dadaism, the iconoclastic movement that set the stage for surrealism. Dada, Soupault saw, was trying “to destroy all the established values, the literary practices, and the moral bias that the great captains of literature and journalism want to continue imposing.” Although not a Dadaist, Apollinaire recognized a “new spirit” in art; calling himself “a signal rocket,” he was an outspoken defender of cubism. The shocked response to his writings taught Soupault the importance of scandal. He deeply admired Joyce, who at the time they met was writing Ulysses; they went to the theater and opera together, always sitting in the first row, where the nearly blind Joyce could better see the stage. As a writer, Soupault observed, Joyce was “tormented by a word, rebelliously constructing a framework…drawing a hallucination from music.” Padgett notes that Reverdy and Cendrars, two vastly different personalities, served as Soupault’s mentors. Reverdy coveted solitude; Cendrars loved people, hanging out at the Café de Flore, “fedora askew and cigarette butt on his lip,” always “madly cheerful.” Sharp, stylish, and anecdotal, the books offers a fresh glimpse into a fertile artistic world.

Kirkus Review