There can be no debate about
Etta James' many gifts as an interpreter of
blues,
R&B,
soul, and
jazz -- and she also has a way with a
country song that makes the best of them sit up and take notice. Her long and varied career has taken her all along the American music highway. This set of love songs comes almost exclusively from her later
BMG-affiliated label recordings, made in mid-'90s and early 21st century -- the opening cut, however,
"At Last," was originally issued in 1960 on the
Chess label. Many veteran listeners who prefer
James' 1950s music may have a hard time appreciating this phase in her career, and it's their loss. For those who do, however (and for those who have yet to encounter the singer properly), these 15 cuts will be a small revelation. Compiled to accent her softer
jazz singing persona,
Love Songs sets
James in the company of
jazz greats including
Cedar Walton,
Tony Dumas,
Red Holloway, and
George Bohannon on her readings of
standards such as
"He's Funny That Way," "My Man," "Teach Me Tonight," and
"I'll Be Seeing You," among others. Elsewhere,
James can be found digging into deeply soulful nuggets like
Otis Redding's
"I've Been Loving You Too Long" and
Brook Benton's
"I'll Take Care of You." The closer is her now classically controversial version of
Cole Porter's
"Night and Day," where she turns the tune inside out and makes it completely her own. But the most beautiful thing here is the skeletal, deeply moving and introspective
"My Funny Valentine," where she is accompanied only by a guitar and a trumpet. For the money, this comp is a solidly different taste of
James and should be considered. ~ Thom Jurek