Magnificathy: The Many Voices of Cathy Berberian

Magnificathy: The Many Voices of Cathy Berberian

by Cathy Berberian
Magnificathy: The Many Voices of Cathy Berberian

Magnificathy: The Many Voices of Cathy Berberian

by Cathy Berberian

CD

$20.99 
  • SHIP THIS ITEM
    In stock. Ships in 1-2 days.
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

Lovers of extended vocal technique no doubt would have preferred a full album of that kind of material from this groundbreaking, sometimes eardrum shattering, female singer. Her discography seems as tiny as the parts of the inner ear, however, so customers are going to have to take what they can get. The type of program presented on this early-'70s collection might have also been the same kind of repertoire she would have presented in a live recital, setting out first to prove her credentials with a note-perfect performance of Monteverdi -- she has a good Italian accent, by the way -- and then easing through several Debussy pieces before getting into the weird stuff. That would be the compositions by John Cage and Sylvano Bussotti as well as Berberian's own infamous "Stripsody." It is in these three pieces that this album serves up the filet mignon, although the Debussy songs and a Kurt Weill piece are quite nice. A shame that, once again in an attempt to keep the attention of the lame members of the audience, she has to throw in George Gershwin in the form of a hideous excerpt from Porgy and Bess and even a Beatles number. As far as the latter attempt goes, this type of thing dates quite badly, with comedian Henry Gibson's recitation of "She Loves You" on the Laugh-In program one of the only performances of this sort from this era that stands the test of time. Berberian's Beatles could be played side by side with the Kronos Quartet's run-through of "Spoonful" to see which is more ghastly, if anyone is interested. Despite the attempt to soften the impact of the avant-garde material, examinations of used copies of this album invariably produce the same results: the only tracks that get any play are the weird stuff and the aforementioned Debussy and Weill. Scratches on some of the other tracks, particularly "Ticket to Ride," have the nasty edge of someone switching cuts in a terrible hurry. Cage provides the singer with a wordless setting as well as text from James Joyce. As usual, this tirelessly inventive composer looks to expand what the singer can do on-stage, so she winds up rapping and tapping on the piano to wonderful effect. "Stripsody" is the one that really ought to be required listening for anyone fascinated by the meeting points of popular and so-called "outside" culture, drawing its raw material from comic strips and their inventive use of made-up sounds to convey action and/or feelings. Realizing the similarity between this standard aspect of the funny papers and the rarefied form of vocalizing she helped pioneer, Berberian came up with something absolutely wonderful. It is interesting that some of the finest vocal compositions in the avant-garde repertoire were created, like this one, by the performers themselves, perhaps something to do with the ultimately personal nature of singing. ~ Eugene Chadbourne

Product Details

Release Date: 12/08/1993
Label: WERGO GERMANY
UPC: 4010228605426

Tracks

  1. Se i languidi miei sguardi (Lettera amorosa), madrigal for soprano (from Book 7), SV 141
  2. Chansons de Bilitis (3), song cycle for voice & piano, L. 90~La fl¿¿te de Pan
  3. Chansons de Bilitis (3), song cycle for voice & piano, L. 90~La chevelure
  4. Chansons de Bilitis (3), song cycle for voice & piano, L. 90~Le tombeau des Na¿¿ades
  5. A Flower, for voice & closed piano
  6. The Wonderful Widow of Eighteen Springs, for voice & closed piano
  7. La Passion selon Sade (Extraits de concert), for soprano, 10 instruments & percussion~"O" - Atti Vocali
  8. Happy End, musical play~Surayaba-Johnny
  9. Ticket to Ride
  10. Porgy and Bess, opera~Summertime
  11. Stripsody, for solo voice

Album Credits

Performance Credits

Cathy Berberian   Primary Artist,Vocals
Bruno Canino   Piano,Harpsichord

Technical Credits

Cathy Berberian   Text Translation,Composer
Ira Gershwin   Composer,Librettist
DuBose Heyward   Composer,Librettist
John Lennon   Composer
Kurt Weill   Composer
Paul McCartney   Composer
Bertolt Brecht   Text
Claude Debussy   Composer
James Joyce   Text
Sylvano Bussotti   Composer
Claudio Monteverdi   Composer
Pierre Louys   Text
John Cage   Composer
George Gershwin   Composer
From the B&N Reads Blog

Customer Reviews