Make Believe in Film and Fiction: Visual vs. Verbal Storytelling
This study provides the first detailed contrast between the experiences of reading a novel and watching a movie. Kroeber shows how fiction evokes morally inflected imagining, and how movies reveal through magnification of human movements and expression subjective effects of complex social changes.
1110901324
Make Believe in Film and Fiction: Visual vs. Verbal Storytelling
This study provides the first detailed contrast between the experiences of reading a novel and watching a movie. Kroeber shows how fiction evokes morally inflected imagining, and how movies reveal through magnification of human movements and expression subjective effects of complex social changes.
54.99 In Stock
Make Believe in Film and Fiction: Visual vs. Verbal Storytelling

Make Believe in Film and Fiction: Visual vs. Verbal Storytelling

by K. Kroeber
Make Believe in Film and Fiction: Visual vs. Verbal Storytelling

Make Believe in Film and Fiction: Visual vs. Verbal Storytelling

by K. Kroeber

Paperback(1st ed. 2006)

$54.99 
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Overview

This study provides the first detailed contrast between the experiences of reading a novel and watching a movie. Kroeber shows how fiction evokes morally inflected imagining, and how movies reveal through magnification of human movements and expression subjective effects of complex social changes.

Product Details

ISBN-13: 9781349534012
Publisher: Palgrave Macmillan US
Publication date: 06/15/2006
Edition description: 1st ed. 2006
Pages: 228
Product dimensions: 5.51(w) x 8.50(h) x (d)

About the Author

KARL KROEBER is Mellon Professor in Humanities at Columbia University, USA.

Table of Contents

Brutal Beginning: Imagining Murder/Watching Murder Moving Eyes, Moving Sculptures Inside and Outside Somebody Else's Fantasy Make Believe is Always a Story Single-Handed and Collective Make Believe Movies and Hyper-Visual Culture La Strada and the Conjecturing Imagination Madame Bovary : Linguistic Configurings of Imaginative Corruption Rashomon and Wuthering Heights Form in Visual Storytelling: Buster Keaton's The General Genre and Transforming Sources: High Noon Forenoon Seeing and Imagining Ethical Crises: High Noon : Afternoon Great Expectations : Insights from the Impossibility of Adaptation Magnifying Criminality: Fargo , Film Noir, and A Perfect World Innovative Lawfulness: Learning to Read Works Cited Index
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