Marcel Duchamp
A revised and expanded edition of one of the most original books ever written on the enigmatic artist Marcel Duchamp.

Genius, anti-artist, charlatan, guru, impostor? Since he arrived on the scene in 1914, Marcel Duchamp has been called all of these. Almost no other artist of the twentieth century has inspired more passion and controversy, nor exerted a greater influence on art. At the same time, Duchamp continually challenged the very nature of art and strove to redefine it as conceptual rather than as product by questioning why the medium was mostly a "retinal" experience.

Always the provocateur, Duchamp never ceased to be engaged, openly or secretly, in activities and works that transformed traditional artmaking. Through his works like Fountain; Bicycle Wheel; L.H.O.O.Q.; and Nude Descending a Staircase, No. 2, Duchamp played with the idea of what art can be, opening new possibilities for future generations.

This revised entry in the World of Art series, written by three leading experts on twentieth-century art, and published with support of Duchamp’s widow, is one of the most original books written on this enigmatic artist. Featuring a new chapter and preface, as well as updates throughout from specialist scholars who are active in their fields, this is the definitive introduction to Duchamp. Thoroughly illustrated, this volume combines thirty years of research by the authors and challenges history’s presumptions, misunderstandings, and pieces of misinformation about Marcel Duchamp and his legacy.

1140065623
Marcel Duchamp
A revised and expanded edition of one of the most original books ever written on the enigmatic artist Marcel Duchamp.

Genius, anti-artist, charlatan, guru, impostor? Since he arrived on the scene in 1914, Marcel Duchamp has been called all of these. Almost no other artist of the twentieth century has inspired more passion and controversy, nor exerted a greater influence on art. At the same time, Duchamp continually challenged the very nature of art and strove to redefine it as conceptual rather than as product by questioning why the medium was mostly a "retinal" experience.

Always the provocateur, Duchamp never ceased to be engaged, openly or secretly, in activities and works that transformed traditional artmaking. Through his works like Fountain; Bicycle Wheel; L.H.O.O.Q.; and Nude Descending a Staircase, No. 2, Duchamp played with the idea of what art can be, opening new possibilities for future generations.

This revised entry in the World of Art series, written by three leading experts on twentieth-century art, and published with support of Duchamp’s widow, is one of the most original books written on this enigmatic artist. Featuring a new chapter and preface, as well as updates throughout from specialist scholars who are active in their fields, this is the definitive introduction to Duchamp. Thoroughly illustrated, this volume combines thirty years of research by the authors and challenges history’s presumptions, misunderstandings, and pieces of misinformation about Marcel Duchamp and his legacy.

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Marcel Duchamp

Marcel Duchamp

Marcel Duchamp

Marcel Duchamp

Paperback(Second)

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Overview

A revised and expanded edition of one of the most original books ever written on the enigmatic artist Marcel Duchamp.

Genius, anti-artist, charlatan, guru, impostor? Since he arrived on the scene in 1914, Marcel Duchamp has been called all of these. Almost no other artist of the twentieth century has inspired more passion and controversy, nor exerted a greater influence on art. At the same time, Duchamp continually challenged the very nature of art and strove to redefine it as conceptual rather than as product by questioning why the medium was mostly a "retinal" experience.

Always the provocateur, Duchamp never ceased to be engaged, openly or secretly, in activities and works that transformed traditional artmaking. Through his works like Fountain; Bicycle Wheel; L.H.O.O.Q.; and Nude Descending a Staircase, No. 2, Duchamp played with the idea of what art can be, opening new possibilities for future generations.

This revised entry in the World of Art series, written by three leading experts on twentieth-century art, and published with support of Duchamp’s widow, is one of the most original books written on this enigmatic artist. Featuring a new chapter and preface, as well as updates throughout from specialist scholars who are active in their fields, this is the definitive introduction to Duchamp. Thoroughly illustrated, this volume combines thirty years of research by the authors and challenges history’s presumptions, misunderstandings, and pieces of misinformation about Marcel Duchamp and his legacy.


Product Details

ISBN-13: 9780500204702
Publisher: Thames & Hudson
Publication date: 04/13/2021
Series: World of Art
Edition description: Second
Pages: 264
Product dimensions: 5.90(w) x 7.90(h) x 1.00(d)

About the Author

Dawn Ades is a professor emerita of the history and theory of art at the University of Essex. She has written extensively on Dada, Surrealism, photography, and women artists, among other topics. Her many books also include Dalí and, with Neil Cox and David Hopkins, Marcel Duchamp, both in the World of Art series.

Neil Cox is the head of the Leonard A. Lauder Research Center for Modern Art at the Metropolitan Museum of Art. His books include Cubism and The Picasso Book, and he has written numerous essays connecting art and philosophical ideas.

David Hopkins is a professor of art history at the University of Glasgow. His previous books include: Marcel Duchamp and Max Ernst: The Bride Shared, Dada’s Boys: Masculinity after Duchamp, and A Companion to Dada and Surrealism.

Table of Contents

Foreword 6

Preface 8

Chapter 1 Origins 10

Chapter 2 Catholicism and the Symbolist Inheritance 28

Chapter 3 Passages 51

Chapter 4 Dry Art, the 'Retinal Shudder' and the Planning of the Large Glass 75

Chapter 5 The Bride Stripped Bare by Her Bachelors, Even (the Large Glass) 92

Chapter 6 The Readymades and 'Life on Credit' 128

Chapter 7 Optics and Film 156

Chapter 8 Anti-Art, Rrose Sélavy and Surrealism 165

Chapter 9 Replicas, Casts and the Infra-thin 196

Chapter 10 Etant donnés Postscript 215

Duchamp after Duchamp 232

Chronology 244

Bibliography and Sources 247

List of Illustrations 252

Index 259

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