Medieval Clothing and Textiles 15
The best new research on medieval clothing and textiles, drawing from a variety of angles and approaches.

The essays in this volume continue the Journal's tradition of groundbreaking interdisciplinary work. The volume opens with a survey of the discipline of medieval clothing and textiles, written by founding editor Gale R. Owen-Crocker. The range of the other essays extends chronologically from the early Middle Ages through the fifteenth century and covers a variety of disciplines. Topics include the conception of the author as a "wordweaver" in the literatures of Anglo-Saxon England; intertextual literary identities established through clothing in the Nibelungenlied and the Völsunga Saga; the historical record of clothing and textiles at the court of King John of England; medallion silks, their use in Western Europe, and their representation in art; the vestments of Beguines and other penitential movements in the thirteenth and fourteenth centuries; and a depiction of heraldic textile weaving inlate-medieval art.

Contributors: Tina Anderlini, Joanne W. Anderson, Maren Clegg Hyer, Alejandra Concha Sahli, Gale R. Owen-Crocker, Elizabeth M. Swedo, Hugh Thomas
1129769058
Medieval Clothing and Textiles 15
The best new research on medieval clothing and textiles, drawing from a variety of angles and approaches.

The essays in this volume continue the Journal's tradition of groundbreaking interdisciplinary work. The volume opens with a survey of the discipline of medieval clothing and textiles, written by founding editor Gale R. Owen-Crocker. The range of the other essays extends chronologically from the early Middle Ages through the fifteenth century and covers a variety of disciplines. Topics include the conception of the author as a "wordweaver" in the literatures of Anglo-Saxon England; intertextual literary identities established through clothing in the Nibelungenlied and the Völsunga Saga; the historical record of clothing and textiles at the court of King John of England; medallion silks, their use in Western Europe, and their representation in art; the vestments of Beguines and other penitential movements in the thirteenth and fourteenth centuries; and a depiction of heraldic textile weaving inlate-medieval art.

Contributors: Tina Anderlini, Joanne W. Anderson, Maren Clegg Hyer, Alejandra Concha Sahli, Gale R. Owen-Crocker, Elizabeth M. Swedo, Hugh Thomas
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Overview

The best new research on medieval clothing and textiles, drawing from a variety of angles and approaches.

The essays in this volume continue the Journal's tradition of groundbreaking interdisciplinary work. The volume opens with a survey of the discipline of medieval clothing and textiles, written by founding editor Gale R. Owen-Crocker. The range of the other essays extends chronologically from the early Middle Ages through the fifteenth century and covers a variety of disciplines. Topics include the conception of the author as a "wordweaver" in the literatures of Anglo-Saxon England; intertextual literary identities established through clothing in the Nibelungenlied and the Völsunga Saga; the historical record of clothing and textiles at the court of King John of England; medallion silks, their use in Western Europe, and their representation in art; the vestments of Beguines and other penitential movements in the thirteenth and fourteenth centuries; and a depiction of heraldic textile weaving inlate-medieval art.

Contributors: Tina Anderlini, Joanne W. Anderson, Maren Clegg Hyer, Alejandra Concha Sahli, Gale R. Owen-Crocker, Elizabeth M. Swedo, Hugh Thomas

Product Details

ISBN-13: 9781783274123
Publisher: BOYDELL & BREWER INC
Publication date: 05/17/2019
Series: Medieval Clothing and Textiles , #15
Pages: 215
Product dimensions: 6.14(w) x 9.21(h) x (d)

About the Author

Robin Netherton is a costume historian specializing in Western European clothing of the Middle Ages and its interpretation by artists and historians.

Gale R. Owen-Crocker is Professor Emerita of the University of Manchester where she was previously Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies.

Monica L. Wright is the Granger and Debaillon Professor of French and Medieval Studies at the University of Louisiana at Lafayette, USA. Her research focuses on the use of clothing in medieval French literature.

Gale R. Owen-Crocker is Professor Emerita of the University of Manchester where she was previously Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies.

Maren Clegg Hyer is Assistant Professor of English, Snow College.

Table of Contents

Preface
Old Rags, New Responses: Medieval Dress and Textiles - Gale R. Owen-Crocker
Text/Textile: "Wordweaving" in the Literatures of Anglo-Saxon England - Maren Clegg Hyer
Unfolding Identities: The Intertextual Roles of Clothing in the Nibelungenlied and Völsunga Saga - Elizabeth M. Swedo
Clothing and Textiles at the Court of King John of England, 1199-1216 - Hugh M Thomas
Dressing the Sacred: Medallion Silks and their Use in Western Medieval Europe - Tina Anderlini
Habit Envy: Extra-Religious Groups, Attire, and the Search for Legitimation Outside the Institutionalized Religious Orders - Alejandra Concha Sahli
The Loom, the Lady and her Family Chapels: Weaving Identity in Late Medieval Art - Joanne W. Anderson
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