Minoru Yamasaki and the Fragility of Architecture
Few figures in the American arts have stories richer in irony than does architect Minoru Yamasaki. While his twin towers of New York’s World Trade Center are internationally iconic, few who know the icon recognize its architect’s name or know much about his portfolio of more than 200 buildings. One is tempted to call him America’s most famous forgotten architect. He was classed in the top tier of his profession in the 1950s and ’60s, as he carried modernism in novel directions, yet today he is best known not for buildings that stand but for two projects that were destroyed under tragic circumstances: the twin towers and the Pruitt-Igoe housing project in St. Louis. This book undertakes a reinterpretation of Yamasaki’s significance that combines architectural history with the study of his intersection with defining moments of American history and culture. The story of the loss and vulnerability of Yamasaki’s legacy illustrates the fragility of all architecture in the face of natural and historical forces, yet in Yamasaki’s view, fragility is also a positive quality in architecture: the source of its refinement, beauty, and humanity. We learn something essential about architecture when we explore this tension of strength and fragility.

In the course of interpreting Yamasaki’s architecture through the wide lens of the book we see the mid-century role of Detroit as an industrial power and architectural mecca; we follow a debate over public housing that entailed the creation and eventual destruction of many thousands of units; we examine competing attempts to embody democratic ideals in architecture and to represent those ideals in foreign lands; we ponder the consequences of anti-Japanese prejudice and the masculism of the architectural profession; we see Yamasaki’s style criticized for its arid minimalism yet equally for its delicacy and charm; we observe Yamasaki making a great name for himself in the Arab world but his twin towers ultimately destroyed by Islamic militants. As this curious tale of ironies unfolds, it invites reflection on the core of modern architecture’s search for meaning and on the creative possibilities its legacy continues to offer.

Beautifully illustrated with over 100 color illustrations of Yamasaki’s buildings, this book will be of interest to students, academics and professionals in a range of disciplines, including architectural history, architectural theory, architectural preservation, and urban design and planning.

1138779317
Minoru Yamasaki and the Fragility of Architecture
Few figures in the American arts have stories richer in irony than does architect Minoru Yamasaki. While his twin towers of New York’s World Trade Center are internationally iconic, few who know the icon recognize its architect’s name or know much about his portfolio of more than 200 buildings. One is tempted to call him America’s most famous forgotten architect. He was classed in the top tier of his profession in the 1950s and ’60s, as he carried modernism in novel directions, yet today he is best known not for buildings that stand but for two projects that were destroyed under tragic circumstances: the twin towers and the Pruitt-Igoe housing project in St. Louis. This book undertakes a reinterpretation of Yamasaki’s significance that combines architectural history with the study of his intersection with defining moments of American history and culture. The story of the loss and vulnerability of Yamasaki’s legacy illustrates the fragility of all architecture in the face of natural and historical forces, yet in Yamasaki’s view, fragility is also a positive quality in architecture: the source of its refinement, beauty, and humanity. We learn something essential about architecture when we explore this tension of strength and fragility.

In the course of interpreting Yamasaki’s architecture through the wide lens of the book we see the mid-century role of Detroit as an industrial power and architectural mecca; we follow a debate over public housing that entailed the creation and eventual destruction of many thousands of units; we examine competing attempts to embody democratic ideals in architecture and to represent those ideals in foreign lands; we ponder the consequences of anti-Japanese prejudice and the masculism of the architectural profession; we see Yamasaki’s style criticized for its arid minimalism yet equally for its delicacy and charm; we observe Yamasaki making a great name for himself in the Arab world but his twin towers ultimately destroyed by Islamic militants. As this curious tale of ironies unfolds, it invites reflection on the core of modern architecture’s search for meaning and on the creative possibilities its legacy continues to offer.

Beautifully illustrated with over 100 color illustrations of Yamasaki’s buildings, this book will be of interest to students, academics and professionals in a range of disciplines, including architectural history, architectural theory, architectural preservation, and urban design and planning.

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Minoru Yamasaki and the Fragility of Architecture

Minoru Yamasaki and the Fragility of Architecture

by Paul Kidder
Minoru Yamasaki and the Fragility of Architecture

Minoru Yamasaki and the Fragility of Architecture

by Paul Kidder

Paperback

$51.99 
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Overview

Few figures in the American arts have stories richer in irony than does architect Minoru Yamasaki. While his twin towers of New York’s World Trade Center are internationally iconic, few who know the icon recognize its architect’s name or know much about his portfolio of more than 200 buildings. One is tempted to call him America’s most famous forgotten architect. He was classed in the top tier of his profession in the 1950s and ’60s, as he carried modernism in novel directions, yet today he is best known not for buildings that stand but for two projects that were destroyed under tragic circumstances: the twin towers and the Pruitt-Igoe housing project in St. Louis. This book undertakes a reinterpretation of Yamasaki’s significance that combines architectural history with the study of his intersection with defining moments of American history and culture. The story of the loss and vulnerability of Yamasaki’s legacy illustrates the fragility of all architecture in the face of natural and historical forces, yet in Yamasaki’s view, fragility is also a positive quality in architecture: the source of its refinement, beauty, and humanity. We learn something essential about architecture when we explore this tension of strength and fragility.

In the course of interpreting Yamasaki’s architecture through the wide lens of the book we see the mid-century role of Detroit as an industrial power and architectural mecca; we follow a debate over public housing that entailed the creation and eventual destruction of many thousands of units; we examine competing attempts to embody democratic ideals in architecture and to represent those ideals in foreign lands; we ponder the consequences of anti-Japanese prejudice and the masculism of the architectural profession; we see Yamasaki’s style criticized for its arid minimalism yet equally for its delicacy and charm; we observe Yamasaki making a great name for himself in the Arab world but his twin towers ultimately destroyed by Islamic militants. As this curious tale of ironies unfolds, it invites reflection on the core of modern architecture’s search for meaning and on the creative possibilities its legacy continues to offer.

Beautifully illustrated with over 100 color illustrations of Yamasaki’s buildings, this book will be of interest to students, academics and professionals in a range of disciplines, including architectural history, architectural theory, architectural preservation, and urban design and planning.


Product Details

ISBN-13: 9780367629526
Publisher: Taylor & Francis
Publication date: 08/10/2021
Pages: 272
Product dimensions: 6.88(w) x 9.69(h) x (d)

About the Author

Paul Kidder, Ph.D., is Professor of Philosophy at Seattle University, where he has taught courses on the history of philosophy, existentialism, philosophical hermeneutics, philosophy of art and architecture, and ethics in urban affairs. He is the author of Gadamer for Architects (2012), published by Routledge.

Table of Contents

Preface and acknowledgments x

A note on illustrations xii

A note on references xiii

1 Rethinking Yamasaki 1

Yamasaki known and unknown 1

The fate of a style 5

The fragility of architecture 12

Course of the study 15

2 The fragility of dreams 19

Inspiration and tribulation 20

The making of a modernist 27

Founding a practice 30

Success and its costs 37

The long shot 38

The persistence of culture 41

3 The fragility of the city 47

Design on trial 49

High-risers and low-risers 52

Looking beyond design 55

A hard legacy 59

4 The most fragile of arts 65

The flower and the deer 66

The experiential dimension 72

The devil in the details 75

The architecture of humanism 78

5 The presence of the past 85

Japanese heritage 88

Islamic legacies 94

Venetian synthesis 100

Classical transformations 106

"The New Formalism" 108

6 The moral imperative 119

Ethics and ethos 121

Ethics in practice 122

The ethos of modern architecture 123

Expressing structure 126

Strength as symbol 132

The question reconsidered 136

7 Populism and democratic culture 141

Symbolizing the state 143

Imagining the academy 145

Serving the market 156

Populism and manufactured culture 160

Serious play 163

8 Greatness and vulnerability 167

St. Louis sequel 167

The calamity wager 171

Scale and concentration 173

City in the sky 174

The scale of tragedy 182

Greatness and bigness 186

9 The ambiguity of symbols 189

The nature of symbol 191

The sacreo and the mundane 193

The World Trade Center as symbol 202

Rebuilding and not rebuilding 210

10 Postmodern postludes 219

The day modern architecture died 220

Postmodern theory 222

Iconic historicism 224

Postmodern violence and anti-violence 228

11 The question of preservation 235

Historical grounds for preservation 241

Grounds in artistic merit 245

The presence of Yamasaki 248

Photo credits 253

Index 255

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