Modern American Poetry and the Architectural Imagination: The Harmony of Forms
Modern American Poetry and the Architectural Imagination: The Harmony of Forms assesses the relationship between architectural and poetic innovation in the United States across the twentieth century. Taking the work of five key poets as case studies and drawing on the work of a rich range of other writers, architects, artists, and commentators, this study proposes that by examining the sustained and productive—if hitherto overlooked—engagement between the two disciplines, we enrich our understanding of the complexity and interrelationship of both.

The book begins by tracing the rise of what was conceived of as 'modern' (and often 'international style') architecture and by showing how poetry and architecture in the early decades of the century developed in dialogue, and within a shared, and often transnational, context. It then moves on to examine the material, aesthetic, and social conditions that helped shape both disciplines, offering new readings of familiar poems and bringing other pertinent resources to light. It considers the uses to which poets of the period put the insights of architecture—and vice versa. In closing, Gill turns to modern and contemporary architects' written accounts of their own practice, in memoirs and other commentaries, and examines how they have assimilated, or resisted, the practice and vision of poetry.
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Modern American Poetry and the Architectural Imagination: The Harmony of Forms
Modern American Poetry and the Architectural Imagination: The Harmony of Forms assesses the relationship between architectural and poetic innovation in the United States across the twentieth century. Taking the work of five key poets as case studies and drawing on the work of a rich range of other writers, architects, artists, and commentators, this study proposes that by examining the sustained and productive—if hitherto overlooked—engagement between the two disciplines, we enrich our understanding of the complexity and interrelationship of both.

The book begins by tracing the rise of what was conceived of as 'modern' (and often 'international style') architecture and by showing how poetry and architecture in the early decades of the century developed in dialogue, and within a shared, and often transnational, context. It then moves on to examine the material, aesthetic, and social conditions that helped shape both disciplines, offering new readings of familiar poems and bringing other pertinent resources to light. It considers the uses to which poets of the period put the insights of architecture—and vice versa. In closing, Gill turns to modern and contemporary architects' written accounts of their own practice, in memoirs and other commentaries, and examines how they have assimilated, or resisted, the practice and vision of poetry.
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Modern American Poetry and the Architectural Imagination: The Harmony of Forms

Modern American Poetry and the Architectural Imagination: The Harmony of Forms

by Jo Gill
Modern American Poetry and the Architectural Imagination: The Harmony of Forms

Modern American Poetry and the Architectural Imagination: The Harmony of Forms

by Jo Gill

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Overview

Modern American Poetry and the Architectural Imagination: The Harmony of Forms assesses the relationship between architectural and poetic innovation in the United States across the twentieth century. Taking the work of five key poets as case studies and drawing on the work of a rich range of other writers, architects, artists, and commentators, this study proposes that by examining the sustained and productive—if hitherto overlooked—engagement between the two disciplines, we enrich our understanding of the complexity and interrelationship of both.

The book begins by tracing the rise of what was conceived of as 'modern' (and often 'international style') architecture and by showing how poetry and architecture in the early decades of the century developed in dialogue, and within a shared, and often transnational, context. It then moves on to examine the material, aesthetic, and social conditions that helped shape both disciplines, offering new readings of familiar poems and bringing other pertinent resources to light. It considers the uses to which poets of the period put the insights of architecture—and vice versa. In closing, Gill turns to modern and contemporary architects' written accounts of their own practice, in memoirs and other commentaries, and examines how they have assimilated, or resisted, the practice and vision of poetry.

Product Details

ISBN-13: 9780198868347
Publisher: Oxford University Press
Publication date: 06/30/2023
Pages: 304
Product dimensions: 8.10(w) x 5.60(h) x 1.40(d)

About the Author

Jo Gill, Vice-Principal and Head of the College of Arts, University of Glasgow

Jo Gill is Vice-Principal and Head of the College of Arts at the University of Glasgow. She specialises in mid-century American literature and culture and has published widely on writers including Anne Sexton, Sylvia Plath, Robert Lowell, Elizabeth Bishop, and Gwendolyn Brooks.

Table of Contents

List of FiguresList of AbbreviationsIntroduction: The Harmony of Forms1. Modern American Architecture2. Hart Crane: The Architectural Art3. Carl Sandburg: Smoke and Steel4. Wallace Stevens: Ideas of Order5. Elizabeth Bishop: The Strangeness of Scale6. Frank O'Hara: Light and SpaceConclusion: Architecture as PoetryWorks CitedIndex
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